The Castle in the Moon. A New Adventure, Not Mentioned By Cerventes
1782
4
James Gillray, 1756–1815
Evacuation Before Resignation
1782
5
Print made by James Gillray, 1756–1815
Mason, The Duke's Confectioner Disposing of the Trinkets
1788
6
Print made by James Gillray, 1756–1815
Hyde-Park; - Sunday, - or - Both Hemispheres of the World in a Sweat ---
1789
7
Print made by James Gillray, 1756–1815
The (Coward), Comforted; - or - A Scene Immediately After the Duel ---
1789
8
Print made by James Gillray, 1756–1815
John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?
1789
9
James Gillray, 1756–1815
The Soliloquy
1782
10
James Gillray, 1756–1815
Paille d'Avoine - Paille d'Avoine
1786
11
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
12
James Gillray, 1756–1815
The Doctor Indulged with his Favorite Scene ---
ca. 1790
13
Print made by James Gillray, 1756–1815
The Dutch Divisions
1787
14
Print made by James Gillray, 1756–1815
The Sick Prince
1787
15
James Gillray, 1756–1815
The (Prince's) Nursery or Nine Months After
1786
16
James Gillray, 1756–1815
The Funeral Procession of Miss Regency
1789
17
James Gillray, 1756–1815
The Tottering Pyramid
1784
18
James Gillray, 1756–1815
The Fall of Dagon - or Rare News for Leaden-Hall Street
1784
19
James Gillray, 1756–1815
The Times - or a View of the Old House in Little Brittain - with Nobody Giving to Hannover
1784
20
James Gillray, 1756–1815
The Battle of Bow-Street
1788
21
Print made by James Gillray, 1756–1815
The Butchers of Freedom
1788
22
James Gillray, 1756–1815
The English Regency
1789
23
James Gillray, 1756–1815
A Modern Cherub, - Vide Peters
1791
24
James Gillray, 1756–1815
Aside he Turn'd for Envy, yet with Jealous leer Malign, Eyd them Askance
1782
25
James Gillray, 1756–1815
The Legacy
1786
26
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
27
James Gillray, 1756–1815
Swearing to the Cutting Monster or - A Scene in Bow Street
1790
28
James Gillray, 1756–1815
The Republican - Attack
1795
29
James Gillray, 1756–1815
Fatal Effect of the French Defeat - Hanging (and) Drowning
1795
30
James Gillray, 1756–1815
The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton)
1797
31
James Gillray, 1756–1815
Destruction of the French Collossus
1798
32
James Gillray, 1756–1815
Nelson's Victory: - or - Good - News Operating Upon Loyal - Feelings
1798
33
James Gillray, 1756–1815
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery
1791
34
James Gillray, 1756–1815
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself
1798
35
James Gillray, 1756–1815
The Leadenhall Volunteer, Drest in his Shawl
1797
36
James Gillray, 1756–1815
Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____
1798
37
James Gillray, 1756–1815
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
1797
38
James Gillray, 1756–1815
Homer Singing His Verses to the Greeks
1797
39
James Gillray, 1756–1815
Field Marshall Count Suwarrow-Rominskoy ---
1799
40
James Gillray, 1756–1815
A Man of Importance
1799
41
James Gillray, 1756–1815
Independence
1799
42
James Gillray, 1756–1815
Fashionable - Jockeyship
1796
43
James Gillray, 1756–1815
Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe
1796
44
James Gillray, 1756–1815
The Prince at Grass --- The Prince in Clover
1787
45
James Gillray, 1756–1815
Two New Sliders for the State Magic Lanthern
1783
46
James Gillray, 1756–1815
The Thunderer. Vide; Every Man in His Humour, Alter'd From Ben John
1782
47
James Gillray, 1756–1815
Councellor Ego. -i.e: little i, myself i
1798
48
James Gillray, 1756–1815
Les Membres du Conseil des Cinq Cents. French Habits No. 3
1798
49
James Gillray, 1756–1815
Président d'Administration Municipale. French Habits no 5
1798
50
James Gillray, 1756–1815
[ untitled ]
1800
51
James Gillray, 1756–1815
Evidence to Character - being, a portrait of a Traitor, by his Friends & by Himself
1798
52
James Gillray, 1756–1815
A Peep into the Cave of Jacobinism
1798
53
James Gillray, 1756–1815
Ladies Dress, as it soon will be
1796
54
James Gillray, 1756–1815
National Conveniences
1796
55
James Gillray, 1756–1815
Nature display'd, shewing the Effect of the change of the Seasons on the Ladies garden
1797
56
James Gillray, 1756–1815
Cockney-Sportsmen Shooting-Flying
1800
57
James Gillray, 1756–1815
Hounds Throwing-Off
1800
58
James Gillray, 1756–1815
Cockney-Sportsmen Re-charging
1800
59
James Gillray, 1756–1815
Cockney-Sportsmen finding a Hare
1800
60
James Gillray, 1756–1815
Hounds in Finding
1800
61
James Gillray, 1756–1815
Coming-In at the Death
1800
62
James Gillray, 1756–1815
The Kettle Hooting the Porridge-Pot
1782
63
James Gillray, 1756–1815
Anticipation, or the approaching fate of the French commercial treaty
1787
64
James Gillray, 1756–1815
A Standing-dish at Boodles
1800
65
James Gillray, 1756–1815
Taking Physick
1800
66
James Gillray, 1756–1815
Wha Wants Me?
1792
67
James Gillray, 1756–1815
The Minister In / The Minister Out
1782
68
James Gillray, 1756–1815
A New Administration, or the State Quacks Administering
1783
69
James Gillray, 1756–1815
Light Expelling Darkness
1795
70
James Gillray, 1756–1815
Doublûres of Characters
1798
71
James Gillray, 1756–1815
Consequences of a Successful French Invasion, No. I, Plate 2nd, We explain de Rights of Man to de Noblesse
1798
72
James Gillray, 1756–1815
The Generae of Patriotism
1796
73
James Gillray, 1756–1815
Visiting the Sick
1806
74
James Gillray, 1756–1815
Effusions of a Pot of Porter
1799
75
Print made by James Gillray, 1756–1815
Every Man has his Hobby Horse
1784
76
James Gillray, 1756–1815
A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)
1783
77
James Gillray, 1756–1815
Scene le Vrog House
1782
78
James Gillray, 1756–1815
Evidence to Character; - being a Portrait of a Traitor, by his Friends & by Himself
1798
79
James Gillray, 1756–1815
Apothecaries, Taylors & c. Conquering France and Spain
1779
80
James Gillray, 1756–1815
National Discourse
1780
81
James Gillray, 1756–1815
The Nabob Rumbled or A Lord Advocates Amusement
1783
82
James Gillray, 1756–1815
Les Trois Magots
1791
83
James Gillray, 1756–1815
French Democrats surprizing the Royal Runaways
1791
84
James Gillray, 1756–1815
Egyptian Sketches
1799
85
James Gillray, 1756–1815
Britania's Assassination..or - The Republican Amuseument
1782
86
James Gillray, 1756–1815
Bonus / Mellior / Optimus
1783
87
James Gillray, 1756–1815
New Morality
1798
88
James Gillray, 1756–1815
Election Troops bringing in their accounts to the Paytable
1788
89
James Gillray, 1756–1815
Consequences of a Successful French Invasion, No. III, Plate 2nd, We teach de English Republicans to work
1798
90
James Gillray, 1756–1815
Tom Paine's Nightly Pest
1792
91
James Gillray, 1756–1815
Doublûres of Characters; - or - Striking Resemblance in Phisiognomy
1798
92
James Gillray, 1756–1815
The Apotheosis of Hoche
1798
93
James Gillray, 1756–1815
New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite
1798
94
James Gillray, 1756–1815
The Grand-Signior Retiring
1796
95
James Gillray, 1756–1815
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris
1796
96
James Gillray, 1756–1815
Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon
1796
97
James Gillray, 1756–1815
The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe
1792
98
James Gillray, 1756–1815
John Bull & His Dog Faithful; - "Among The Faithless, Faithful Only Found"
1796
99
James Gillray, 1756–1815
Patience on a Monument
1791
100
James Gillray, 1756–1815
Hint to Modern Sculptors, as an Ornament to a Future Square ---