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Materials & Techniques panel (wood)

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Period 19th century

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Subject Terms family

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The Pedlar
Creator:
Sir David Wilkie, 1785–1841
Date:
1814
Materials & Techniques:
Oil on panel
Dimensions:
23 1/2 x 19 1/2 inches (59.7 x 49.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view
Kensington Gardens
Creator:
John Martin, 1789–1854
Date:
between 1815 and 1816
Materials & Techniques:
Oil on panel
Dimensions:
5 1/4 × 7 7/8 inches (13.3 × 20 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Figures on a Balcony, probably at Westpoint
Creator:
Thomas Creswick, 1811–1869
Date:
ca. 1843
Materials & Techniques:
Oil on panel
Dimensions:
8 x 12 inches (20.3 x 30.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view
First Class—The Meeting. "And at first meeting loved."
Creator:
Abraham Solomon, 1823–1862
Date:
1855
Materials & Techniques:
Oil on panel
Dimensions:
8 x 10 inches (20.3 x 25.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Second Class—The Parting. "Thus part we rich in sorrow, parting poor."
Creator:
Abraham Solomon, 1823–1862
Date:
1855
Materials & Techniques:
Oil on panel
Dimensions:
8 x 10 inches (20.3 x 25.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
A Married Sailor's Adieu
Creator:
Julius Caesar Ibbetson, 1759–1817
Date:
ca. 1800
Materials & Techniques:
Oil on panel
Dimensions:
6 3/4 x 10 inches (17.1 x 25.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Rest on the Flight into Egypt
Creator:
John Linnell, 1792–1882
Date:
ca. 1827
Materials & Techniques:
Oil on panel
Dimensions:
7 13/16 x 10 1/2 inches (19.8 x 26.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view