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Materials & Techniques line engraving

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Credit Line Yale Center for British Art, Paul Mellon Fund

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Robert Robinson A Flower Piece
Print made by Robert Robinson, active 1674–1706
A Flower Piece
between 1683 and 1688
Francesco Bartolozzi Pospero Disarming Ferdinand from The Tempest, Act I, Scene II
Francesco Bartolozzi, 1728–1815
Pospero Disarming Ferdinand from The Tempest, Act I, Scene II
1793
Samuel Fisher Sheerness & the Isle of Sheppey, with the Junction of the Thames & Medway from the Nore
Print made by Samuel Fisher, 1806–1851
Sheerness & the Isle of Sheppey, with the Junction of the Thames & Medway from the Nore
between 1821 and 1851
John Le Keux St. Agatha’s Abbey, Easby (touched proof, unrecorded state between Rawlinson a and b)
Print made by John Le Keux, 1783–1846
St. Agatha’s Abbey, Easby (touched proof, unrecorded state between Rawlinson a and b)
1822
Edward Goodall Rocks at Colgong on the Ganges
Print made by Edward Goodall, 1795–1870
Rocks at Colgong on the Ganges
1836
Samuel Cousins Lady Harriet Clive
Print made by Samuel Cousins, 1801–1887
Lady Harriet Clive
1840
Edward Goodall Oxford from North Hinksey
Print made by Edward Goodall, 1795–1870
Oxford from North Hinksey
1841