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Exhibition History Figures of Empire: Slavery and Portraiture in Eighteenth-Century Atlantic Britain (Yale Center for British Art, 2014-10-02 - 2014-12-14)

Remove constraint Exhibition History: Figures of Empire: Slavery and Portraiture in Eighteenth-Century Atlantic Britain (Yale Center for British Art, 2014-10-02 - 2014-12-14)

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Search Results

Beauty's Tribute (Elizabeth Cooper)
Creator:
Print made by William Faithorne the Younger, ca. 1669–1703
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Plate: 13 11/16 × 10 3/16 inches (34.8 × 25.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Lady and Her Children Relieving a Cottager
Creator:
Engraved by John Raphael Smith, 1752–1812
Date:
1784
Materials & Techniques:
Mezzotint and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 5/16 × 21 3/4 inches (44 × 55.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro
Creator:
Print made by W. Pyott, active late 18th century
Date:
1792
Materials & Techniques:
Mezzotint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 19 1/4 x 14 3/4 inches (48.9 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Richard and Maria Cosway, and Ottobah Cugoano
Creator:
Print made by Richard Cosway, 1742–1821
Date:
1784
Materials & Techniques:
Etching and aquatint, printed in brown ink on medium, slightly textured, cream paper
Dimensions:
Sheet: 12 5/8 × 15 3/8 inches (32 × 39 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Woman Holding a Mask
Creator:
John Raphael Smith, 1752–1812
Date:
between 1795 and 1800
Materials & Techniques:
Pastel on medium, moderately textured, wove paper
Dimensions:
Sheet: 13 1/4 × 10 1/2 inches (33.7 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection