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Materials & Techniques compo

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Collection Frames

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Image Use Free to Use

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Subject Terms frame alteration: probably not

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Search Results

British, Neoclassical frame
Creator:
unknown framemaker
Date:
4th quarter of 18th century
Materials & Techniques:
Wood and compo, later oil gilding over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Carved wood and compo, later oil gilding and over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British Neoclassical frame
Creator:
unknown framemaker
Date:
early 19th century
Materials & Techniques:
Wood and compo, oil gilded
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' - NeoClassical variant frame
Creator:
unknown framemaker
Date:
early 19th century
Materials & Techniques:
Wood and compo, original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
1st quarter of 19th century
Materials & Techniques:
Wood and compo, original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
1st quarter of 19th century
Materials & Techniques:
Wood and compo, original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical, "Morland" frame
Creator:
unknown framemaker
Date:
1st quarter of 19th century
Materials & Techniques:
Wood and compo, later oil gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Wood and compo, partially bronze painted over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Carved wood and compo, later oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Carved wood and compo, probably original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
early 19th century
Materials & Techniques:
Wood and compo, original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical, 'Morland' frame
Creator:
unknown framemaker
Date:
late 18th century
Materials & Techniques:
Wood and compo; later water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
1st quarter of 19th century
Materials & Techniques:
Wood and compo, later gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British or American (?) 'Carlo Maratta' style frame
Creator:
unknown framemaker
Date:
20th century
Materials & Techniques:
Wood and compo, water gilt and patinated
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Carved wood and compo, later oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
4th quarter of 18th century
Materials & Techniques:
Carved wood and compo, partial later regilding
Dimensions:
Frame: 36 1/2 × 31 1/2 × 3 1/8 inches (92.7 × 80 × 7.9 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British, NeoClassical style frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Wood and compo, later oil gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
4th quarter of 18th century
Materials & Techniques:
Wood and compo, partially regilded over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, NeoClassical style frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Wood and compo, later oil gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical Revival frame
Creator:
unknown framemaker
Date:
early 19th century
Materials & Techniques:
Wood and compo, later oil gilding over original gilding
Dimensions:
Frame: 33 1/2 × 41 1/2 × 4 inches (85.1 × 105.4 × 10.2 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Wood and compo, later gilding over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British 'Carlo Maratta' - Neoclassical variant frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood and compo, later patinated oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
Continental Europe, Neoclassical frame
Creator:
unknown framemaker
Date:
19th century
Materials & Techniques:
Wood and compo, partially bronze painted over original oil and water gilding
Dimensions:
Frame: 27 1/8 × 20 1/2 × 2 1/8 inches (68.9 × 52.1 × 5.4 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Carved wood and compo, later oil and water gilding over original gilding
Dimensions:
Frame: 42 1/4 × 53 1/4 × 2 1/4 inches (107.3 × 135.3 × 5.7 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Palladian, 'William Kent' style frame
Creator:
unknown framemaker
Date:
3rd quarter of 18th century
Materials & Techniques:
Carved wood and composition, regilded over original gilding and sanded frieze
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
Perhaps Isaac Gosset, 1713–1799
Date:
late 18th century
Materials & Techniques:
Wood and compo, later oil gilding over original gilding
Dimensions:
Frame: 59 3/4 × 70 1/2 × 5 3/4 inches (151.8 × 179.1 × 14.6 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British (?), 'Carlo Maratta' style frame
Creator:
unknown framemaker
Date:
19th century
Materials & Techniques:
Wood and compo, partially regilded over original water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Wood and compo, later gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
4th quarter of 18th century
Materials & Techniques:
Wood and compo, partially regilded over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Wood and compo, later oil gilding over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Hogarth' style print frame
Creator:
unknown framemaker
Date:
2nd quarter of 18th century
Materials & Techniques:
Wood and compo, parcel gilt and ebonised
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Louis XIV style frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Carved wood and compo, later oil gilding over original gilding and sanded frieze
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
1st half of 19th century
Materials & Techniques:
Wood and compo, later oil gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, British 'Nazarene' frame
Creator:
unknown framemaker
Date:
1st half of 19th century
Materials & Techniques:
Wood and compo, partially regilded over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British Neoclassical, 'Dowman' variant frame
Creator:
unknown framemaker
Date:
4th quarter of 18th century
Materials & Techniques:
Carved wood and compo, later oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
4th quarter of 18th century
Materials & Techniques:
Carved wood and compo, later oil gilding and re-sanded frieze over original oil gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical Revival frame
Creator:
unknown framemaker
Date:
1st half of 19th century
Materials & Techniques:
Carved wood and compo, later gilding over original gilding
Dimensions:
Frame: 38 × 33 × 2 1/8 inches (96.5 × 83.8 × 5.4 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British Neoclassical frame with oval inset
Creator:
unknown framemaker
Date:
late 18th century
Materials & Techniques:
Wood and compo, later gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
4th quarter of 18th century
Materials & Techniques:
Carved wood and compo, later oil gilding and over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
Continental Europe (?), 'Salvator Rosa' style frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood and compo, later gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
No cover image available
Creator:
unknown framemaker
Date:
4th quarter of 18th century
Materials & Techniques:
Wood and compo, partially regilded over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art