Materials & Techniques: engraver's proof / Creator Gender: male / Author ss: after Joseph Mallord William Turner, 1775–1851, British

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Materials & Techniques engraver's proof

Creator Gender male

Author ss after Joseph Mallord William Turner, 1775–1851, British

Print made by W. R. Smith, active 1819–1851

Richmond Hill and Bridge, Surrey

1832

Print made by W. Floyd, active 1845

Valley of the Dhoon

1837

Print made by Thomas Higham, 1796–1844

Part of the Ghaut at Hurdwar

1836

Print made by John Cousen, 1804–1880

View near Jubbera

1836

Print made by James Baylis Allen, 1803–1876

Mussooree and the Dhoon from Landour

1836

Print made by Edward Goodall, 1795–1870

Rocks at Colgong on the Ganges

1836

Print made by W. Floyd, active 1845

Valley of the Dhoon

1836

Print made by James Charles Armytage, 1802–1897

"It's Auld Ailie Hersell"

1836

Print made by Edward Goodall, 1795–1870

Snowy Range, from Tyne or Marma

1836

Print made by John Pye, 1782–1874

Wycliffe, near Rokeby

1818-1823

Print made by Robert Brandard, 1805–1862

Crossing the Brook

1842

Print made by Thomas Goff Lupton, 1791–1873

Dover

1827

Print made by Edward Goodall, 1795–1870

Oxford from North Hinksey

1841

Print made by John Le Keux, 1783–1846

St. Agatha’s Abbey, Easby (touched proof, unrecorded state between Rawlinson a and b)

1822

Print made by Edward Goodall, 1795–1870

Rocks at Colgong on the Ganges

1836

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