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Materials & Techniques watercolor

Remove constraint Materials & Techniques: watercolor

Period 19th century

Remove constraint Period: 19th century

Creator Hunt, William Henry, 1790–1864

Remove constraint Creator: Hunt, William Henry, 1790–1864

Subject Terms street

Remove constraint Subject Terms: street

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Beauvais
Creator:
attributed to William Henry Hunt, 1790–1864
Date:
ca. 1831
Materials & Techniques:
Watercolor, pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 16 3/4 x 13 3/4 inches (42.5 x 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Portico of St. Martin-in-the-Fields
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1862
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 19 1/2 x 13 1/2 inches (49.5 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Street in a Country Village
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1815
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 5/8 x 14 1/2 inches (27 x 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Street in a Country Village
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1815
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 3/4 x 14 1/8 inches (27.3 x 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dagnall Lane, St. Albans
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1820
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 x 11 5/8 inches (23.5 x 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection