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Materials & Techniques pen

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Exhibition History Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)

Remove constraint Exhibition History: Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)

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Work Type watercolor

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Thomas Heaphy Inattention
Thomas Heaphy, 1775–1835
Inattention
1808
William Henry Hunt Bird's Nest with Sprays of Apple Blossoms
William Henry Hunt, 1790–1864
Bird's Nest with Sprays of Apple Blossoms
ca. 1847
Adam Buck The Artist and his Family
Adam Buck, 1759–1833
The Artist and his Family
1813
William Pars A View of Rome Taken from the Pincio
William Pars, 1742–1782
A View of Rome Taken from the Pincio
1776
Edward Francis Burney The Triumph of Music
Edward Francis Burney, 1760–1848
The Triumph of Music
ca. 1815
Robert Adam Headfort House, Ireland: Elevation of the Eating Parlor
Robert Adam, 1728–1792
Headfort House, Ireland: Elevation of the Eating Parlor
1775
Samuel Howitt The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
Samuel Howitt, 1756–1822
The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
Thomas Shotter Boys L'Institut de France, Paris
Thomas Shotter Boys, 1803–1874
L'Institut de France, Paris
1830
Edward Duncan The Bass Rock at Dawn
Edward Duncan, 1803–1882
The Bass Rock at Dawn
1855
Thomas Rowlandson The Connoisseurs
Thomas Rowlandson, 1756–1827
The Connoisseurs
ca. 1790
Thomas Rowlandson A Worn Out Debauchée
Thomas Rowlandson, 1756–1827
A Worn Out Debauchée
between 1790 and 1795
Thomas Rowlandson An Audience Watching a Play at Drury Lane Theatre
Thomas Rowlandson, 1756–1827
An Audience Watching a Play at Drury Lane Theatre
ca. 1785
Thomas Rowlandson The Duchess of Devonshire and the Countess of Bessborough
Thomas Rowlandson, 1756–1827
The Duchess of Devonshire and the Countess of Bessborough
1790
Anthony Vandyke Copley Fielding A View of Snowdon from the Sands of Traeth Mawr, taken at the Ford Between Pont Aberglaslyn and Tremadoc
Anthony Vandyke Copley Fielding, 1787–1855
A View of Snowdon from the Sands of Traeth Mawr, taken at the Ford Between Pont Aberglaslyn and Tremadoc
1834