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Materials & Techniques pens

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Period 18th century

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Genre religious and mythological subject

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Image Available Available

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Work Type watercolor

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Neptune and Coronis: Ovid, Metamorphoses, Book 2
Creator:
Thomas Carwitham, active 1723
Date:
1723
Materials & Techniques:
Pen and brown ink, and brown wash; squared for transfer on medium, slightly textured, beige laid paper, mounted to medium, slightly textured white wove paper
Dimensions:
Sheet: 6 7/16 x 7 1/2in. (16.4 x 19.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for a Ceiling Decoration
Creator:
Thomas Carwitham, active 1723
Date:
1723
Materials & Techniques:
Gray wash, and pen and brown ink on medium, slightly textured, white wove paper
Dimensions:
Sheet: 5 × 5 inches (12.7 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Daughters of Cecrops discover Ericthonius: Ovid, Metamorphoses, Book 2
Creator:
Thomas Carwitham, active 1723
Date:
1723
Materials & Techniques:
Pen and brown ink and brown wash on medium, slightly textured, white wove paper
Dimensions:
Sheet: 5 × 7 1/2 inches (12.7 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Anna lamenting the absence of Tobias (Tobit 10:7)
Creator:
Thomas Carwitham, active 1723
Date:
1723
Materials & Techniques:
Pen and brown ink with brown wash on medium, slightly textured, beige laid paper mounted to medium, slightly textured white wove paper
Dimensions:
Sheet: 4 7/8 x 4 5/8in. (12.4 x 11.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study of Hercules for 'Crowning the Victors at Olympia'
Creator:
James Barry, 1741–1806
Date:
between 1777 and 1780
Materials & Techniques:
Pen and black ink with brown wash over black chalk on medium, moderately textured, brown wove paper
Dimensions:
Sheet: 15 3/16 × 8 3/8 inches (38.6 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund