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The Red House, Painswick, Glos.
Creator:
John Piper, 1903–1992
Date:
1987
Materials & Techniques:
Screen print on moderately thick, moderately textured, white wove Arches paper
Dimensions:
Sheet: 25 × 31 inches (63.5 × 78.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Lewis Walpole Library Collection
Swansea Chapel
Creator:
John Piper, 1903–1992
Date:
1966
Materials & Techniques:
Lithograph on moderately thick, slightly textured, white wove paper
Dimensions:
Sheet: 32 × 23 1/4 inches (81.3 × 59.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John Russell
Two Studies for a Sculptural Column
Creator:
Henri Gaudier-Brzeska, 1891–1915
Date:
between 1910 and 1915
Materials & Techniques:
Black ink and pen on medium, slightly textured, cream machine-made laid paper
Dimensions:
Sheet: 9 x 7 1/8 inches (22.9 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Illustration to "Beyond This Limit"
Creator:
Wyndham Lewis, 1882–1957
Date:
undated
Materials & Techniques:
Pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 x 7 3/8 inches (27.3 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

5. XXXIV

XXXIV
Creator:
Sir Christopher Le Brun, born 1951
Date:
1990
Materials & Techniques:
Lavender oil on hardground and spitbite etching on white 300gsm Somerset TP Textured wove paper
Dimensions:
Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

6. XXXIX

XXXIX
Creator:
Sir Christopher Le Brun, born 1951
Date:
1990
Materials & Techniques:
Hardground etching, aquatint, openbite, drypoint scraping, burnishing, and polishing on white 300gsm Somerset TP Textured wove paper
Dimensions:
Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

7. TiT

TiT
Creator:
Print made by Richard Hamilton, 1922–2011
Date:
2002
Materials & Techniques:
Screen print on white 400gsm Somerset Satin paper
Dimensions:
Sheet: 35 × 26 3/8 inches (88.9 × 67 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Friends of British Art Fund and Gift of Mr. and Mrs. James Duncan, Yale BA 1975
Greyfriars
Creator:
Jane Dixon, born 1963
Date:
2010
Materials & Techniques:
Graphite rubbing on moderately thick, slightly textured, white wove paper
Dimensions:
Frame: 34 1/4 × 23 1/2 × 1 1/2 inches (87 × 59.7 × 3.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Driek and Michael Zirinsky in honor of Driek's parents, Gertrude Bersch Bestebreurtze and Arie D. Bestebreurtze
No. 5 from The Group
Creator:
Print made by Ibrahim El-Salahi, born 1930
Date:
2016
Materials & Techniques:
Etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 7/16 × 11 1/8 inches (34.2 × 28.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, John F. O'Brien Fund
St. Alban's
Creator:
Jane Dixon, born 1963
Date:
2010
Materials & Techniques:
Graphite rubbing on moderately thick, slightly textured, white wove paper
Dimensions:
Sheet: 29 × 19 1/2 inches (73.7 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Driek and Michael Zirinsky in honor of Driek's parents, Gertrude Bersch Bestebreurtze and Arie D. Bestebreurtze
St. Augustine's
Creator:
Jane Dixon, born 1963
Date:
2010
Materials & Techniques:
Graphite rubbing on moderately thick, slightly textured, white wove paper
Dimensions:
Sheet: 29 3/4 × 19 5/8 inches (75.6 × 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Driek and Michael Zirinsky in honor of Driek's parents, Gertrude Bersch Bestebreurtze and Arie D. Bestebreurtze

12. Ziggurat

Ziggurat
Creator:
Joe Tilson, 1928–2023
Date:
1964
Materials & Techniques:
Screen print on medium, slightly textured, white wove paper
Dimensions:
Sheet: 35 3/8 × 23 3/8 inches (89.9 × 59.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Barbara Sunderman Hoerner
Mornington Crescent
Creator:
Frank Auerbach, born 1931
Date:
ca. 1970
Materials & Techniques:
Oil pastel and graphite on thin, smooth, beige wove paper
Dimensions:
Sheet: 6 7/8 × 8 3/4 inches (17.5 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dorothy C. Weicker in honor and memory of her parents, Beatrice Trostel and Frederick E. Weicker, Yale BS 1931

14. IV

IV
Creator:
Sir Christopher Le Brun, born 1951
Date:
1990
Materials & Techniques:
Aquatint, burnishing, sugarlift, openbite and softground etching on white 300gsm Somerset TP Textured wove paper
Dimensions:
Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

15. V

V
Creator:
Sir Christopher Le Brun, born 1951
Date:
1990
Materials & Techniques:
Aquatint and openbite etching on white 300gsm Somerset TP Textured wove paper
Dimensions:
Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

16. XXXIII

XXXIII
Creator:
Sir Christopher Le Brun, born 1951
Date:
1990
Materials & Techniques:
Sugarlift etching in 3 stages, the first bitten in 2 stages on coarse grain aquatint, second bitten in 3 states on fine aquatint, third bitten once only, then two openbites through varnish on white 300gsm Somerset TP Textured wove paper
Dimensions:
Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

17. XXXV

XXXV
Creator:
Sir Christopher Le Brun, born 1951
Date:
1990
Materials & Techniques:
Spitbite, openbite, softground, and creeping bite etching on white 300gsm Somerset TP Textured wove paper
Dimensions:
Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund