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1. Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. 'The goddess bursts in thunder and in flame' (Page 95)

'The goddess bursts in thunder and in flame' (Page 95)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. 'The longest night though longer far, would fail' (Page 15)

'The longest night though longer far, would fail' (Page 15)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. 'We censure nature for a span too short' (Page 23)

'We censure nature for a span too short' (Page 23)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. 'Behold him, when past by; what then is seen' (Page 25)

'Behold him, when past by; what then is seen' (Page 25)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. 'Love, and love only, is the loan for love' (Page 37)

'Love, and love only, is the loan for love' (Page 37)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. 'One radiant mark, – the death-bed of the just' (Page 41)

'One radiant mark, – the death-bed of the just' (Page 41)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Night the Third. Narcissa; Title Page

Night the Third. Narcissa; Title Page
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. 'As if the sun could envy, check'd his beam' (Page 49)

'As if the sun could envy, check'd his beam' (Page 49)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. 'This King of Terrors is the Prince of Peace' (Page 63)

'This King of Terrors is the Prince of Peace' (Page 63)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. 'Till death, that mighty hunter, earths them all' (Page 70)

'Till death, that mighty hunter, earths them all' (Page 70)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. 'O treacherous conscience! while she seems to sleep" (Page 27)

'O treacherous conscience! while she seems to sleep" (Page 27)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. 'Tis greatly wise to talk with our past hours' (Page 31)

'Tis greatly wise to talk with our past hours' (Page 31)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. 'Emblem of that which shall awake the dead' (Page 19)

'Emblem of that which shall awake the dead' (Page 19)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. 'Where sense runs savage broke from reason's chain' (Page 46)

'Where sense runs savage broke from reason's chain' (Page 46)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. 'Like that, the dial speaks; and points to thee' (Page 33)

'Like that, the dial speaks; and points to thee' (Page 33)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. 'Teaching, we learn; and giving, we retain' (Page 35)

'Teaching, we learn; and giving, we retain' (Page 35)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. 'Angels should paint it, angels ever there' (Page 40)

'Angels should paint it, angels ever there' (Page 40)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. 'Is lost in love! thou great Philanthropist' (Page 87)

'Is lost in love! thou great Philanthropist' (Page 87)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. 'The vale of death! that hush'd cimmerian vale' (Page 54)

'The vale of death! that hush'd cimmerian vale' (Page 54)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

'Ungrateful, shall we grieve their hovering shades' (Page 55)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. 'The Sun beheld it – No, the shocking scene' (Page 75)

'The Sun beheld it – No, the shocking scene' (Page 75)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. 'The thunder, if in that the Almighty dwells' (Page 80)

'The thunder, if in that the Almighty dwells' (Page 80)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. 'His hand the good man fastens on the skies' (Page 86)

'His hand the good man fastens on the skies' (Page 86)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. 'That touch, with charm celestial heals the soul' (Page 90)

'That touch, with charm celestial heals the soul' (Page 90)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. 'When faith is virtue, reason makes it so' (Page 92)

'When faith is virtue, reason makes it so' (Page 92)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. 'If angels tremble, 'tis at such a sight' (Page 93)

'If angels tremble, 'tis at such a sight' (Page 93)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. The Christian Triumph; Title Page

The Christian Triumph; Title Page
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. 'Swift on his downy pinion flies from woe' (Page 1)

'Swift on his downy pinion flies from woe' (Page 1)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. 'What, though my soul fantastick measures trod' (Page 4)

'What, though my soul fantastick measures trod' (Page 4)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. 'Till at Death's toll, whose restless iron tongue' (Page 7)

'Till at Death's toll, whose restless iron tongue' (Page 7)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. 'Disease invades the chastest temperence' (Page 10)

'Disease invades the chastest temperence' (Page 10)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. 'Its favours here are trials, not rewards' (Page 12)

'Its favours here are trials, not rewards' (Page 12)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. 'The present moment terminates our sight' (Page 13)

'The present moment terminates our sight' (Page 13)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. 'And vapid; sense and reason shew the door' (Page 72)

'And vapid; sense and reason shew the door' (Page 72)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. The Complaint, and the Consolation; or, Night Thoughts

The Complaint, and the Consolation; or, Night Thoughts
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Bound volume of engravings; Bentley Copy N
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Luís Pinto De Sousa Coutinho, Visconde De Balsemão

Luís Pinto De Sousa Coutinho, Visconde De Balsemão
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1797
Materials & Techniques:
Stipple engraving; early state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Princess Charlotte Augusta

Princess Charlotte Augusta
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1797
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Princess Charlotte Augusta

Princess Charlotte Augusta
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1797
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. The Apotheothis of a Beautiful Female Delineated Under the Emblem of Faith Leading the Soul to Paradise

The Apotheothis of a Beautiful Female Delineated Under the Emblem of Faith Leading the Soul to Paradise
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1797
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. John Ralston

John Ralston
Creator:
William Sadler, c. 1782–1839
Date:
undated
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Lambeth Palace in Surrey, the Seat of the Archbishop of Canterbury

Lambeth Palace in Surrey, the Seat of the Archbishop of Canterbury
Creator:
William Angus, 1752–1821
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Entrance of Piccadilly or Hyde Park Corner Turnpike

Entrance of Piccadilly or Hyde Park Corner Turnpike
Creator:
unknown artist
Date:
1797
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. View of London from Highgate

View of London from Highgate
Creator:
William Knight, active 1807–1845
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. North View of the New Buildings at the Bank of England (page 20, volume 1)

North View of the New Buildings at the Bank of England (page 20, volume 1)
Creator:
Print made by Thomas Prattent, active 1780–1810
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Wilkie

Wilkie
Creator:
Henry Hoppner Meyer, ca. 1782–1847
Date:
undated
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Abraham Entertaining Three Angels, Genesis 18, v. 1

Abraham Entertaining Three Angels, Genesis 18, v. 1
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1797
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Jacob's Vision, Genesis 28, v. II

Jacob's Vision, Genesis 28, v. II
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1797
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. The Birth of Pyrrhus

The Birth of Pyrrhus
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1797
Materials & Techniques:
Stipple engraving and etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Turnips and Carrots Ho

Turnips and Carrots Ho
Creator:
Thomas Gaugain, 1748–1812
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Shoreditch Church, North West

Shoreditch Church, North West
Creator:
unknown artist
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Spanish Ambassadors House Manchester Square and Old Houses in Long Lane West Smithfield

Spanish Ambassadors House Manchester Square and Old Houses in Long Lane West Smithfield
Creator:
Thomas Prattent, active 1780–1810
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Peace

Peace
Creator:
Christian Josi, ca. 1765–1828
Date:
ca. 1802
Materials & Techniques:
Stipple
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. The Peasant's Repast

The Peasant's Repast
Creator:
Christian Josi, ca. 1765–1828
Date:
1797
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. The Discovery of Prince Arthur's Tomb by the Inscription on the Leaden Cross (Laid down on the same sheet as B1977.14.12069)

The Discovery of Prince Arthur's Tomb by the Inscription on the Leaden Cross (Laid down on the same sheet as B1977.14.12069)
Creator:
John Ogborne the Elder, 1755–1795
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Transept of St. Paul's from the North Entrance

Transept of St. Paul's from the North Entrance
Creator:
unknown artist
Date:
1797
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Richmond Church, Surry, Western Outer Suburb

Richmond Church, Surry, Western Outer Suburb
Creator:
James Peller Malcolm, 1767–1815
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. St. Peter le Poor, Broad Street

St. Peter le Poor, Broad Street
Creator:
unknown artist
Date:
1797
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. St. Peter le Poor, Broad Street

St. Peter le Poor, Broad Street
Creator:
unknown artist
Date:
1797
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Brook House, Hackney

Brook House, Hackney
Creator:
James Peller Malcolm, 1767–1815
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Kings Yard, Deptford

Kings Yard, Deptford
Creator:
unknown artist
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. Near Deptford, Kent

Near Deptford, Kent
Creator:
John Thomas Smith, 1766–1833
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Near Edmonton Church, Outer Suburb - North

Near Edmonton Church, Outer Suburb - North
Creator:
John Thomas Smith, 1766–1833
Date:
1797
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. In Bury Street, Edmonton Outer Suburb - North

In Bury Street, Edmonton Outer Suburb - North
Creator:
John Thomas Smith, 1766–1833
Date:
1797
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. In Green Street, Enfield Highway, Outer Suburb North

In Green Street, Enfield Highway, Outer Suburb North
Creator:
John Thomas Smith, 1766–1833
Date:
1797
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. Old Houses in Duke Street West Smithfield

Old Houses in Duke Street West Smithfield
Creator:
unknown artist
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. Entrance of St. George's Road on the Obelisk Turnpike with a View of the Royal Circus

Entrance of St. George's Road on the Obelisk Turnpike with a View of the Royal Circus
Creator:
unknown artist
Date:
1797
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. West View of Temple Bar

West View of Temple Bar
Creator:
Philip Audinet, 1766–1837
Date:
1797
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. Plumstead, Kent

Plumstead, Kent
Creator:
unknown artist
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. View of the Tower

View of the Tower
Creator:
Philip Audinet, 1766–1837
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. Near Jack Straw's Castle, Hampstead Heath

Near Jack Straw's Castle, Hampstead Heath
Creator:
John Thomas Smith, 1766–1833
Date:
1797
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. Arcade of the North Front of the Royal Exchange

Arcade of the North Front of the Royal Exchange
Creator:
unknown artist
Date:
1797
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. Luís Pinto De Sousa Coutinho, Visconde De Balsemão

Luís Pinto De Sousa Coutinho, Visconde De Balsemão
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1797
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. Flight Into Egypt

Flight Into Egypt
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1797
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. View of Somerset House

View of Somerset House
Creator:
George Murray, died 1822
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. Westminster Hall/ The First Day of Term/ A Satirical Poem

Westminster Hall/ The First Day of Term/ A Satirical Poem
Creator:
unknown artist
Date:
1797
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. Near Battle Bridge, Middlesex

Near Battle Bridge, Middlesex
Creator:
John Thomas Smith, 1766–1833
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. Wyer Hall, Edmonton, Outer Suburb - North

Wyer Hall, Edmonton, Outer Suburb - North
Creator:
after James Peller Malcolm, 1767–1815
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. Mr. Alderman Curtis's Southgate Outer Suburb - North

Mr. Alderman Curtis's Southgate Outer Suburb - North
Creator:
James Peller Malcolm, 1767–1815
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. Near Palmer's Green, Edmonton, Outer Suburb - North

Near Palmer's Green, Edmonton, Outer Suburb - North
Creator:
John Thomas Smith, 1766–1833
Date:
1797
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. In Bury Street, Edmonton, Outer Suburb - North

In Bury Street, Edmonton, Outer Suburb - North
Creator:
John Thomas Smith, 1766–1833
Date:
1797
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. On Scotland's Green, Ponder's - End, Outer Suburb - North

On Scotland's Green, Ponder's - End, Outer Suburb - North
Creator:
John Thomas Smith, 1766–1833
Date:
1797
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. Near Ball's Cross, Enfield, Outer Suburb - North

Near Ball's Cross, Enfield, Outer Suburb - North
Creator:
John Thomas Smith, 1766–1833
Date:
1797
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. In Green Street, Enfield Highway, Outer Suburb North

In Green Street, Enfield Highway, Outer Suburb North
Creator:
John Thomas Smith, 1766–1833
Date:
1797
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

87. In Green Street, Enfield Highway, Outer Suburb North

In Green Street, Enfield Highway, Outer Suburb North
Creator:
John Thomas Smith, 1766–1833
Date:
1797
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

88. Their Royal Highnesses, The Prince & Princess Of Wales

Their Royal Highnesses, The Prince & Princess Of Wales
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1797
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

89. Typus, Parcchia Divi Marini vulgi St. Martin's Outwich

Typus, Parcchia Divi Marini vulgi St. Martin's Outwich
Creator:
unknown artist
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

90. The Ins and Outs or the Jesuits treatment of his friends

The Ins and Outs or the Jesuits treatment of his friends
Creator:
Richard Newton, 1777–1798
Date:
1797
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

91. Set a Thief to Catch a Thief

Set a Thief to Catch a Thief
Creator:
unknown artist
Date:
ca. 1802
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. The Apotheosis of A Beautiful Female

The Apotheosis of A Beautiful Female
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1797
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. Macklin's Gallery of Modern Paintings

Macklin's Gallery of Modern Paintings
Creator:
unknown artist
Date:
1797
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. Set of Six Views in London, (Turn Pike series)

Set of Six Views in London, (Turn Pike series)
Creator:
Thomas Rowlandson, 1756–1827
Date:
1797
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. Landscape

Landscape
Creator:
unknown artist
Date:
1797
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

96. H. Repton, landscape gardener [graphic] : Hare Street, near Romford, Essex / H. Repton inv. & delin. ; T. Medland sculpt.

H. Repton, landscape gardener [graphic] : Hare Street, near Romford, Essex / H. Repton inv. & delin. ; T. Medland sculpt.
Creator:
Repton, Humphry, 1752–1818
Date:
[ca. 1797?]
Physical Description:
1 print : engraving ; sheet 66 x 95 mm.
Collection:
Rare Books and Manuscripts