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John Locke
Creator:
unknown artist
Date:
ca. 1775
Materials & Techniques:
Terracotta
Dimensions:
Overall: 13 inches (33 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
A Setter: Standing
Creator:
unknown artist
Date:
ca. 1775
Materials & Techniques:
Pearlware figure
Dimensions:
Sheet: 11 1/4in. (28.6cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Trade Card for Churchman's Chocolate and Fry's Patent Cocoa
Creator:
unknown artist
Date:
c.1770
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Trade Card for John Walker, a metalworker of St. Martin's Lane, Birmingham.
Creator:
unknown artist
Date:
c.1770
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Trade Card for Saddle Horses to Lett
Creator:
unknown artist
Date:
c.1770
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Trade Card printed for the Phoenix Co. or New Fire Office Lombard Street
Creator:
after unknown artist
Date:
c.1770
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Trade card for Chartes Sharp Perfume and Razor Makers 131 Fleet Street and S. Cornhill
Creator:
Garnet Terry, active 1780–1796
Date:
c.1770
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the South Front of the New Buildings called Adelphi, formerly Durham Yard and also that part of the Cities of London and Westminster
Creator:
Benedetto Pastorini, Italian, ca.1746–after 1803
Date:
1770
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Barbara Ruthven, Wife of Anthony van Dyck, Daughter of William Ruthven, 1st Earl of Gowrie
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1770
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bolt In Tun. Fleet Street
Creator:
J. Sleath, active 1820
Date:
undated
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Parish Orphans
Creator:
William Baillie, 1723–1810
Date:
1770
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection
Miss Haffey
Creator:
Robert Laurie, 1755?–1836
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Earlham House, Norfolk (Album of 22 designs and surveys of Edward Bacon's seat at Earlham)
Creator:
Isaac Johnson, 1754–1835
Date:
undated
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Macbeth and the Witches
Creator:
William Woollett, 1735–1785
Date:
1770
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Right Honourable Charles Lord Cathcart, Knight of the Order of the Thistle at Present abroad on his Embassy to the Court of Petersburg
Creator:
James McArdell, ca. 1729–1765
Date:
1770
Materials & Techniques:
Mezzotint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Samuel Johnson
Creator:
James Watson, 1740–1790
Date:
1770
Materials & Techniques:
Mezzotint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. Lyall Dean, Mrs. Borden Helmer, and the Estate of Bliss Reed Crocker in memory of Mr and Mrs. Edward Bliss Reed, transfer from the Yale University Art Gallery
A View near New Cross Deptford in Kent
Creator:
unknown artist
Date:
1770
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A recorder on his Pilgrimage / A Man of Honour and a gentleman
Creator:
unknown artist
Date:
1770
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Collection of Prints by Notable Dilettanti
Creator:
Print made by unknown artist
Date:
1770
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Collection of Prints by Notable Dilettanti
Creator:
Print made by unknown artist
Date:
1770
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Collection of Prints by Notable Dilettanti
Creator:
Print made by unknown artist
Date:
1770
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Sketch of a Beggar from the Life
Creator:
Print made by Mary Hartley, active 1761–1775
Date:
1770
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cut-paper flower arrangements.
Date:
London?,
Physical Description:
2 works : hand-cut paper ; in oval box frames 26 x 20 x 6 cm
Collection:
Rare Books and Manuscripts
The rice manufactury in China : from the originals brought from China.
Date:
[1770?]
Physical Description:
24 leaves : all ill. ; 25 x 37 cm.
Collection:
Rare Books and Manuscripts
Credit Line:
Yale Center for British Art, Gift of Mr. and Mrs. Stuart P. Feld
Jug with hunting scenes after George Stubbs.
Creator:
Josiah Wedgwood & Sons
Date:
ca. 1780
Physical Description:
1 jug : Queen's ware, cream-colored earthenware ; 22 x 23 x 11 cm
Collection:
Rare Books and Manuscripts
Credit Line:
Yale Center for British Art, Gift of Celia Hopkinson
British Provincial 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Carved wood, regilded over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Carved wood and compo, later oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
late 18th century
Materials & Techniques:
Carved wood, partially regilded over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Carved wood and compo, later oil gilding and over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th century
Materials & Techniques:
Wood & compo (or papier mâché?), later oil gilding over original oil and water gilding and sanded frieze
Collection:
Frames
Credit Line:
Yale Center for British Art
British Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Wood and compo, original water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th century
Materials & Techniques:
Carved wood, later oil gilding over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
late 18th century
Materials & Techniques:
Carved wood, partially regilded over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Carved wood, later oil gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Carved wood, later oil gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
Italian, Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Carved wood, later oil gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Wood and compo, partially regilded over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Carved wood, original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Wood and compo, later patinated oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th century to early 19th century
Materials & Techniques:
Carved wood, later oil gilding over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Carved wood and compo, probably original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Louis XIV style frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Carved wood and compo, later oil gilding over original gilding and sanded frieze
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Wood and compo, later gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Carved wood, regilded over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Carved wood, regilded over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Carved wood and compo, regilded over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Carved wood and compo, later oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
French, Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Wood and compo, later oil gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British (?), Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Carved wood, matt and burnished water gilding, sanded frieze
Collection:
Frames
Credit Line:
Yale Center for British Art
British (?), Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Carved wood, matt and burnished water gilding, sanded frieze
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta', NeoClassical variant frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Carved wood and compo, original gilding overpainted
Collection:
Frames
Credit Line:
Yale Center for British Art
British, NeoClassical style frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Wood and compo, later oil gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Wood, partially regilded over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical with oval inset frame
Creator:
unknown framemaker
Date:
late 18th century
Materials & Techniques:
Wood and compo, original oil, water gilding and sanded inlay
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Wood and compo, later oil gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th century to early 19th century
Materials & Techniques:
Carved wood and compo, original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Palladian frame
Creator:
unknown framemaker
Date:
late 18th century to early 19th century
Materials & Techniques:
Carved wood, partially regilded over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Wood and compo, partially regilded over original water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Wood and compo, partially regilded over original water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Carved wood, later glazed over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Wood and compo, later oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th century to early 19th century
Materials & Techniques:
Wood and compo, later oil gilding and over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Wood and compo, regilded over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Wood and compo, regilded over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical (print frame) frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Wood and compo, later oil gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, NeoClassical style frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Wood and compo, later oil gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Carved wood, partially regilded over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Carved wood, later gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Carved wood, later gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Carved wood and compo, partially regilded over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th century
Materials & Techniques:
Wood and compo, original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Wood and compo, partially regilded over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British Neoclassical frame with oval inset
Creator:
unknown framemaker
Date:
late 18th century
Materials & Techniques:
Wood and compo, later gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th century
Materials & Techniques:
Carved wood, later patinated water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Wood and compo, original lacquered silverleaf
Collection:
Frames
Credit Line:
Yale Center for British Art
British Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Wood and compo, partially bronze painted over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Carved wood and compo, later oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical, 'Morland' frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Wood and compo, partially regilded over original water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Carved wood and compo, original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Wood and compo, later oil gilding and over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Wood and compo, later gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Wood and compo, successive later oil gildings over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Wood and compo, later gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Wood and compo, later gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
French, Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Wood and compo, original matt and burnished water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Wood and compo, later oil gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British or American(?), Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Carved wood and compo, later water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Carved wood and compo, partially regilded over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British 'Carlo Maratta' - Neoclassical variant frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Carved wood, later gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Wood and compo, original water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Wood and compo, later gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Carved wood, partial later regilding; inlay produced 20th C
Collection:
Frames
Credit Line:
Yale Center for British Art
British Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Carved wood, later gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Wood and compo, later gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Wood and compo, partially regilded over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Carved wood, partially regilded over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Wood and compo, later oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Gothic Revival frame
Creator:
unknown framemaker
Date:
late 18th century
Materials & Techniques:
Wood and compo, original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Carved wood, later gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical, 'Morland' frame
Creator:
unknown framemaker
Date:
late 18th century
Materials & Techniques:
Wood and compo; later water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art