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Joseph Mallord William Turner Tantallon Castle
after Joseph Mallord William Turner, 1775–1851
Tantallon Castle
Joseph Mallord William Turner Cockermouth Castle
after Joseph Mallord William Turner, 1775–1851
Cockermouth Castle
Joseph Mallord William Turner Old Houses at Chester
after Joseph Mallord William Turner, 1775–1851
Old Houses at Chester
Joseph Mallord William Turner [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
Joseph Mallord William Turner Vesuvius in Repose
after Joseph Mallord William Turner, 1775–1851
Vesuvius in Repose
William Blake "The Book of Thel William Blake Original Wrappers 1789"
William Blake, 1757–1827
"The Book of Thel William Blake Original Wrappers 1789"
1789
William Blake Plate 41 (page 92): 'When faith is virtue, reason makes it so'
William Blake, 1757–1827
Plate 41 (page 92): 'When faith is virtue, reason makes it so'
1797
William Blake Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'
William Blake, 1757–1827
Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'
1797
William Blake Plate 33 (page 72): 'And vapid; sense and reason shew the door'
William Blake, 1757–1827
Plate 33 (page 72): 'And vapid; sense and reason shew the door'
1797
William Blake Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
William Blake, 1757–1827
Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
1797
William Blake Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'
William Blake, 1757–1827
Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'
1797
William Blake Plate 9 (page 15):' The longest night though longer far, would fail'
Engravings by William Blake, 1757–1827
Plate 9 (page 15):' The longest night though longer far, would fail'
1797
William Blake Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'
William Blake, 1757–1827
Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'
1797
William Blake Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'
William Blake, 1757–1827
Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'
1797
William Blake Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'
William Blake, 1757–1827
Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'
1797
William Blake Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'
William Blake, 1757–1827
Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'
1797
William Blake Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
William Blake, 1757–1827
Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
1797
William Blake Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'
William Blake, 1757–1827
Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'
1797
William Blake Plate 3 (page 4): 'What, though my soul fantastick measures trod'
William Blake, 1757–1827
Plate 3 (page 4): 'What, though my soul fantastick measures trod'
1797
William Blake Plate 8 (page 13): 'The present moment terminates our sight'
William Blake, 1757–1827
Plate 8 (page 13): 'The present moment terminates our sight'
1797
William Blake Plate 15 (page 25): 'Behold him, when past by; what then is seen'
William Blake, 1757–1827
Plate 15 (page 25): 'Behold him, when past by; what then is seen'
1797
William Blake Plate 21 (page 37): 'Love, and love only, is the loan for love'
William Blake, 1757–1827
Plate 21 (page 37): 'Love, and love only, is the loan for love'
1797
William Blake Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'
William Blake, 1757–1827
Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'
1797
William Blake Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
William Blake, 1757–1827
Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
1797
William Blake Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
William Blake, 1757–1827
Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
1797
William Blake Plate 37 (page 86): 'His hand the good man fastens on the skies'
William Blake, 1757–1827
Plate 37 (page 86): 'His hand the good man fastens on the skies'
1797
William Blake Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
William Blake, 1757–1827
Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
1797
William Blake Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'
William Blake, 1757–1827
Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'
1797
William Blake Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
William Blake, 1757–1827
Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
1797
William Blake Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'
William Blake, 1757–1827
Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'
1797
William Blake Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
William Blake, 1757–1827
Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
1797
William Blake Plate 26 (page 49): 'As if the sun could envy, check'd his beam'
William Blake, 1757–1827
Plate 26 (page 49): 'As if the sun could envy, check'd his beam'
1797
William Blake Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
William Blake, 1757–1827
Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
1797
William Blake Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'
William Blake, 1757–1827
Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'
1797
William Blake Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
William Blake, 1757–1827
Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
1797
William Blake Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
William Blake, 1757–1827
Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
1797
William Blake Plate 13 (page 23): 'We censure nature for a span too short'
Engravings by William Blake, 1757–1827
Plate 13 (page 23): 'We censure nature for a span too short'
1797
William Blake Beggar's Opera, Act III
William Blake, 1757–1827
Beggar's Opera, Act III
1790
William Blake Plate 6 (page 10): 'Disease invades the chastest temperence'
William Blake, 1757–1827
Plate 6 (page 10): 'Disease invades the chastest temperence'
1797
William Blake Plate 7 (page 12): 'Its favours here are trials, not rewards'
William Blake, 1757–1827
Plate 7 (page 12): 'Its favours here are trials, not rewards'
1797
William Blake Plate 12 (page 19): 'Emblem of that which shall awake the dead'
William Blake, 1757–1827
Plate 12 (page 19): 'Emblem of that which shall awake the dead'
1797
William Blake Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
William Blake, 1757–1827
Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
1797
William Blake Plate 22 (page 40): ' Angels should paint it, angels ever there'
William Blake, 1757–1827
Plate 22 (page 40): ' Angels should paint it, angels ever there'
1797
William Blake Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'
William Blake, 1757–1827
Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'
1797
William Blake May-Day in London
William Blake, 1757–1827
May-Day in London
1784
William Blake "Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
William Blake, 1757–1827
"Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
1797
George Romney Figure Composition Study 20
George Romney, 1734–1802
Figure Composition Study 20
undated
Frederick Christian Lewis the Elder View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
1802
Pieter Hendricksz Schut View of London during the Great Fire
Pieter Hendricksz Schut, 1618 or 1619–after 1660
View of London during the Great Fire
unknown artist View of London During the Great Fire, General Prospect
unknown artist
View of London During the Great Fire, General Prospect
Francesco Bartolozzi Cupid's Manufactory
Francesco Bartolozzi, 1728–1815
Cupid's Manufactory
ca.1785
Francesco Bartolozzi Herculea and Omphale
Francesco Bartolozzi, 1728–1815
Herculea and Omphale
1786
John Boydell A View of London taken off Lambeth Church
John Boydell, 1720–1804
A View of London taken off Lambeth Church
1752
Benjamin Cole A Prospect of the City of London from St. George's Fields in Surry
Benjamin Cole, 1697–1783
A Prospect of the City of London from St. George's Fields in Surry
1752
unknown artist View of London from the Strand Bridge
unknown artist
View of London from the Strand Bridge
1816
unknown artist Die Stadt London
unknown artist
Die Stadt London
undated
Joseph Constantine Stadler View of London from Lambeth
Joseph Constantine Stadler, active 1780–1812
View of London from Lambeth
1795
unknown artist A General View of the City of London, next the River Thames
unknown artist
A General View of the City of London, next the River Thames
undated
Thomas Abiel Prior London from Greenwich Park
Thomas Abiel Prior, 1809–1886
London from Greenwich Park
undated
Thomas Abiel Prior Gravesend
Thomas Abiel Prior, 1809–1886
Gravesend
undated
Francesco Bartolozzi Catherine II Empress of Russia
Francesco Bartolozzi, 1728–1815
Catherine II Empress of Russia
1785
Francesco Bartolozzi Angelica Catalani
Francesco Bartolozzi, 1728–1815
Angelica Catalani
1802
Thomas Malton Watergate, York Buildings
Thomas Malton, 1726–1801
Watergate, York Buildings
1795
Edward Pryce Owen Mardol Street, Shrewsbury
Edward Pryce Owen, 1788–1863
Mardol Street, Shrewsbury
1820
unknown artist The Church of St. Martins
unknown artist
The Church of St. Martins
Samuel Howitt Herd of Eight Horses under a Tree
Samuel Howitt, 1756–1822
Herd of Eight Horses under a Tree
1792
unknown artist Burgh Castle
unknown artist
Burgh Castle
1823
unknown artist View of the New Public Offices at Somerset House, fronting the Thames
unknown artist
View of the New Public Offices at Somerset House, fronting the Thames
1783
Samuel Howitt A Hare
Samuel Howitt, 1756–1822
A Hare
W. Watkins Boston, as seen in a Bird's Eye View from the South Side of the Tower of Boston Church
W. Watkins, active 1828–1830
Boston, as seen in a Bird's Eye View from the South Side of the Tower of Boston Church
1833
William Watts Strensham, the ancient Seat of the Russells
William Watts, 1752–1851
Strensham, the ancient Seat of the Russells
1776
George Rowe St. Peter's Church - Leckhampton Baker and Shellard Architects
George Rowe, 1796–1864
St. Peter's Church - Leckhampton Baker and Shellard Architects
Alfred William Warren The Bending Pillars at Staffa (from Smith's Geography)
Alfred William Warren, active 1791–1809
The Bending Pillars at Staffa (from Smith's Geography)
1810
unknown artist The Queen's First Visit to Brighton
unknown artist
The Queen's First Visit to Brighton
1837
unknown artist Chamberlin's Royal Victoria Hotel, St. Leonards, Hastings
unknown artist
Chamberlin's Royal Victoria Hotel, St. Leonards, Hastings
1841
G R Wallis Blackwall
Print made by G R Wallis, active 1820
Blackwall
ca. 1830
S. Lacey Brooke Hall, Suffolk
S. Lacey, active 1830s
Brooke Hall, Suffolk
Joseph Lambert Gorleston, Suffolk
Joseph Lambert, active 1822
Gorleston, Suffolk
1822
unknown artist Bank of England and Exchange
unknown artist
Bank of England and Exchange
undated
Samuel Rawle View in Londonderry
Samuel Rawle, 1771–1860
View in Londonderry
Francesco Bartolozzi The Graces Crowning the Bust of Raphael
Francesco Bartolozzi, 1728–1815
The Graces Crowning the Bust of Raphael
1787
unknown artist Westminster Abbey from Pimlic
unknown artist
Westminster Abbey from Pimlic
1822
unknown artist Hunting Lodge of Queen Elizabeth, Epping Forest
unknown artist
Hunting Lodge of Queen Elizabeth, Epping Forest
undated
Victor Marie Picot Sansome Fields near Worcester, the Seat of Charles Trubshaw Withers, Esquire
Victor Marie Picot, 1744–1805
Sansome Fields near Worcester, the Seat of Charles Trubshaw Withers, Esquire
undated
Benjamin Thomas Pouncey An Iron Work at Downton, Herefordshire
Benjamin Thomas Pouncey, active 1772–1799
An Iron Work at Downton, Herefordshire
1798
John Le Keux View in Friars Street, Worcester
John Le Keux, 1783–1846
View in Friars Street, Worcester
1829
unknown artist St. Saviors Church, Haverstock Hill, Hampstead (reproduction)
unknown artist
St. Saviors Church, Haverstock Hill, Hampstead (reproduction)
John Le Keux Gateway, Edgar's Tower at Worcester
John Le Keux, 1783–1846
Gateway, Edgar's Tower at Worcester
1829
G. P. Nicholls The New House of Commons (Page from the Art Journal) (reproduction)
G. P. Nicholls, 19th Century
The New House of Commons (Page from the Art Journal) (reproduction)
John Scott The Champion performing the Ceremony of the Challenge in Westminster Hall
John Scott, 1774–1828
The Champion performing the Ceremony of the Challenge in Westminster Hall
1820
L. Truchy The Exercise of See Saw
L. Truchy, 1721–1764
The Exercise of See Saw
ca. 1743
unknown artist A View of the Royal Palace of Hampton Court
unknown artist
A View of the Royal Palace of Hampton Court
1763
John Jones Mr. Ramsden, Optician to His Majesty
John Jones, ca. 1745–1797
Mr. Ramsden, Optician to His Majesty
1790
Francois Vivares A View in Craven Yorkshire of a beautiful and Romantic Natural Casade in Bolton Park, belonging to the Rt. Hon. Earl of Burlington
Francois Vivares, 1709–1780
A View in Craven Yorkshire of a beautiful and Romantic Natural Casade in Bolton Park, belonging to the Rt. Hon. Earl of Burlington
unknown artist General View of London during the Great Fire of 1666
Print made by unknown artist
General View of London during the Great Fire of 1666
undated
Joseph F. Leopold Londinium, London. General Prospect before the Great Fire of 1666
Joseph F. Leopold, 1668–1726
Londinium, London. General Prospect before the Great Fire of 1666
undated
unknown artist Londinum Urbs Praecipua Regnianglice
unknown artist
Londinum Urbs Praecipua Regnianglice
undated
unknown artist London
unknown artist
London
Francesco Bartolozzi The Flight Into Egypt
Francesco Bartolozzi, 1728–1815
The Flight Into Egypt
1790
unknown artist View of the City of London as it appears from under one of the Arches of Westminster Bridge
unknown artist
View of the City of London as it appears from under one of the Arches of Westminster Bridge
1775