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Creator Gender male

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Creator Gender unknown

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Credit Line Yale Center for British Art, Paul Mellon Collection

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Associated Places England

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Work Type relief print

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Classification Prints

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Search Results

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1852
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 9/16 inches (19 x 14.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1852
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 1/2 inches (19 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The History of the Blind Beggar of Bethnal Green
Creator:
Print made by unknown artist
Date:
1909
Materials & Techniques:
Woodcut on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/4 x 5 inches (15.9 x 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1852
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 1/2 inches (19.1 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
unknown artist
Date:
1859 to 1861
Materials & Techniques:
Letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection