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Credit Line Yale Center for British Art

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Period 19th century

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Westerham Mill, Kent
Creator:
unknown artist
Date:
1812
Materials & Techniques:
Colored aquatint
Dimensions:
Sheet: 13 7/8 x 10 1/4in. (35.2 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Lowther Arcade
Creator:
unknown artist
Date:
undated
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
St. Savior's Church, Haverstock Hill. View from the South West.
Creator:
unknown artist
Date:
undated
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Mr. Sparrow's House, Ipswich
Creator:
unknown artist
Date:
1829
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Woodman's Lodge to Hadzor House (reproduction)
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Vanity Fair - Clergy. 'The noblest of English names.' Earn Nelson. 16 April 1881
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1881
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Vnaity Fair - Clergy. 'Congregational Union'. Rev. Joseph Parker. 19 April 1884
Creator:
Carlo Pellegrini, 1839–1889
Date:
1884
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Vanity Fair - Clergy. 'If eloquence could justify injustice he would have saved the Irish Church.' Bishop of Petersborough. 3 July 1869
Creator:
Carlo Pellegrini, 1839–1889
Date:
1869
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Vanity Fair - Clergy. 'Philosophic Belief'. A.P. Stanley. 21 September 1872
Creator:
unknown artist
Date:
1872
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Vanity Fair - Clergy. 'No one has suceeded like him in sketching the comic side of repentance and regeneration'. Charles Spurgeon. 10 December 1870
Creator:
Carlo Pellegrini, 1839–1889
Date:
1870
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Vanity Fair - Clergy. 'The Christian martyr'. Rev. Arthur Tooth. 10 February 1877
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1877
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Vanity Fair - Clergy. 'Truro' Howard Wilkinson, Bishop of Truro.
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1885
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Set of four: 2. Partridge Shooting
Creator:
unknown artist
Date:
1801
Materials & Techniques:
Hand colored mezzotint
Dimensions:
Sheet: 9 7/8 x 13 7/8in. (25.1 x 35.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Set of four: 4. Woodcock Shooting
Creator:
unknown artist
Date:
1804
Materials & Techniques:
Hand colored mezzotint
Dimensions:
Sheet: 9 7/8 x 13 7/8in. (25.1 x 35.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Set of four: 3. Pheasant Shooting
Creator:
unknown artist
Date:
1801
Materials & Techniques:
Hand colored mezzotint
Dimensions:
Sheet: 9 7/8 x 13 7/8in. (25.1 x 35.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Exterior of the Prince of Wales Conservatory at Charlton House
Creator:
unknown artist
Date:
1811
Materials & Techniques:
Engraving
Dimensions:
Sheet: 10 1/4 x 12 1/2in. (26 x 31.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
[Hare hunting and coursing] Six subjects on one sheet
Creator:
unknown artist
Date:
ca. 1830
Materials & Techniques:
Hand colored lithograph
Dimensions:
Sheet: 10 1/8 x 13 7/8in. (25.7 x 35.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Set of four [Foxhunting]: 1. Going out
Creator:
unknown artist
Date:
1817
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 8 1/4 x 11 1/4in. (21 x 28.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Set of four: 1. Duck Shooting
Creator:
unknown artist
Date:
1801
Materials & Techniques:
Hand colored mezzotint
Dimensions:
Sheet: 9 7/8 x 13 7/8in. (25.1 x 35.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Various Engravings of York Cathedral
Creator:
unknown artist
Date:
1813
Materials & Techniques:
Engraving
Dimensions:
Sheet: 13 1/4 x 17 3/4in. (33.7 x 45.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
A Discharged Fifer
Creator:
Attributed to Richard Dighton, 1795–1880
Date:
ca. 1821
Materials & Techniques:
Hand-colored etching on wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Vanity Fair - Businessmen and Empire Builders. 'a man of business'. Lord Henniker. 1 July 1882
Creator:
Theobald Chartran, 1849–1907
Date:
1882
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

123. Prosperity

Prosperity
Creator:
James Tissot, 1836–1902
Date:
1876
Materials & Techniques:
chromolithograph
Dimensions:
Sheet: 15 1/8 x 10 3/8 inches (38.4 x 26.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Vanity Fair - Businessmen and Empire Builders. 'Bradford goods'. Sir Henry Mitchell, F.P.- 5 July 1890
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1890
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Vanity Fair - Businessmen and Empire Builders. 'Metal'. Mr. Philip Albert Muntz, M.P. - 23 July 1892
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1892
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Vanity Fair - Businessmen and Empire Builders. 'Fair Trade'. Mr. Sampson S. Lloyd. 11 March 1882
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1882
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Vanity Fair - Businessmen and Empire Builders. 'Peace' Sir Joseph Whitwell Peace, Bart. M.P. - 1 October 1887
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1887
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Vanity Fair, Businessmen and Empire Builders. 'Bullion'. Mr. Stewart Pixley, J.P.D.L. - 25 January 1890
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1890
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Vanity Fair - Businessmen and Empire Builders. 'The Indian Rothchild'. Sir Albert Abdallah David Sassoon, C.S.I. - 16 August 1879
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1879
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Vanity Fair - Clergy. Men of the Day, no. 45 'Come to Jesus'. Hall. 23 November 1872
Creator:
unknown artist
Date:
1872
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

131. Untitled

Untitled
Creator:
unknown artist
Date:
1813
Materials & Techniques:
Aquatint on wove paper
Dimensions:
Plate: 10 5/8 x 14 1/2in. (27 x 36.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Elizabeth Alexander
Creator:
Print made by Elizabeth Christiana Fanshawe, 1778–1856
Date:
1806
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 × 9 1/16 inches (33 × 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Gray's Letters, Volume First (a vignette)
Creator:
unknown artist
Date:
undated
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Her Majesty Queen Victoria at the Banquet given by the Corporation of London, the 9th of Novermber 1837
Creator:
unknown artist
Date:
undated
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
A House (unidentified)
Creator:
unknown artist
Date:
undated
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Meer Hall, Worcestershire
Creator:
unknown artist
Date:
undated
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
New College to be built at Lampeter in Cardiganshire
Creator:
Charles J. Hullmandel, 1789–1850
Materials & Techniques:
Lithograph
Dimensions:
Sheet: 21 1/2 x 15in. (54.6 x 38.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
British, Neoclassical Revival frame
Creator:
unknown framemaker
Date:
1st half of 19th century
Materials & Techniques:
Wood and compo, later oil and water gilding over original gilding and sanded frieze
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' style frame
Creator:
unknown framemaker
Date:
19th century
Materials & Techniques:
Carved wood, oil and water gilt and patinated
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
1st quarter of 19th century
Materials & Techniques:
Wood and compo, original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
1st quarter of 19th century
Materials & Techniques:
Wood and compo, original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Empire frame
Creator:
unknown framemaker
Date:
1st half of 19th century
Materials & Techniques:
Wood and compo, sucessive later oil gildings over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical, "Morland" frame
Creator:
unknown framemaker
Date:
1st quarter of 19th century
Materials & Techniques:
Wood and compo, later oil gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
1st quarter of 19th century
Materials & Techniques:
Wood and compo, later oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Régence style frame
Creator:
unknown framemaker
Date:
1st half of 19th century
Materials & Techniques:
Wood and compo, original oil gilding
Dimensions:
Frame: 23 3/4 × 30 1/4 × 2 3/8 inches (60.3 × 76.8 × 6 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British, late Baroque style frame
Creator:
unknown framemaker
Date:
2nd and 3rd quarters of 19th century
Materials & Techniques:
Wood and compo, later oil gilding over original gilding, original water gilding on inlay
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical Revival frame
Creator:
unknown framemaker
Date:
1st half of 19th century
Materials & Techniques:
Wood and compo, water gilt and patinated
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical Revival frame
Creator:
unknown framemaker
Date:
1st half of 19th century
Materials & Techniques:
Wood and compo, water gilt and patinated
Collection:
Frames
Credit Line:
Yale Center for British Art
British architectural moulding frame
Creator:
unknown framemaker
Date:
2nd half of 19th century
Materials & Techniques:
Wood, parcel gilt and painted black
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
1st half of 19th century
Materials & Techniques:
Wood and compo, later gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
early 19th century
Materials & Techniques:
Carved wood and compo, later gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
early 19th century
Materials & Techniques:
Wood and compo, original oil and water gilding and sanded side panels
Dimensions:
Frame: 48 1/2 × 62 inches (123.2 × 157.5 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' style frame
Creator:
unknown framemaker
Date:
1st half of 19th century
Materials & Techniques:
Wood and compo, later water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical, 'Morland' frame
Creator:
unknown framemaker
Date:
early 19th century
Materials & Techniques:
Wood and compo, partially regilded over original water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Louis XV Revival frame
Creator:
unknown framemaker
Date:
19th century
Materials & Techniques:
Wood and compo, matt and burnished water gilding and oil gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Rococo Revival frame
Creator:
unknown framemaker
Date:
2nd and 3rd quarters of 19th century
Materials & Techniques:
Wood and compo, original oil and water gilding, partial bronze overpainting
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical Revival frame
Creator:
unknown framemaker
Date:
1st half of 19th century
Materials & Techniques:
Carved wood and compo, later gilding over original gilding
Dimensions:
Frame: 38 × 33 × 2 1/8 inches (96.5 × 83.8 × 5.4 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Victorian Louis IV style frame
Creator:
unknown framemaker
Date:
mid-19th century
Materials & Techniques:
Wood and compo, partially regilded over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Arts and Crafts frame
Creator:
unknown framemaker
Date:
2nd half of 19th century
Materials & Techniques:
Oak, original oil gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British Regency/Victorian frame
Creator:
unknown framemaker
Date:
2nd quarter of 19th century
Materials & Techniques:
Wood and compo, original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Artist's frame
Creator:
Perhaps Foord & Dickinson, 1859–1899
Date:
last third of 19th century
Materials & Techniques:
Wood and compo, original oil and water gilding
Dimensions:
Frame: 13 1/2 × 19 × 1 5/8 inches (34.3 × 48.3 × 4.1 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical Revival style frame
Creator:
unknown framemaker
Date:
2nd half of 19th century
Materials & Techniques:
Wood, later gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical Revival frame
Creator:
unknown framemaker
Date:
2nd quarter of 19th century
Materials & Techniques:
Wood and compo, later gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
1st quarter of 19th century
Materials & Techniques:
Wood and compo, later oil gilding over original oil and water gilding
Dimensions:
Frame: 38 1/2 × 53 1/2 × 3 3/4 inches (97.8 × 135.9 × 9.5 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
2nd quarter of 19th century
Materials & Techniques:
Wood and compo, later oil and water gilding over original gilding
Dimensions:
Frame: 15 3/4 × 23 × 1 3/4 inches (40 × 58.4 × 4.4 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical Revival frame
Creator:
unknown framemaker
Date:
19th century
Materials & Techniques:
Wood and compo, original oil and water gilding, partially regilded
Dimensions:
Frame: 17 × 24 1/2 × 2 inches (43.2 × 62.2 × 5.1 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Baroque style moulding frame
Creator:
unknown framemaker
Date:
1st half of 19th century
Materials & Techniques:
Wood and compo, oil and water gilt
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
early 19th century
Materials & Techniques:
Wood and compo, water gilt and patinated
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
1st half of 19th century
Materials & Techniques:
Carved wood and compo, later oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Victorian frame
Creator:
unknown framemaker
Date:
2nd half of 19th century
Materials & Techniques:
Wood, oil gilt
Dimensions:
Frame: 28 5/8 × 22 3/4 × 1 3/4 inches (72.7 × 57.8 × 4.4 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' - NeoClassical variant frame
Creator:
unknown framemaker
Date:
1st quarter of 19th century
Materials & Techniques:
Carved wood, later patinated oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British (?), 'Carlo Maratta' style frame
Creator:
unknown framemaker
Date:
19th century
Materials & Techniques:
Wood and compo, partially regilded over original water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British Victorian Rococo Revival frame
Creator:
unknown framemaker
Date:
1st half of 19th century
Materials & Techniques:
Wood and compo, oil gilt
Collection:
Frames
Credit Line:
Yale Center for British Art
British Victorian Rococo Revival frame
Creator:
unknown framemaker
Date:
1st half of 19th century
Materials & Techniques:
Wood and compo, oil gilt
Collection:
Frames
Credit Line:
Yale Center for British Art
British Neoclassical Revival frame
Creator:
unknown framemaker
Date:
2nd half of 19th century
Materials & Techniques:
Wood and compo, gilt
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
1st half of 19th century
Materials & Techniques:
Wood and compo, later oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British (?) Neoclassical frame
Creator:
unknown framemaker
Date:
19th century
Materials & Techniques:
Wood and canvas, regilded over original gilding; frieze overpainted rose-grey
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical Revival frame
Creator:
unknown framemaker
Date:
1st half of 19th century
Materials & Techniques:
Wood, later oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical Revival frame
Creator:
unknown framemaker
Date:
mid-19th century
Materials & Techniques:
Wood and compo, canvas, later gilding over original gilding
Dimensions:
Frame: 17 × 24 1/2 × 2 inches (43.2 × 62.2 × 5.1 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Louis XIII style frame
Creator:
unknown framemaker
Date:
19th century
Materials & Techniques:
Carved wood, bronze leaf
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
19th century
Materials & Techniques:
Wood, partially regilded over original water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
19th century
Materials & Techniques:
Wood and compo, later gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Louis XIV Revival, frame
Creator:
unknown framemaker
Date:
19th century
Materials & Techniques:
Wood and compo, original oil and water gilding
Dimensions:
Frame: 27 × 22 × 1 3/4 inches (68.6 × 55.9 × 4.4 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
early 19th century
Materials & Techniques:
Wood and compo, later patinated oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical Revival frame
Creator:
unknown framemaker
Date:
1st quarter of 19th century
Materials & Techniques:
Wood and compo, original oil and water gilding
Dimensions:
Frame: 18 5/8 × 23 1/4 × 2 inches (47.3 × 59.1 × 5.1 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical, "Morland" frame
Creator:
unknown framemaker
Date:
1st quarter of 19th century
Materials & Techniques:
Carved wood and compo, partially regilded over original oil and water gilding
Dimensions:
Frame: 19 1/4 × 23 7/8 × 2 3/4 inches (48.9 × 60.6 × 7 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British (?), Neoclassical, frame
Creator:
unknown framemaker
Date:
1st half of 19th century
Materials & Techniques:
Carved wood, later oil gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' style frame
Creator:
unknown framemaker
Date:
19th century
Materials & Techniques:
Wood and compo, oil and water gilt and patinated
Collection:
Frames
Credit Line:
Yale Center for British Art
Continental Europe, Louis XV Revival frame
Creator:
unknown framemaker
Date:
1st half of 19th century
Materials & Techniques:
Wood and compo, original oil and water gilding
Dimensions:
Frame: 48 × 69 1/2 × 4 inches (121.9 × 176.5 × 10.2 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
German (?) architectural moulding frame
Creator:
unknown framemaker
Date:
19th century
Materials & Techniques:
Wood, patinated white gold
Collection:
Frames
Credit Line:
Yale Center for British Art
Continental Europe, Neoclassical frame
Creator:
unknown framemaker
Date:
19th century
Materials & Techniques:
Wood and compo, partially bronze painted over original oil and water gilding
Dimensions:
Frame: 27 1/8 × 20 1/2 × 2 1/8 inches (68.9 × 52.1 × 5.4 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical Revival frame
Creator:
unknown framemaker
Date:
1st half of 19th century
Materials & Techniques:
Wood and compo, original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British Victorian Rococo Revival frame
Creator:
unknown framemaker
Date:
2nd quarter of 19th century
Materials & Techniques:
Wood and compo, original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
French (?) Louis XIV Revival frame
Creator:
unknown framemaker
Date:
2nd half of 19th century
Materials & Techniques:
Wood compo, original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Louis XIII style frame
Creator:
unknown framemaker
Date:
19th century
Materials & Techniques:
Carved wood and plaster, original oil, water gilding and sanded frieze
Dimensions:
Frame: 58 × 48 × 3 1/2 inches (147.3 × 121.9 × 8.9 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
early 19th century
Materials & Techniques:
Wood and compo, partially regilded over original water gilding
Dimensions:
Frame: 13 3/8 × 17 1/2 × 2 inches (34 × 44.5 × 5.1 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th century to early 19th century
Materials & Techniques:
Carved wood and compo, original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Lely' frame
Creator:
unknown framemaker
Date:
19th century
Materials & Techniques:
Carved wood, oil and water gilt
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Lely' frame
Creator:
unknown framemaker
Date:
19th century
Materials & Techniques:
Carved wood, oil and water gilt
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
1st half of 19th century
Materials & Techniques:
Wood, later oil gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art