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Collection Prints and Drawings

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Credit Line Yale Center for British Art, Paul Mellon Fund

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Fund

Date 1965

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Period 20th century

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Exhibition History Just what was it that made British Pop so different, so appealing? (Yale Center for British Art, 2004-01-26 - 2004-05-09)

Remove constraint Exhibition History: Just what was it that made British Pop so different, so appealing? (Yale Center for British Art, 2004-01-26 - 2004-05-09)

Genre abstract art

Remove constraint Genre: abstract art

Search Results

The Spirit of the Snake
Creator:
Sir Eduardo Paolozzi, 1924–2005
Date:
1965
Materials & Techniques:
Screen print on H.P. J. Green 133 lbs. white wove paper
Dimensions:
Sheet: 38 × 26 inches (96.5 × 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
He Must, So To Speak, Throw Away the Ladder
Creator:
Sir Eduardo Paolozzi, 1924–2005
Date:
1965
Materials & Techniques:
Screen print on H.P. J. Green 133 lbs. white wove paper
Dimensions:
Sheet: 38 × 26 inches (96.5 × 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Wittgenstein in New York
Creator:
Sir Eduardo Paolozzi, 1924–2005
Date:
1965
Materials & Techniques:
Screen print on H.P. J. Green 133 lbs. white wove paper
Dimensions:
Sheet: 38 × 26 inches (96.5 × 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Artificial Sun
Creator:
Sir Eduardo Paolozzi, 1924–2005
Date:
1965
Materials & Techniques:
Screen print on H.P. J. Green 133 lbs. white wove paper
Dimensions:
Sheet: 38 × 26 inches (96.5 × 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Tortured Life
Creator:
Sir Eduardo Paolozzi, 1924–2005
Date:
1965
Materials & Techniques:
Screen print on H.P. J. Green 133 lbs. white wove paper
Dimensions:
Sheet: 38 × 26 inches (96.5 × 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

6. Reality

Reality
Creator:
Sir Eduardo Paolozzi, 1924–2005
Date:
1965
Materials & Techniques:
Screen print on H.P. J. Green 133 lbs. white wove paper
Dimensions:
Sheet: 38 × 26 inches (96.5 × 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Wittgenstein at the Cinema Admires Betty Gable
Creator:
Sir Eduardo Paolozzi, 1924–2005
Date:
1965
Materials & Techniques:
Screen print on H.P. J. Green 133 lbs. white wove paper
Dimensions:
Sheet: 38 × 26 inches (96.5 × 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Experience
Creator:
Sir Eduardo Paolozzi, 1924–2005
Date:
1965
Materials & Techniques:
Screen print on H.P. J. Green 133 lbs. white wove paper
Dimensions:
Sheet: 38 × 26 inches (96.5 × 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Wittgenstein the Soldier
Creator:
Sir Eduardo Paolozzi, 1924–2005
Date:
1965
Materials & Techniques:
Screen print on H.P. J. Green 133 lbs. white wove paper
Dimensions:
Sheet: 38 × 26 inches (96.5 × 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Assembling Reminders for a Particular Purpose
Creator:
Sir Eduardo Paolozzi, 1924–2005
Date:
1965
Materials & Techniques:
Screen print on H.P. J. Green 133 lbs. white wove paper
Dimensions:
Sheet: 38 × 26 inches (96.5 × 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

11. Parrot

Parrot
Creator:
Sir Eduardo Paolozzi, 1924–2005
Date:
1965
Materials & Techniques:
Screen print on H.P. J. Green 133 lbs. white wove paper
Dimensions:
Sheet: 38 × 26 inches (96.5 × 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Futurism at Lenabo
Creator:
Sir Eduardo Paolozzi, 1924–2005
Date:
1965
Materials & Techniques:
Screen print on H.P. J. Green 133 lbs. white wove paper
Dimensions:
Sheet: 38 × 26 inches (96.5 × 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund