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Materials & Techniques graphite

Remove constraint Materials & Techniques: graphite

Credit Line Yale Center for British Art, Paul Mellon Collection

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Collection

Date 1800

Remove constraint Date: 1800

Period 18th century

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Work Type drawing

Remove constraint Work Type: drawing

Search Results

The Tooth Drawer
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, gray wash, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
[One from] A Volume of Drawings and Prints
Creator:
Rev. James Bulwer, 1794–1879
Date:
undated
Materials & Techniques:
Pen and brown ink, graphite on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 17 × 13 7/16 inches (43.2 × 34.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ripon Minster, Yorkshire
Creator:
Thomas Girtin, 1775–1802
Date:
1800
Materials & Techniques:
Watercolor with pen and black and brown ink and scraping over graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 10 13/16 x 17 3/16 inches (27.5 x 43.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View Near the City of Tientsin
Creator:
William Alexander, 1767–1816
Date:
1800
Materials & Techniques:
Watercolor, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 x 14 5/16 inches (22.9 x 36.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
George Moutard Woodward, ca. 1760–1809
Date:
1800
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 × 17 3/8 inches (28.3 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection