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Exhibition History Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Virginia Museum of Fine Arts, 2007-07-11 - 2007-09-30)

Remove constraint Exhibition History: Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Virginia Museum of Fine Arts, 2007-07-11 - 2007-09-30)

Exhibition History The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)

Remove constraint Exhibition History: The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)

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Classification Drawings & Watercolors

Remove constraint Classification: Drawings & Watercolors

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The Parable of the Wise and Foolish Virgins
Creator:
William Blake, 1757–1827
Date:
ca. 1825
Materials & Techniques:
Watercolor with pen and black ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 16 5/8 x 13 7/8 inches (42.2 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tryfan, Carnarvonshire
Creator:
George Fennell Robson, 1788–1833
Date:
1826
Materials & Techniques:
Watercolor, gouache and scraping out on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 29 15/16 inches (46.4 x 76 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study of a Lioness
Creator:
John Frederick Lewis, 1804–1876
Date:
ca. 1824
Materials & Techniques:
Watercolor and gouache over graphite on buff wove paper
Dimensions:
Sheet: 14 5/16 x 16 9/16 inches (36.4 x 42.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Great Temple of Amon Karnak, The Hypostyle Hall
Creator:
David Roberts, 1796–1864
Date:
1838
Materials & Techniques:
Watercolor and gouache with scratching out and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 19 1/4 x 13 inches (48.9 x 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection