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Materials & Techniques gouache

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Materials & Techniques graphite

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Creator Gender male

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Associated Places United Kingdom

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Classification Drawing & Watercolors-Architectural

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Study for a Stable Court of Kirkdale, Wigtownshire, Scotland
Creator:
Robert Adam, 1728–1792
Date:
between 1770 and 1780
Materials & Techniques:
Watercolor, pen and black ink, gouache, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 7/8 × 18 5/8 inches (30.2 × 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for Silverton Park, Devon
Creator:
studio of James Knowles, c. 1806–1884
Date:
between 1839 and 1845
Materials & Techniques:
Watercolor, gouache, pen and black ink, and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 15 inches (23.2 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Perspective View: the New Houses of Parliament
Creator:
Sir Charles Barry, 1795–1860
Date:
ca. 1840-1849
Materials & Techniques:
Watercolor over traces of graphite, with gouache, pen and black and brown ink on medium, smooth, weige wove paper
Dimensions:
Sheet: 15 7/8 x 30 1/8 inches (40.3 x 76.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for Ceiling
Creator:
Sir William Chambers, 1723–1796
Date:
ca. 1765
Materials & Techniques:
Pen and black and brown ink, watercolor and gouache over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 13 x 9 3/8 inches (33 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Norwich Cathedral: Interior of the North Aisle of the Choir, Looking East
Creator:
John Sell Cotman, 1782–1842
Date:
1829
Materials & Techniques:
Graphite, watercolor, and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 3/4 × 10 1/2 inches (34.9 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection