Creator Gender: male / Period: 18th century / Image Available: Unavailable

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Graphite with touches of gray wash
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth

17. Old Maids

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Graphite with touches of watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth

18. Sketch

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Graphite with gray wash on laid paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth

19. Ms. notes

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Pen and brown ink on laid paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth

20. Figure Study

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Graphite and gray wash on laid paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth

21. Mother and Child

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Graphite with touches of gray wash
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth

22. Sketch of a Lady

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Graphite and gray wash; verso: pen and brown ink and graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth

23. Classical landscape with two men observing the buildings across a river

Creator:: Print made by Joseph Wood, 1720–1763 or 1764
Date:: 1742
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Coat of Arms

Creator:: Richard Gough, 1735–1809
Date:: 1763
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Arundel Church

Creator:: Richard Gough, 1735–1809
Date:: 1763
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Church with a Fence

Creator:: Richard Gough, 1735–1809
Date:: ca. 1763
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Barnet

Creator:: Richard Gough, 1735–1809
Date:: 1764
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Bromfield Church

Creator:: Richard Gough, 1735–1809
Date:: 1763
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Barking Church

Creator:: Richard Gough, 1735–1809
Date:: 1763
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Buckingham Church, Castle Hill

Creator:: Richard Gough, 1735–1809
Date:: ca. 1763
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. North side of Christ Church Hampshire

Creator:: Richard Gough, 1735–1809
Date:: ca. 1763
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. The Abbot's Inn now Ye George and The Red Lion Inn, Glaston (on one plate)

Creator:: Richard Gough, 1735–1809
Date:: ca. 1763
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Dunmow Church

Creator:: Richard Gough, 1735–1809
Date:: ca. 1763
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. St. Giles Church, Colchester

Creator:: Richard Gough, 1735–1809
Date:: ca. 1763
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Unidentified Ruin of a Church

Creator:: Richard Gough, 1735–1809
Date:: ca. 1763
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Lucy Tower

Creator:: Richard Gough, 1735–1809
Date:: 1762
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Queen Cross

Creator:: Richard Gough, 1735–1809
Date:: ca. 1763
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. North side of St. Peter's, Northampton

Creator:: Richard Gough, 1735–1809
Date:: ca. 1763
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. West End of St. Osyth's Church

Creator:: Richard Gough, 1735–1809
Date:: ca. 1763
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. The Rye House

Creator:: Richard Gough, 1735–1809
Date:: ca. 1763
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Back Front of ye Same [Rye House]

Creator:: Richard Gough, 1735–1809
Date:: ca. 1763
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. The Church of St. Cross' Hospital

Creator:: Richard Gough, 1735–1809
Date:: ca. 1763
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. North and East View of St. Cross' Hospital

Creator:: Richard Gough, 1735–1809
Date:: ca. 1763
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. South Side of Ye Court of St. Cross' Hospital, 29 April 1763

Creator:: Richard Gough, 1735–1809
Date:: 1763
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Bust of Demosthenes

Creator:: Richard Gough, 1735–1809
Date:: ca. 1763
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Allegorical Study

Creator:: Richard Gough, 1735–1809
Date:: ca. 1763
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Costumi Fatti per la Strada di'Lorelo

Creator:: Carlo Labruzzi, 1748–1817
Date:: 1793
Materials & Techniques:: Pen and brown ink with wash
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Costumi e Scenette Romane

Creator:: Carlo Labruzzi, 1748–1817
Date:: 1794
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Costumi di Roma

Creator:: Carlo Labruzzi, 1748–1817
Date:: 1794
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Costumi Fatti a Rocca di Papa

Creator:: Carlo Labruzzi, 1748–1817
Date:: 1793
Materials & Techniques:: Pen and brown ink with wash
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Raith House; page twenty-three (Volume Three)

Creator:: Archibald Robertson, 1748–1788
Date:: undated
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Raby Castle, Durham, The Seat of the Rt. Honble William-Harry Vane, Duke of Cleveland, page twenty-two (Volume Three)

Creator:: William Le Petit, early 1800s
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Raith House and Hill Fifeshire the Property of William Ferguson, Esq.; page twenty-four (Volume Three)

Creator:: unknown artist
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. St. Winefred's Well, Moss and Seal; page 98 (Volume Three)

Creator:: Peter Mazell, active 1761–1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. South Terrace, Windsor(from a small set of Windsor views); page 104 (Volume Three)

Creator:: unknown artist
Date:: 1780
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Windsor Castle from the Black Road [page not numbered] (Volume Three)

Creator:: unknown artist
Date:: 1780
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Springwood Park; page 62 (Volume Three)

Creator:: Archibald Robertson, 1748–1788
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Stonebyres the Seat of Daniel Vere, Esquire (drawn in 1796); page 63 (Volume Three)

Creator:: unknown artist
Date:: 1796
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Taymouth; page 68 (Volume Three)

Creator:: Pierre Charles Canot, ca. 1710–1777
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Titchfield House Hampshire (published by S. Hooper); page 72 (Volume Three)

Creator:: Richard Bernard Godfrey, 1728–op.1794
Date:: 1784
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. A Plan of Susanna Wells's House at Enfield-Wash and A Perspective View of Elizabeth Canning's Supposed Prison; page 89 (Volume Three)

Creator:: Benjamin Cole, 1697–1783
Date:: undated
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Classical landscape with bathers in a lake

Creator:: Jean B. C. Chatelain, 1710–1771
Date:: undated
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Sketches and Hints on Landscape Gardening, London

Creator:: Humphry Repton, 1752–1818
Date:: 1794
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Guinea Pigs

Creator:: Thomas Gaugain, 1748–1812
Date:: 1789
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Guinea Pigs

Creator:: Thomas Gaugain, 1748–1812
Date:: 1789
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. The Pledge of Love

Creator:: William Ward, 1766–1826
Date:: 1788
Materials & Techniques:: Mezzotint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Plan of the Second Battle of Serbraxos Fought 20 May 1772

Creator:: unknown artist
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Plan of theThird Battle of Serbraxos Fought 23 May 1772

Creator:: unknown artist
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. The Sun rises ruddy, and turbid, and just touches the tops of the highest ground (Design for Plate 1)

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Perspective View of Design... Cast Iron Bridge... To Supply the Place of the Present London Bridge

Creator:: William Lowry
Date:: ca. 1800
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. The South West View of Worcester, near Bromwych Farm

Creator:: Thomas Sanders, active 1775–1781
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. A View of Dudley from Easey-Hill

Creator:: Thomas Sanders, active 1775–1781
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. The Sun here gets more force, and beams along the surface of the ground; but the Day is setting in cloudy, and obscure (Design for Plate 3)

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. The same idea is continued; only here the Sun rises with a fainter and more wan lustre (Design for Plate 2)

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. The Sun still gets more power, and objects begin to appear more distinctly (Design for Plate 4)

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. The Sun is clouded; but as there is not much haziness in the atmosphere, the several parts of the country appear very distinctly (Design for Plate 7)

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. The same idea is continued, only the atmosphere is somewhat more hazy (Design for Plate 6)

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. As the Day advances, the Morning gets clearer. The Sun shines out; but without much strength (Design for Plate 9)

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. The Sun is obscured, and the atmosphere inclines to rain (Design for Plate 10)

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. As it is now high noon, which always affords an unfavourable light to the painter ... It here shines wanly and hazily upon the cliffs (Design for Plate 12)

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. As it is now high noon, which always affords an unfavourable light to the painter, he avoids, as much as he can, the vertical rays of the Sun... The same effect is here exhibited in a lake scene (Design for Plate 14)

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. The effect here intended, is that of reflection of a bright sky on the water, when the Sun itself is obscured (Design for Plate 11)

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 15)

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 16)

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 17)

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 19)

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Evening, the picturesque time of the Day, is now coming on; the Sun, varying from its meridian, is beginning to descend, and the light is more contracted (Design for Plate 20)

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. The evening glow now pervades the Landscape strongly (Design for Plate 24)

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. The evening glow now pervades the Landscape strongly (Design for Plate 25)

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. The mild effusions of evening light, which pervade the three last Landscapes, are here changed into a wild, turbid sky, prognosticating a storm (Design for Plate 26)

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. The little Hunchback dining with the Taylor, is choak'd with a Fish Bone

Creator:: Simon Watts, active 1812
Date:: 1787
Materials & Techniques:: Color printed etching and aquatint with hand coloring in watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Vortigren and Rowena, or the Settlement of the Saxons in England

Creator:: Print made by Gérard Jean-Baptiste Scotin II, 1698–after 1755
Date:: 1751
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. William van de Velde II

Creator:: Gerard Sibelius, died 1785
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Dancing Dogs

Creator:: Thomas Gaugain, 1748–1812
Date:: 1790
Materials & Techniques:: Color printed stipple engraving with hand coloring in watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. The Gypsie's Tent

Creator:: Joseph Grozer, ca. 1755–1798
Materials & Techniques:: Mezzotint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Louisa

Creator:: Thomas Gaugain, 1748–1812
Date:: 1789
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. The French Admiral Count dr Grasse Bearing Down to Succour the 'Zele'...12th April 1782

Creator:: John Goldar, 1729–1795
Date:: 1782
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Canterbury Tales: The Coke and Perkin (notes to numbers 77-78 of Catalogue Mortimer Exhibition 1968)

Creator:: unknown artist
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Temple of Friendship

Creator:: Thomas Medland, 1755–1823
Date:: 1797
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. George, Duke of Clarence

Creator:: after Richard Bernard Godfrey, 1728–op.1794
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Creator Gender male

Period 18th century

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1. Love Songs, Class III. Headpiece

2. Love Songs, Class III. Tailpiece

3. Love Songs, Class IV. Headpiece

4. Ancient Ballads, Headpiece

5. Ancient Ballads, Tailpiece

6. Love Songs, Class I. Headpiece

7. Love Songs, Class I. Tailpiece

8. Love Songs, Class II. Headpiece

9. Love Songs, Class II. Tailpiece

10. Love Songs, Class IV. Tailpiece

11. Love Songs, Class V. Headpiece

12. Drinking Songs, Headpiece

13. Drinking Songs, Tailpiece

14. Miscellaneous Songs, Headpiece

15. Miscellaneous Songs, Tailpiece

16. Standing Figure of a Woman (Psyche)

17. Old Maids

18. Sketch

19. Ms. notes

20. Figure Study

21. Mother and Child

22. Sketch of a Lady

23. Classical landscape with two men observing the buildings across a river

24. Coat of Arms

25. Arundel Church

26. Church with a Fence

27. Barnet

28. Bromfield Church

29. Barking Church

30. Buckingham Church, Castle Hill

31. North side of Christ Church Hampshire

32. The Abbot's Inn now Ye George and The Red Lion Inn, Glaston (on one plate)

33. Dunmow Church

34. St. Giles Church, Colchester

35. Unidentified Ruin of a Church

36. Lucy Tower

37. Queen Cross

38. North side of St. Peter's, Northampton

39. West End of St. Osyth's Church

40. The Rye House

41. Back Front of ye Same [Rye House]

42. The Church of St. Cross' Hospital

43. North and East View of St. Cross' Hospital

44. South Side of Ye Court of St. Cross' Hospital, 29 April 1763

45. Bust of Demosthenes

46. Allegorical Study

47. Costumi Fatti per la Strada di'Lorelo

48. Costumi e Scenette Romane

49. Costumi di Roma

50. Costumi Fatti a Rocca di Papa

51. Raith House; page twenty-three (Volume Three)

52. Raby Castle, Durham, The Seat of the Rt. Honble William-Harry Vane, Duke of Cleveland, page twenty-two (Volume Three)

53. Raith House and Hill Fifeshire the Property of William Ferguson, Esq.; page twenty-four (Volume Three)

54. St. Winefred's Well, Moss and Seal; page 98 (Volume Three)

55. South Terrace, Windsor(from a small set of Windsor views); page 104 (Volume Three)

56. Windsor Castle from the Black Road [page not numbered] (Volume Three)

57. Springwood Park; page 62 (Volume Three)

58. Stonebyres the Seat of Daniel Vere, Esquire (drawn in 1796); page 63 (Volume Three)

59. Taymouth; page 68 (Volume Three)

60. Titchfield House Hampshire (published by S. Hooper); page 72 (Volume Three)

61. A Plan of Susanna Wells's House at Enfield-Wash and A Perspective View of Elizabeth Canning's Supposed Prison; page 89 (Volume Three)

62. Classical landscape with bathers in a lake

63. Sketches and Hints on Landscape Gardening, London

64. Guinea Pigs

65. Guinea Pigs

66. The Pledge of Love

67. Plan of the Second Battle of Serbraxos Fought 20 May 1772

68. Plan of theThird Battle of Serbraxos Fought 23 May 1772

69. The Sun rises ruddy, and turbid, and just touches the tops of the highest ground (Design for Plate 1)

70. Perspective View of Design... Cast Iron Bridge... To Supply the Place of the Present London Bridge

71. The South West View of Worcester, near Bromwych Farm

72. A View of Dudley from Easey-Hill