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Creator Gender male

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Author ss Thomas Rowlandson, 1756–1827, British

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Exhibition History Thomas Rowlandson - Pleasures and Pursuits in Georgian England (Block Museum of Art, 2011-01-14 - 2011-03-13)

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Subject Terms women

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Search Results

The Prize Fight
Creator:
Thomas Rowlandson, 1756–1827
Date:
1787
Materials & Techniques:
Watercolor with pen and black and gray ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 18 1/8 x 27 3/8 inches (46 x 69.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vauxhall Gardens
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1784
Materials & Techniques:
Watercolor, pen and black ink, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 15 1/16 x 20 11/16 inches (38.3 x 52.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Newbury Market Place, Berkshire
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1815 and 1820
Materials & Techniques:
Watercolor with pen and brown, red-brown and gray ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 x 15 7/8 inches (25.4 x 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lord Harrington Leaving Mother Matthew's
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Pen and brown ink over graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 9 1/8 x 11 11/16 inches (23.2 x 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Skating on the Serpentine
Creator:
Thomas Rowlandson, 1756–1827
Date:
before 1790
Materials & Techniques:
Pen and gray and black ink and wash over graphite; verso: pen and black ink on repaired section on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 7/8 x 14 7/16 inches (22.5 x 36.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection