Glorious Reception of the Ambassador of Peace, on His Entry Into Paris
1796
202
James Gillray, 1756–1815
Hint to Modern Sculptors, as an Ornament to a Future Square ---
1796
203
James Gillray, 1756–1815
Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon
1796
204
James Gillray, 1756–1815
John Bull & His Dog Faithful; - "Among The Faithless, Faithful Only Found"
1796
205
James Gillray, 1756–1815
The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe
1792
206
James Gillray, 1756–1815
Patience on a Monument
1791
207
Print made by James Gillray, 1756–1815
The Prince of Wales
1802
208
James Gillray, 1756–1815
The - Battle Royal, or Who Wears the Breeches
1784
209
James Gillray, 1756–1815
A Sun Setting in a Fog, With The Old Hanover Hack Descending
1783
210
James Gillray, 1756–1815
The April Fool or The Follies of a Night ---
1786
211
James Gillray, 1756–1815
Which is the Better Man or The Pot Calls the Kettle Blacka-e
1786
212
James Gillray, 1756–1815
A Witch, Upon a Mount's Edge - Vide: Fuzelli
1791
213
James Gillray, 1756–1815
Crumbs of Comfort, - or - Old-Orthodox Restoring Consolation to His Fallen Children
1782
214
James Gillray, 1756–1815
Gloria Mundi, or The Devil Addressing the Sun
ca. 1782
215
James Gillray, 1756–1815
Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2)
1782
216
James Gillray, 1756–1815
A New Administration, or - The State Quacks Administring
1783
217
James Gillray, 1756–1815
The Friendly Agent
1787
218
James Gillray, 1756–1815
The Bubbles of Opposition
1788
219
James Gillray, 1756–1815
Margarets Ghost. What's the Matter Auntee-Peg, What Makes You Put on Such a Long Face?
1791
220
James Gillray, 1756–1815
A Warm Birth for the Old Administration -----
1783
221
James Gillray, 1756–1815
The Seige of Blenheim, - or - The New System of Gunning, Discovered -- Vide - A Bold Stroke for a Husband-Dedicated to the Duke of A.-
1791
222
James Gillray, 1756–1815
John Bull Triumphant
1780
223
James Gillray, 1756–1815
The Triumphant Britons
1780
224
James Gillray, 1756–1815
A Copper Countenance, Selling by Private Contract, The Property of a Noble Lord Out of Office Having No Further Use for It..
1780
225
James Gillray, 1756–1815
Ah, Grant A Me Von Letel Bite
1780
226
James Gillray, 1756–1815
The Cole - Heavers. Two Virtuous Elves, Taking care of Themselves
1783
227
James Gillray, 1756–1815
Balaam, - or - The Majesty of the People,- The Lord Open'd the Mouth of the Ass, . . . etc
1783
228
James Gillray, 1756–1815
Jack A Both Sides!
1783
229
James Gillray, 1756–1815
Bonus - Melior - Optimus, or the Devil's The Best of the Bunch
1783
230
Print made by James Gillray, 1756–1815
A Coalition of Parties, Give Justice Her Claims
1783
231
Print made by James Gillray, 1756–1815
Evacuation Before Resignation
1782
232
Print made by James Gillray, 1756–1815
Scene Le Vrog House
1782
233
Print made by James Gillray, 1756–1815
The Minister In - The Minister Out
1782
234
James Gillray, 1756–1815
Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square
1796
235
James Gillray, 1756–1815
A Natural Crop; - Alias - A Norfolk Dumpling
1791
236
James Gillray, 1756–1815
A Uniform Whig ---
1791
237
James Gillray, 1756–1815
The Royal Academy
1786
238
James Gillray, 1756–1815
Gloria Mundi, or - The Devil Addressing the Sun
1782
239
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
1806
240
Print made by Joseph Brown, 19th century
James Gillray
1848
241
Charles Turner, 1774–1857
James Gillray
1819
242
James Gillray, 1756–1815
Consequences of a Successful French Invasion, No. III, Plate 2nd, We teach de English Republicans to work
1798
243
James Gillray, 1756–1815
Gillray Caricatures
244
James Gillray, 1756–1815
Duke William's Ghost
1799
245
James Gillray, 1756–1815
Palemon and Lavinia
1805
246
James Gillray, 1756–1815
Tales of wonder
1802
247
James Gillray, 1756–1815
L'Enfant Trouve: a sample of Roman Charity
1808
248
Print made by James Gillray, 1756–1815
The Pillar of the Constitution
1807, published 1835
249
James Gillray, 1756–1815
"all Bond Street trembled as he strode"
1802
250
James Gillray, 1756–1815
Councellor Ego. -i.e: little i, myself i
1798
251
James Gillray, 1756–1815
Maecenas, in pursuit of the Fine Arts
1808
252
James Gillray, 1756–1815
Président d'Administration Municipale. French Habits no 5
1798
253
James Gillray, 1756–1815
A Peep into the Cave of Jacobinism
1798
254
James Gillray, 1756–1815
Fine Bracing Weather
1808
255
James Gillray, 1756–1815
Evidence to Character - being, a portrait of a Traitor, by his Friends & by Himself
1798
256
James Gillray, 1756–1815
Breathing a Vein
1804
257
James Gillray, 1756–1815
Charming Well Again
1804
258
James Gillray, 1756–1815
A Standing dish at Boodles
1800
259
James Gillray, 1756–1815
Visiting the Sick
1806
260
James Gillray, 1756–1815
A Block for the Whigs - or, The new State Whirligig (Poor John Bull's House Plundered at Noon Day)
1783
261
James Gillray, 1756–1815
A Masonic Anecdote
1786
262
James Gillray, 1756–1815
Britania's Assassination or The Republican's Amusement
1782
263
James Gillray, 1756–1815
A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)
1783
264
James Gillray, 1756–1815
Coming-In at the Death
1800
265
James Gillray, 1756–1815
Hounds in Finding
1800
266
James Gillray, 1756–1815
Hounds Throwing-Off
1800
267
James Gillray, 1756–1815
Cockney-Sportsmen Shooting-Flying
1800
268
James Gillray, 1756–1815
Cockney-Sportsmen Re-charging
1800
269
James Gillray, 1756–1815
Cockney-Sportsmen finding a Hare
1800
270
James Gillray, 1756–1815
A Standing-dish at Boodles
1800
271
James Gillray, 1756–1815
French Democrats surprizing the Royal Runaways
1791
272
James Gillray, 1756–1815
Charming-well again
1804
273
James Gillray, 1756–1815
A Scotch Poney - commonly call'd a Galloway
1803
274
James Gillray, 1756–1815
Breathing a vein
1804
275
James Gillray, 1756–1815
The Minister In / The Minister Out
1782
276
James Gillray, 1756–1815
A New Administration, or the State Quacks Administering
1783
277
James Gillray, 1756–1815
Bonus / Mellior / Optimus
1783
278
James Gillray, 1756–1815
Light Expelling Darkness
1795
279
James Gillray, 1756–1815
The Pigs Possessed
1807
280
James Gillray, 1756–1815
Egyptian Sketches
1799
281
James Gillray, 1756–1815
Doublûres of Characters
1798
282
James Gillray, 1756–1815
New Morality
1798
283
James Gillray, 1756–1815
Making Decent / Broad bottomites getting into the Grand Costume
1806
284
James Gillray, 1756–1815
Election Troops bringing in their accounts to the Paytable
1788
285
James Gillray, 1756–1815
John Bull and the Sinking Fund
1807
286
James Gillray, 1756–1815
Tiddy-Doll, the great Gingerbread Baker, drawing out a new Batch of Kings
1806
287
James Gillray, 1756–1815
Maniac Ravings or Little Boney in a Strong Fit
1803
288
James Gillray, 1756–1815
Playing in Parts
1801
289
James Gillray, 1756–1815
A Great Stream from a Petty Fountain
1806
290
James Gillray, 1756–1815
Patriotic Petitions on the Convention
ca. 1808
291
James Gillray, 1756–1815
Tom Paine's Nightly Pest
1792
292
James Gillray, 1756–1815
The Generae of Patriotism
1796
293
James Gillray, 1756–1815
A kick at the Broad Bottoms
1807
294
Print made by James Gillray, 1756–1815
Every Man has his Hobby Horse
1784
295
James Gillray, 1756–1815
Visiting the Sick
1806
296
James Gillray, 1756–1815
Effusions of a Pot of Porter
1799
297
James Gillray, 1756–1815
"Two Pairs of Portraits;" presented to all the unbiased Electors of Great Britain
1798
298
James Gillray, 1756–1815
Les Membres du Conseil des Cinq Cents. French Habits No. 3