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Collection Prints and Drawings

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Credit Line Yale Center for British Art; Yale University Art Gallery Collection

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1. "-the Stag repells each bold assault."

"-the Stag repells each bold assault."
Creator:
John Neagle, 1796–1865
Date:
1796
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

2. 3 Characters, 4 Caricaturas

3 Characters, 4 Caricaturas
Creator:
Print made by unknown artist
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

3. 3 Characters, 4 Caricaturas

3 Characters, 4 Caricaturas
Creator:
Print made by unknown artist
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

4. 3 Characters, 4 Caricaturas

3 Characters, 4 Caricaturas
Creator:
Print made by unknown artist
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

5. 3 Characters, 4 Caricaturas

3 Characters, 4 Caricaturas
Creator:
Print made by unknown artist
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

6. 3 Characters, 4 Caricaturas

3 Characters, 4 Caricaturas
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1807
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

7. 3 Characters, 4 Caricaturas

3 Characters, 4 Caricaturas
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1807
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

8. 3 Characters, 4 Caricaturas

3 Characters, 4 Caricaturas
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1807
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

9. A 'Look In' at Tattersal's

A 'Look In' at Tattersal's
Creator:
George Cruikshank, 1792–1878
Date:
1821
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

10. A 'summat' to Eat and Drink

A 'summat' to Eat and Drink
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1836
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11. A Brace of Brimstones

A Brace of Brimstones
Creator:
Print made by Thomas Rowlandson, 1756–1827
Date:
1806
Materials & Techniques:
Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

12. A Buck and Two Doe

A Buck and Two Doe
Creator:
Print made by Samuel Howitt, 1756–1822
Date:
1812
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

13. A Calm

A Calm
Creator:
Print made by Nathaniel Parr, active 1742–1751
Date:
undated
Materials & Techniques:
Line engraving with hand coloring in gouache on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

14. A Case of Real Distress

A Case of Real Distress
Creator:
after Richard Barrett Davis, 1782–1854
Date:
1850
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

15. A Charging Mameluke Firing a Pistol

A Charging Mameluke Firing a Pistol
Creator:
Henry Thomas Alken, 1785–1851
Date:
1823
Materials & Techniques:
Etching and soft-ground
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

16. A Chorus of Singers, Rehearsal of the Oratorio of Judith

A Chorus of Singers, Rehearsal of the Oratorio of Judith
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1808
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

17. A Chorus of Singers, Rehearsal of the Oratorio of Judith

A Chorus of Singers, Rehearsal of the Oratorio of Judith
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1808
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

18. A Chorus of Singers, Rehearsal of the Oratorio of Judith

A Chorus of Singers, Rehearsal of the Oratorio of Judith
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1808
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

19. A Connoiseur Admiring a Dark Nigh Piece

A Connoiseur Admiring a Dark Nigh Piece
Creator:
Published by Mary Darly, active 1762 –1772
Date:
1771
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

20. A Country Inn Yard

A Country Inn Yard
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1808
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

21. A cow and Two Goats

A cow and Two Goats
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Lithograph with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

22. A Cow and Two Rams

A Cow and Two Rams
Date:
1835
Materials & Techniques:
Lithograph on thick, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

23. A Cow, No.27

A Cow, No.27
Date:
undated
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

24. A French Second Rate, An:1670

No cover image available
Creator:
Print made by Charles Tomkins, 1757–1823
Date:
1801
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 13/16 × 18 3/8 inches (30 × 46.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

25. A Herd of Cattle

A Herd of Cattle
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Lithograph with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on board
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

26. A Herd of Cattle on a Riverbank

A Herd of Cattle on a Riverbank
Date:
undated
Materials & Techniques:
Lithograph on thick, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

27. A Horse, a Goat, and a Kid

No cover image available
Date:
1838
Materials & Techniques:
Lithograph on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

28. A Journeyman Printer's Description of the Art of Etching on Copper

A Journeyman Printer's Description of the Art of Etching on Copper
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1859
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

29. A Landscape with Cattle

A Landscape with Cattle
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1775
Materials & Techniques:
Etching (proof) on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 11 x 16 inches (27.9 x 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30. A Lane near Tenby

No cover image available
Creator:
T. S. Townsend
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

31. A Late Unfortunate Adventure at York

A Late Unfortunate Adventure at York
Creator:
Print made by unknown artist
Date:
1770
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

32. A Macaroni

A Macaroni
Creator:
after Edward Topham, 1751–1820
Date:
1771
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

33. A North West Prospect of the Lord Mayor's Mansion House

A North West Prospect of the Lord Mayor's Mansion House
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

34. A Perspective View of Esher in Surry, the Seat of the Late Rt. Hon.able Henry Pelham Esq.

A Perspective View of Esher in Surry, the Seat of the Late Rt. Hon.able Henry Pelham Esq.
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 7/8 × 12 inches (20 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

35. A Perspective View of Hatfield House, the Seat of the Right, Honorable the Lord Salisbury

A Perspective View of Hatfield House, the Seat of the Right, Honorable the Lord Salisbury
Creator:
Print made by unknown artist
Date:
1751
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 7/8 × 12 inches (20 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

36. A Perspective View of Holland House Near Kensington

A Perspective View of Holland House Near Kensington
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 7/8 × 11 3/4 inches (20 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

37. A Perspective View of Prior Park, the Seat of Ralph Allen Esq. near Bath

A Perspective View of Prior Park, the Seat of Ralph Allen Esq. near Bath
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

38. A Perspective View of Ranelagh House and Garden

A Perspective View of Ranelagh House and Garden
Creator:
Print made by unknown artist
Date:
1750
Materials & Techniques:
Line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

39. A Perspective View of the Claredon Printinghouse, the Theatre, the Museum, the Publick Schools & c.

A Perspective View of the Claredon Printinghouse, the Theatre, the Museum, the Publick Schools & c.
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

40. A Perspective View of the Inside of St. Peter's Westminster

A Perspective View of the Inside of St. Peter's Westminster
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

41. A Perspective View of the Inside of Westminster Hall

A Perspective View of the Inside of Westminster Hall
Creator:
Print made by unknown artist
Date:
1761
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

42. A Perspective View of the Palace of the King of Prusia

No cover image available
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

43. A Perspective View of the Palace of the King of Prussia

A Perspective View of the Palace of the King of Prussia
Creator:
Print made by unknown artist
Date:
1755
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

44. A Perspective View of the Royal Academy in the Strand, where Somerset House Formerly Stood

No cover image available
Creator:
Print made by William Walker, active 1782–1808
Date:
1779
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

45. A Perspective View of Workshop Mannor, a Seat of the Duke of Norfolk's

A Perspective View of Workshop Mannor, a Seat of the Duke of Norfolk's
Creator:
Print made by unknown artist
Date:
1755
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 7/8 × 11 1/2 inches (20 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

46. A Prospect of Liverpoole

A Prospect of Liverpoole
Creator:
unknown artist
Date:
1754
Materials & Techniques:
Etching on laid paper
Dimensions:
Plate: 4 3/4 x 8in. (12.1 x 20.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

47. A Recorder on his Pilgrimage

A Recorder on his Pilgrimage
Creator:
Print made by unknown artist
Date:
1770
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

48. A Spy!!! Or the Blessings of a Convention Bill

A Spy!!! Or the Blessings of a Convention Bill
Creator:
Print made by Isaac Cruikshank, 1764–1811
Date:
1795
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

49. A Third Modern Military Punishment

A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, active 1760–died 1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

50. A Third Modern Military Punishment

A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, active 1760–died 1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

51. A Third Modern Military Punishment

A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, active 1760–died 1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

52. A Third Modern Military Punishment

A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, active 1760–died 1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

53. A Third Modern Military Punishment

A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, active 1760–died 1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

54. A Third Modern Military Punishment

A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, active 1760–died 1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

55. A Third Modern Military Punishment

A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, active 1760–died 1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

56. A Toupapow with a Corpse on it

No cover image available
Creator:
William Woollett, 1735–1785
Date:
1777
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

57. A View in Western Australia

A View in Western Australia
Creator:
Print made by John S. Templeton, active 1830–1857
Date:
1830
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

58. A View of Boscobel House & The White Ladies, with the Wood where King Charles II Concealed Himself after the Battle of Worcester

A View of Boscobel House & The White Ladies, with the Wood where King Charles II Concealed Himself after the Battle of Worcester
Creator:
Print made by Michael van der Gucht, 1660–1725
Date:
undated
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

59. A View of Boscobel House & The White Ladies, with the Wood where King Charles II Concealed Himself after the Battle of Worcester

A View of Boscobel House & The White Ladies, with the Wood where King Charles II Concealed Himself after the Battle of Worcester
Creator:
Print made by Michael van der Gucht, 1660–1725
Date:
between 1675 and 1725
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

60. A View of Boscobel House & The White Ladies, with the Wood where King Charles II Concealed Himself after the Battle of Worcester

A View of Boscobel House & The White Ladies, with the Wood where King Charles II Concealed Himself after the Battle of Worcester
Creator:
Print made by Michael van der Gucht, 1660–1725
Date:
between 1675 and 1725
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

61. A View of Boscobel House & The White Ladies, with the Wood where King Charles II Concealed Himself after the Battle of Worcester

A View of Boscobel House & The White Ladies, with the Wood where King Charles II Concealed Himself after the Battle of Worcester
Creator:
Print made by Michael van der Gucht, 1660–1725
Date:
undated
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

62. A View of Dr. Batty's House at Twickenham

A View of Dr. Batty's House at Twickenham
Creator:
Print made by unknown artist
Date:
1769
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

63. A View of the Grand Fete on Parker's Piece, Cambridge

A View of the Grand Fete on Parker's Piece, Cambridge
Creator:
Print made by George Johann Scharf, 1788–1860
Date:
1838
Materials & Techniques:
Lithography on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

64. A View of the Harbour of Cherburg

A View of the Harbour of Cherburg
Creator:
Print made by unknown artist
Date:
1790
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

65. A View of the Harbour of Nantes

A View of the Harbour of Nantes
Creator:
Print made by unknown artist
Date:
1790
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

66. A View of the Savoy from the River Thames

No cover image available
Creator:
Print made by unknown artist
Date:
between 1803 and 1814
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/8 × 10 3/4 inches (20.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

67. A Whistling Shop...

A Whistling Shop...
Creator:
George Cruikshank, 1792–1878
Date:
1821
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

68. Abbey at Carrick on Suir

Abbey at Carrick on Suir
Creator:
James Duffield Harding, 1798–1863
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

69. Adovcate's Close, Edinburgh

No cover image available
Creator:
Alfred-Louis Brunet-Debaines, 1845–ca. 1935
Date:
1878
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

70. Advertisement for Rich Arkwright Peruke Maker Hair Cutter &c in Bolton, Lancashire

Advertisement for Rich Arkwright Peruke Maker Hair Cutter &c in Bolton, Lancashire
Creator:
Print made by W. Barlow, active ca. 1760
Date:
ca. 1760
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

71. Advocate's Close

No cover image available
Creator:
Alfred-Louis Brunet-Debaines, 1845–ca. 1935
Date:
1878
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

72. Africa

Africa
Creator:
Print made by John Browne, 1741–1801
Date:
1775
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

73. Ald Gate, Bishop's Gate, Moor Gate, Cripple Gate, Alder's Gate, New Gate, Lud Gate, Temple Barr

Ald Gate, Bishop's Gate, Moor Gate, Cripple Gate, Alder's Gate, New Gate, Lud Gate, Temple Barr
Creator:
Print made by unknown artist
Date:
1750
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

74. Algernoon Piercy Earl of Northumberland

No cover image available
Creator:
Print made by Jacobus Houbraken, 1698–1780
Date:
1738
Materials & Techniques:
Line engraving, stipple engraving and etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 19 15/16 × 13 5/8 inches (50.6 × 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

75. Algernoon Piercy, Earl of Northumberland

No cover image available
Creator:
Print made by Jacobus Houbraken, 1698–1780
Date:
1738
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

76. All's Well ...Act I, Scene III

All's Well ...Act I, Scene III
Creator:
Peter Maverick, 1780–1831
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

77. All's Well the Ends Well, Act IV, Sc. I

All's Well the Ends Well, Act IV, Sc. I
Creator:
William Angus, 1752–1821
Date:
1804
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

78. All's Well... Act I, Scene III

No cover image available
Creator:
Tanner, Vallance, Kearney & Co.
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

79. All's Well... Act III, Sc. V

All's Well... Act III, Sc. V
Creator:
W. Taylor, active 1790–1810
Date:
1791
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

80. Allerton Hall, Lancashire

Allerton Hall, Lancashire
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

81. American Non-pareil

American Non-pareil
Creator:
Print made by unknown artist
Date:
ca. 1762
Materials & Techniques:
Line engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

82. Amusement for John Bull and His Cousin Paddy, or the Gambols of the American Buffalo, in St. James's Street

Amusement for John Bull and His Cousin Paddy, or the Gambols of the American Buffalo, in St. James's Street
Creator:
Print made by unknown artist
Date:
1783
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

83. An Ancient View of St. James's, Westminster Abby, & Hall, &c. from the Village of Charing now Charing Cross

An Ancient View of St. James's, Westminster Abby, & Hall, &c. from the Village of Charing now Charing Cross
Creator:
Print made by unknown artist
Date:
1776
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

84. An Election Entertainment at Brentford

An Election Entertainment at Brentford
Creator:
Print made by unknown artist
Date:
1768
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

85. An Exact Representation of the Boarding and Taking the Cleopatra French Frigate

An Exact Representation of the Boarding and Taking the Cleopatra French Frigate
Creator:
Print made by J. Pass, active 1796–1800
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

86. An Italian Hill Town

An Italian Hill Town
Creator:
Charles H. Mackie, 1862–1920
Materials & Techniques:
Etching with graphite
Dimensions:
Sheet: 9 5/8 x 13 1/2in. (24.4 x 34.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

87. An Italian Hill Town

An Italian Hill Town
Creator:
Charles H. Mackie, 1862–1920
Materials & Techniques:
Etching and drypoint, second state
Dimensions:
Sheet: 7 1/2 x 10 1/4in. (19.1 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

88. An Italian Hill Town

An Italian Hill Town
Creator:
Charles H. Mackie, 1862–1920
Materials & Techniques:
Etching and drypoint
Dimensions:
Sheet: 8 1/2 x 10 5/8in. (21.6 x 27cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

89. Analysis of Beauty

Analysis of Beauty
Creator:
Thomas Cook, 1744–1818
Date:
1808
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

90. Analysis of Beauty

No cover image available
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

91. Analysis of Beauty, Plate I

Analysis of Beauty, Plate I
Creator:
Print made by J. Barlow, active 1791
Date:
1791
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

92. Analysis of Beauty, Plate I

Analysis of Beauty, Plate I
Creator:
Print made by J. Barlow, active 1791
Date:
1791
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

93. Analysis of Beauty, Plate I

Analysis of Beauty, Plate I
Creator:
Print made by J. Barlow, active 1791
Date:
1791
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

94. Analysis of Beauty, Plate I

Analysis of Beauty, Plate I
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1807
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

95. Analysis of Beauty, Plate I

Analysis of Beauty, Plate I
Creator:
Print made by unknown artist
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

96. Analysis of Beauty, Plate II

Analysis of Beauty, Plate II
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1808
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

97. Analysis of Beauty, Plate II

Analysis of Beauty, Plate II
Creator:
Print made by J. Barlow, active 1791
Date:
1791
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

98. Analysis of Beauty, Plate II

Analysis of Beauty, Plate II
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1808
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

99. Analysis of Beauty, Plate II

Analysis of Beauty, Plate II
Creator:
Print made by unknown artist
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

100. Angel Appearing to Man

Angel Appearing to Man
Creator:
Print made by unknown artist
Date:
1805
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection