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Collection Prints and Drawings
Remove constraint Collection: Prints and DrawingsDate 1791
Remove constraint Date: 1791Height [cm] Unknown
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1
- A Basso Relievo of a Gardiner. Against Mr. Holylands stables Gardiners Lane, the corner of High Timber Street, is this Sculpture: but why put up, cannot learn. Tradition says the site was once Gardens
- 1791
2
- A Curious House at Stepney
- 1791
3
- A Curious Pump
- 1791
4
- A Sacrifice To Diana The Goddess Of Hunting
- 1791
5
- A Specimen of Ancient Building (Old houses in King Street)
- 1791
6
- A View of Albion Mill on Fire
- 1791
7
- A View of Westminster Bridge, the Abbey and Church
- 1791
8
- A Young Lady
- ca. 1796
9
- All's Well... Act III, Sc. V
- 1791
10
- An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: Painting on the South Side Seberts Tomb
- 1791
11
- An English Hobby Horse; or, Who Pays the Piper?
- 1791
12
- As You Like It: Act II Scene 1. Jacques and the Wounded Stag
- 1791
13
- As You Like It: Act V Scene IV: Rosalind and Orlando
- 1791
14
- Black-George
- 1791
15
- Collection of Prints by Notable Dilettanti
- 1791
16
- Contemplation
- 1791
17
- Domestic Architecture - N. E. View of an Old House lately Standing in Sweedon's Passage, Grub Street
- 1791
18
- French Democrats surprizing the Royal Runaways
- 1791
19
- Gateway of the Old Palace at Richmond
- 1791
20
- George, Prince of Wales
- 1791
21
- Guy, Earl of Warwick, From a Basso Relievio in Warwick Lane
- 1791
22
- Hackney
- 1791
23
- Hebe
- 1791
24
- Hornsey
- 1791
25
- In St. Mary Overie's or St. Saviour's, Southwark
- 1791
26
- Les Trois Magots
- 1791
27
- Lollard's Prison
- 1791
28
- London Stone in Cannon Street
- 1791
29
- London Stone in Cannon Street
- 1791
30
- Memorial in St. Mary's, Lambeth
- 1791
31
- Merchant of Venice, Act III, Sc. I
- 1791
32
- Monmouth House, Soho Square
- 1791
33
- Newgate
- 1791
34
- North End, Hampstead
- 1791
35
- Painting on the South Side Severts Tomb
- 1791
36
- Pedlar and his Dog, St. Mary's, Lambeth
- 1791
37
- Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water
- 1791
38
- Plate III: View taken in the County of Louth Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spreading it to dry, stoving, beetling, and breaking it
- 1791
39
- Plate IV: representing the common Method of Beetling, Scutching and Hackling the Flax
- 1791
40
- Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House
- 1791
41
- Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax
- 1791
42
- Plate VI: Taken on the Spot in the County of Downe, Representing Spinning, Reeling with the Clock Reel, and Boiling the Yarn
- 1791
43
- Plate VII: representing Winding, Warping with a new improved Warping Mill, and Weaving
- 1791
44
- Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality
- 1791
45
- Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction
- 1791
46
- Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ..
- 1791
47
- Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry
- 1791
48
- Pye Corner, Smithfield
- 1791
49
- Pye Corner, Smithfield
- 1791
50
- Rehearsal: The Vision of Nantes or the Patriotick Attack of the Troops National
- 1791
51
- Rosamond's Pond
- 1791
52
- Sion Lodge
- 1791
53
- Sir Robert Strange
- 1791
54
- St. Paul
- 1791
55
- Taming... Act II, Sc. I
- 1791
56
- Taming...Act III, Scene I
- 1791
57
- The Departure of Hagar
- 1791
58
- The Deserter, 29 July 1791
- 1791
59
- The Deserter, 29 July 1791
- 1791
60
- The Deserter, 29 July 1791
- 1791
61
- The Deserter, 29 July 1791
- 1791
62
- Venus, Adonis with his Hunting Dogs, and Cupid with Bow and Quiver selecting an Arrow
- 1791
63
- Vignette: Four Putti, Two Holding Hands
- 1791
64
- Vignette: Four Putti, Two Holding Hands
- 1791