Creator Gender: male / Credit Line: Yale Center for British Art, Paul Mellon Collection / Genre: architectural subject / Creator: Turner, J. M. W. (Joseph Mallord William), 1775–1851 / Work Type: frontispiece / Image Use: Free to Use / Classification: Prints - YCBA Collections Search Search Results

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Creator Gender male

Credit Line Yale Center for British Art, Paul Mellon Collection

Genre architectural subject

Creator Turner, J. M. W. (Joseph Mallord William), 1775–1851

Work Type frontispiece

Image Use Free to Use

Classification Prints

1. Frontispiece

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink; First published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 5/8 inches (29.2 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Antiquities at Pola, Frontispiece

Antiquities at Pola, Frontispiece

Creator:: Print made by George Cooke, 1781–1834
Date:: 1818
Materials & Techniques:: Line engraving and etching engraver's proof on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 1/8 inches (29.2 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Antiquities at Pola, Frontispiece

Antiquities at Pola, Frontispiece

Creator:: Print made by George Cooke, 1781–1834
Date:: 1818
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 15 × 21 5/8 inches (38.1 × 54.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. The Lake of Geneva; Frontispiece, Title Page, and Index

No cover image available

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1830
Materials & Techniques:: Letterpress on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection