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Collection Prints and Drawings

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Exhibition History Just what was it that made British Pop so different, so appealing? (Yale Center for British Art, 2004-01-26 - 2004-05-09)

Remove constraint Exhibition History: Just what was it that made British Pop so different, so appealing? (Yale Center for British Art, 2004-01-26 - 2004-05-09)

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Work Type planographic print

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Patrick Caulfield Bathroom Mirror
Patrick Caulfield, 1936–2005
Bathroom Mirror
1968
Sir Eduardo Paolozzi The Spirit of the Snake
Sir Eduardo Paolozzi, 1924–2005
The Spirit of the Snake
1965
Sir Eduardo Paolozzi He Must, So To Speak, Throw Away the Ladder
Sir Eduardo Paolozzi, 1924–2005
He Must, So To Speak, Throw Away the Ladder
1965
Sir Eduardo Paolozzi Wittgenstein at the Cinema Admires Betty Gable
Sir Eduardo Paolozzi, 1924–2005
Wittgenstein at the Cinema Admires Betty Gable
1965
Sir Eduardo Paolozzi Tortured Life
Sir Eduardo Paolozzi, 1924–2005
Tortured Life
1965
Sir Eduardo Paolozzi Reality
Sir Eduardo Paolozzi, 1924–2005
Reality
1965
Sir Eduardo Paolozzi Experience
Sir Eduardo Paolozzi, 1924–2005
Experience
1965
Bridget Riley Untitled [Rose]
Bridget Riley, born 1931
Untitled [Rose]
1978
Sir Eduardo Paolozzi Parrot
Sir Eduardo Paolozzi, 1924–2005
Parrot
1965
Sir Eduardo Paolozzi Futurism at Lenabo
Sir Eduardo Paolozzi, 1924–2005
Futurism at Lenabo
1965
Sir Eduardo Paolozzi Wittgenstein in New York
Sir Eduardo Paolozzi, 1924–2005
Wittgenstein in New York
1965
Sir Eduardo Paolozzi Artificial Sun
Sir Eduardo Paolozzi, 1924–2005
Artificial Sun
1965
Sir Eduardo Paolozzi Assembling Reminders for a Particular Purpose
Sir Eduardo Paolozzi, 1924–2005
Assembling Reminders for a Particular Purpose
1965
Sir Eduardo Paolozzi Wittgenstein the Soldier
Sir Eduardo Paolozzi, 1924–2005
Wittgenstein the Soldier
1965
R. B. Kitaj World Ruin Through Black Magic (bottom sheet of two sheet set)
R. B. Kitaj, 1932–2007
World Ruin Through Black Magic (bottom sheet of two sheet set)
1965
Richard Smith PM Zoom from The Institute of Contemporary Arts Portfolio, 1963 (published 1964)
Print made by Richard Smith, 1931–2016
PM Zoom from The Institute of Contemporary Arts Portfolio, 1963 (published 1964)
1963