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Materials & Techniques chine collé

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Materials & Techniques wove paper

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Collection Prints and Drawings

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Associated Places England

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Collective Title Picturesque Views in England and Wales

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Subject Terms cityscape

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Search Results

Saltash, Cornwall
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
ca. 1827
Materials & Techniques:
Etching and line-engraving, Engraver's proof, 1st Published State on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 9 13/16 × 12 7/16 inches (24.9 × 31.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bedford, Bedfordshire
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1831
Materials & Techniques:
Line engraving, 1st state on thick, smooth, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 11/16 × 14 11/16 inches (27.1 × 37.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Exeter

Exeter
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1819-1826
Materials & Techniques:
Line engraving, 1st state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 3/4 × 14 1/16 inches (27.3 × 35.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Exeter

Exeter
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1829
Materials & Techniques:
Line engraving, 2nd state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 13/16 × 14 7/8 inches (27.5 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lyme Regis, Norfolk
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1836
Materials & Techniques:
Line engraving and etching, 2nd state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 9/16 × 14 inches (26.8 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection