The Coming-on of the Monsoons; - or - The Retreat from Seringapatam
1791
302
James Gillray, 1756–1815
Wha Wants Me?
1792
303
James Gillray, 1756–1815
Fashionable Jockeyship
1796
304
James Gillray, 1756–1815
A View in Perspective. The Zenith of French Glory. The Pinnacle of Liberty
1793
305
James Gillray, 1756–1815
Nature display'd, shewing the Effect of the change of the Seasons on the Ladies garden
1797
306
James Gillray, 1756–1815
The Grand - Signior retiring
1796
307
James Gillray, 1756–1815
The Jersey Smuggler detected; - or - Good Cause for Seperation [scored through and replaced by] Discontent
1796
308
James Gillray, 1756–1815
"The Feast of Reason & the Flow of the Soul," - I.E. - The Wits of the Age, Setting the Table in a - Roar
1797
309
James Gillray, 1756–1815
Ci-devant Occupations - or - Madame Talian and the Empress Josephine dancing Naked before Barrass in the Winter of 1797
1805
310
James Gillray, 1756–1815
Enchantments lately seen upon the Mountains of Wales, - or - Shon-ap-Morgan's Reconcilement to the Fairy Princess
1796
311
James Gillray, 1756–1815
The French Invasion; or John Bull, bombarding the Bum Boats
1793
312
James Gillray, 1756–1815
The Orangerie; - or - the Dutch Cupid reposing after the fatigues of Planting
1796
313
James Gillray, 1756–1815
The Man of Feeling, in search of Indispensibles
1800
314
James Gillray, 1756–1815
- "and would'st thou turn the vile Reproach on me?"
1807
315
James Gillray, 1756–1815
Palemon and Lavinia
1805
316
James Gillray, 1756–1815
Evacuation of Malta
1803
317
James Gillray, 1756–1815
Playing in Parts
1801
318
James Gillray, 1756–1815
Miss, I have a Monstrous Crow to pluck with you!!
1794
319
James Gillray, 1756–1815
Duke William's Ghost
1799
320
James Gillray, 1756–1815
Scene le Vrog House
1782
321
James Gillray, 1756–1815
Apothecaries, Taylors & c. Conquering France and Spain
1779
322
James Gillray, 1756–1815
The Nabob Rumbled or A Lord Advocates Amusement
1783
323
James Gillray, 1756–1815
National Discourse
1780
324
James Gillray, 1756–1815
Les Trois Magots
1791
325
James Gillray, 1756–1815
Le Diable-Boiteaux, or the Devil upon Two Sticks, conveying John Bull to the Land of Promise
1806
326
James Gillray, 1756–1815
The Kettle Hooting the Porridge-Pot
1782
327
Charles Williams, active 1796–1830
The Patriot turned Plagarist, or the Petty Tax Gatherers Hunting John Bull
1806
328
James Gillray, 1756–1815
INTEGRITY retiring from Office
1801
329
James Gillray, 1756–1815
The Minister In / The Minister Out
1782
330
James Gillray, 1756–1815
A New Administration, or the State Quacks Administering
1783
331
James Gillray, 1756–1815
Bonus / Mellior / Optimus
1783
332
James Gillray, 1756–1815
Doublûres of Characters
1798
333
James Gillray, 1756–1815
Egyptian Sketches
1799
334
James Gillray, 1756–1815
Consequences of a Successful French Invasion, No. I, Plate 2nd, We explain de Rights of Man to de Noblesse
1798
335
James Gillray, 1756–1815
Tiddy-Doll, the great Gingerbread Baker, drawing out a new Batch of Kings
1806
336
James Gillray, 1756–1815
Making Decent / Broad bottomites getting into the Grand Costume
1806
337
James Gillray, 1756–1815
John Bull and the Sinking Fund
1807
338
James Gillray, 1756–1815
Consequences of a Successful French Invasion, No. III, Plate 2nd, We teach de English Republicans to work
1798
339
James Gillray, 1756–1815
Tales of wonder
1802
340
James Gillray, 1756–1815
Maniac Ravings or Little Boney in a Strong Fit
1803
341
James Gillray, 1756–1815
Tom Paine's Nightly Pest
1792
342
Print made by James Gillray, 1756–1815
Every Man has his Hobby Horse
1784
343
James Gillray, 1756–1815
The Friend of the People
1806
344
Print made by James Gillray, 1756–1815
The Pillar of the Constitution
1807, published 1835
345
James Gillray, 1756–1815
Progress of the Toilet - The Stays Plate I
1810
346
James Gillray, 1756–1815
Le Diable Boiteaux
1806
347
James Gillray, 1756–1815
Effusions of a Pot of Porter
1799
348
James Gillray, 1756–1815
The Cabinetical Balance
1806
349
James Gillray, 1756–1815
Councellor Ego. -i.e: little i, myself i
1798
350
James Gillray, 1756–1815
Les Membres du Conseil des Cinq Cents. French Habits No. 3
1798
351
James Gillray, 1756–1815
Président d'Administration Municipale. French Habits no 5
1798
352
James Gillray, 1756–1815
Maecenas, in pursuit of the Fine Arts
1808
353
James Gillray, 1756–1815
"all Bond Street trembled as he strode"
1802
354
James Gillray, 1756–1815
[ untitled ]
1800
355
James Gillray, 1756–1815
"Two Pairs of Portraits;" presented to all the unbiased Electors of Great Britain
1798
356
James Gillray, 1756–1815
Fine Bracing Weather
1808
357
James Gillray, 1756–1815
Evidence to Character - being, a portrait of a Traitor, by his Friends & by Himself
1798
358
James Gillray, 1756–1815
Charming Well Again
1804
359
James Gillray, 1756–1815
Brisk Cathartic
1804
360
James Gillray, 1756–1815
Visiting the Sick
1806
361
James Gillray, 1756–1815
A Standing dish at Boodles
1800
362
James Gillray, 1756–1815
A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)
1783
363
James Gillray, 1756–1815
A Block for the Whigs - or, The new State Whirligig (Poor John Bull's House Plundered at Noon Day)
1783
364
James Gillray, 1756–1815
The Nabob Rumbled or a Lord Advocates Amusement
1783
365
James Gillray, 1756–1815
Pigs Meat; - or - The Swine Flogg'd Out of the Farm-Yard
1798
366
James Gillray, 1756–1815
Ladies Dress, as it soon will be
1796
367
James Gillray, 1756–1815
The Physick; - or - The News of Shooting the King of Sweden
1792
368
James Gillray, 1756–1815
Presentation of the Mahometan Credentials - or - The Final resource of French Atheists
1793
369
Print made by James Gillray, 1756–1815
The King of Brobdingnag and Gulliver
1803
370
Print made by James Gillray, 1756–1815
Venus Attired by the Graces
1800
371
James Gillray, 1756–1815
Political Candour - i.e. - Coalition "Resolutions" of June 14th 1805 - Pro Bono Publico
1805
372
James Gillray, 1756–1815
Political Mathematician's Shaking the Broad Bottom'd Hemispheres
ca. 1811
373
James Gillray, 1756–1815
Tiddy-Doll the Great French-Ginger-Bread-Baker, Drawing Out a Batch of Kings-His Man, Hopping Talley, Mixing the Dough
1806
374
James Gillray, 1756–1815
Preliminaries of Peace! - or - John Bull, and His Little Friends "Marching to Paris"
1801
375
James Gillray, 1756–1815
Pizarro, Contemplating (over) The Product of His Peruvian Mine
1799
376
James Gillray, 1756–1815
Pillars of the Constitution - Three O'Clock and A Cloudy Morning
1809
377
James Gillray, 1756–1815
True Reform of Parliament, i.e. - Patriots Lighting a Revolutionary Bonfire in New Palace Yard
1809
378
James Gillray, 1756–1815
An Old English-Gentleman pester'd by Servants wanting Places
1809
379
James Gillray, 1756–1815
Spanish Patriots Attacking the French Banditti - Loyal Britons Lending a Lift!
1808
380
James Gillray, 1756–1815
Delicious Dreams! Castles in the Air! Glorious Prospects!
1808
381
James Gillray, 1756–1815
Delicious Weather
1808
382
James Gillray, 1756–1815
British Tars Towing the Danish Fleet into Harbour; The Broad Bottom Leviathan Trying to Swamp Billy's Old Boat; and the Little Corsican Tottering on the Clouds of Ambition
1807
383
James Gillray, 1756–1815
Sketch of the Interior of St. Stephen's, as It Now Stands. -
1802
384
James Gillray, 1756–1815
Forming a Line on the Parade
1801
385
James Gillray, 1756–1815
Guy Vanx
1782
386
Possibly James Gillray, 1756–1815
James Gillray
387
Print made by James Gillray, 1756–1815
The King of Brobdingnag and Gulliver
1804
388
James Gillray, 1756–1815
Preparing for The Grand Attack - or - A Private Rehearsal of the Ci-Devant Ministry in Danger
1801
389
James Gillray, 1756–1815
The Spanish-Bull-Fight - or - The Corsical-Matador in Danger
1808
390
James Gillray, 1756–1815
The high-Flying Candidate (i.e. Little Paul-Goose) Mounting from a Blanket
1806
391
James Gillray, 1756–1815
Westminster-Conscripts under the Training Act
1806
392
James Gillray, 1756–1815
The Bear and His Leader. --"What tho' I am Obliged to Dance A Bear, A Man may be a Gentleman for That, --My Bear Ever Dances to the Genteelest of Tunes"
1806
393
James Gillray, 1756–1815
Comfort's of a Bed of Roses; Vide Charley's Elucidation of Lord C(a)stl(e) R(ea)gh's Speech! --A Nightly Scene near Cleveland Row
1806
394
James Gillray, 1756–1815
Pacific Overtures - or - A Flight from St. Clouds - "Over the Water to Charley" - A New Dramatic Peace now Rehearsing
1806
395
James Gillray, 1756–1815
Patriot's Deciding a Point of Honor! - or - An Exact Representation of the Celebrated Rencontre which Took Place at Combe Wood at May 2nd 1807 - Between Little-Paul the Taylor and Sir Francis Goose
1807
396
James Gillray, 1756–1815
The New Speaker (i.e. The Law Chick) Between the Hawks and Buzzards - Poor Little Michee!- Just Mounting, and then Funk'd and Frighten'd Out of All His Hopes (from: Caricature, vol. 1)
1800
397
James Gillray, 1756–1815
The Nursery, with, Britannia Reposing in Peace
1802
398
James Gillray, 1756–1815
The Apotheosis of the Corsican Phoenix
1808
399
James Gillray, 1756–1815
Patriotic-Petitions on the Convention/ the Cockney Petition; The Westminster Petition, The Chelmsford Petition, the Middlesex Petition
1808
400
James Gillray, 1756–1815
The New Dynasty; or the Little Corsican Gardener Planting a Royal Pippin-Tree. -All the Talents (Busy in) are Clearing the Ground of the Old Timber