Exhibition History: Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29) and The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26) / Image Use: Free to Use - YCBA Collections Search Search Results

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Exhibition History Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)

Exhibition History The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)

Image Use Free to Use

1. Ancient Trees, Lullingstone Park

Ancient Trees, Lullingstone Park

Creator:: Samuel Palmer, 1805–1881
Date:: 1828
Materials & Techniques:: Graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 14 5/8 inches (26.7 x 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. A Moonlit Scene with a Winding River

A Moonlit Scene with a Winding River

Creator:: Samuel Palmer, 1805–1881
Date:: ca. 1827
Materials & Techniques:: Black and brown wash, gouache, and gum on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 7 1/8 inches (26.7 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Human Figure, Anterior View (Finished Study of Final Stage of Dissection)

Human Figure, Anterior View (Finished Study of Final Stage of Dissection)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 15 7/8 inches (54 x 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. The Channel Sketchbook

The Channel Sketchbook

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1845
Materials & Techniques:: Sketchbook bound in red calf with marbled end papers, comprising 88 leaves with 74 watercolors and 26 graphite sketches on medium, slightly textured, white wove paper
Dimensions:: Binding: 4 inches (10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Vesuvius in Eruption

Vesuvius in Eruption

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1817 and 1820
Materials & Techniques:: Watercolor, gum, scraping out on medium, slightly textured, cream wove paper, mounted on thick, smooth, cream wove paper
Dimensions:: Sheet: 11 1/4 x 15 5/8 inches (28.6 x 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Mer de Glace, in the Valley of Chamonix

Mer de Glace, in the Valley of Chamonix

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1803
Materials & Techniques:: Watercolor, graphite, gum, scraping out and stopping out on moderately thick, slightly textured, cream wove paper mounted on thick, smooth wove paper
Dimensions:: Sheet: 27 3/4 x 41 inches (70.5 x 104.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Mary Magdalen at the Sepulchre

Mary Magdalen at the Sepulchre

Creator:: William Blake, 1757–1827
Date:: ca. 1805
Materials & Techniques:: Watercolor with pen and black ink and gray ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 17 1/4 x 12 1/4 inches (43.8 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Portia and Bassanio

Portia and Bassanio

Creator:: Richard Parkes Bonington, 1802–1828
Date:: ca. 1826
Materials & Techniques:: Watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 x 5 1/8 inches (16.5 x 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Self-Portrait

Creator:: James Jefferys, 1751–1784
Date:: between 1771 and 1775
Materials & Techniques:: Pen and brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 21 1/4 x 16 3/8 inches (54 x 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. A Frank Encampment in the Desert of Mount Sinai. 1842 - The Convent of St. Catherine in the Distance

A Frank Encampment in the Desert of Mount Sinai. 1842 - The Convent of St. Catherine in the Distance

Creator:: John Frederick Lewis, 1804–1876
Date:: 1856
Materials & Techniques:: Watercolor, gouache and graphite on slightly textured, beige wove paper mounted on board
Dimensions:: Sheet: 26 1/4 x 53 1/2 inches (66.7 x 135.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Study of a Plunging Eagle

Study of a Plunging Eagle

Creator:: James Ward, 1769–1859
Date:: undated
Materials & Techniques:: Varnish over graphite and watercolor on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 14 1/2 x 13 5/8 inches (36.8 x 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. The Creation of the Heavens

The Creation of the Heavens

Creator:: John Flaxman, 1755–1826
Date:: ca. 1790
Materials & Techniques:: Gray ink and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 10 inches (23.2 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. A View of Snowdon from the Sands of Traeth Mawr, taken at the Ford Between Pont Aberglaslyn and Tremadoc

A View of Snowdon from the Sands of Traeth Mawr, taken at the Ford Between Pont Aberglaslyn and Tremadoc

Creator:: Anthony Vandyke Copley Fielding, 1787–1855
Date:: 1834
Materials & Techniques:: Watercolor, gouache, blue chalk, graphite, and pen and brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 25 1/2 x 36 1/4 inches (64.8 x 92.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection