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1. Act IV, The Relapse or Virtue in Danger, Scene 3

Act IV, The Relapse or Virtue in Danger, Scene 3
Creator:
James Roberts, active 1766–1809
Date:
undated
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

2. Wisdom Introducing Innocence to the Fine Arts

Wisdom Introducing Innocence to the Fine Arts
Creator:
Thomas Rothwell, ca. 1742–1807
Date:
undated
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

3. Representation of Storming and Taking Bangalore, by the Marquis Cornwalls

Representation of Storming and Taking Bangalore, by the Marquis Cornwalls
Creator:
J. Pass, active 1796–1800
Date:
undated
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

4. Memorial to Elizabeth Grene also of Anne Grey from Enfield Church

Memorial to Elizabeth Grene also of Anne Grey from Enfield Church
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. The Environs of London, Vol.II: Memorial to Anna Tilson from Hampton Church

The Environs of London, Vol.II: Memorial to Anna Tilson from Hampton Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. The Quadrangle of the Royal Exchange

The Quadrangle of the Royal Exchange
Creator:
John Preston Neale, 1771/80–1847
Date:
undated
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. John Greenwood

John Greenwood
Creator:
William Pether, ca. 1738–1821
Date:
undated
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Deuxième Suite des Figures

Deuxième Suite des Figures
Creator:
Philippe-Jacques de Loutherbourg, 1740–1812
Date:
undated
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Deuxième Suite des Figures

Deuxième Suite des Figures
Creator:
Philippe-Jacques de Loutherbourg, 1740–1812
Date:
undated
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Deuxième Suite des Figures

Deuxième Suite des Figures
Creator:
Philippe-Jacques de Loutherbourg, 1740–1812
Date:
undated
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Deuxième Suite des Figures

Deuxième Suite des Figures
Creator:
Philippe-Jacques de Loutherbourg, 1740–1812
Date:
undated
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Deuxième Suite des Figures

Deuxième Suite des Figures
Creator:
Philippe-Jacques de Loutherbourg, 1740–1812
Date:
undated
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. From an Album of Sixty-one Topographical Sketches

From an Album of Sixty-one Topographical Sketches
Creator:
John Varley, 1778–1842
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. From an Album of Sixty-one Topographical Sketches

From an Album of Sixty-one Topographical Sketches
Creator:
John Varley, 1778–1842
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. From an Album of Sixty-one Topographical Sketches

From an Album of Sixty-one Topographical Sketches
Creator:
John Varley, 1778–1842
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection