William Kent, ca.1686–1748, British, The Cascade at Chiswick House, Middlesex: Elevation and Plan, between 1720 and 1735
- Title:
- The Cascade at Chiswick House, Middlesex: Elevation and Plan
- Additional Title(s):
- Design for Cascade at Chiswick House, Middlesex
- Date:
- between 1720 and 1735
- Materials & Techniques:
- Pen and gray ink with brown wash over graphite on medium, slightly textured, cream laid paper
- Dimensions:
- Sheet: 14 1/4 x 10 5/8 inches (36.2 x 27 cm)
- Inscription(s)/Marks/Lettering:
Inscribed in feint graphite, lower right: "Chiswick"; and in pen, lower center, scale numbered: "1" to "8"
Watermark: IHS Villedary
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Copyright Status:
- Public Domain
- Accession Number:
- B1975.2.153
- Classification:
- Drawing & Watercolors-Architectural
- Collection:
- Prints and Drawings
- Subject Terms:
- architectural subject | cascades | garden structures | water features
- Associated Places:
- Chiswick | Chiswick House | England | Europe | Greater London | United Kingdom
- Associated People:
- Boyle, Richard, third earl of Burlington and fourth earl of Cork (1694–1753), architect, collector, and patron of the arts
- Access:
- Accessible by appointment in the Study Room [Request]
Note: The Study Room is open by appointment. Please visit the Study Room page on our website for more details. - Link:
- https://collections.britishart.yale.edu/catalog/tms:10837
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The cascade at Chiswick House was part of William Kent's alterations to the gardens commissioned by his early patron Richard Boyle, third earl of Burlington (1694–1753). The structure was probably modified in two stages: first in the 1720s with the initial landscaping of Chiswick House; and then in about 1733 when it became a prominent feature at the end of the canal. As shown in this drawing, the design consists of a waterfall behind a bridge that connects the estate with Burlington Lane. Rather than the classical superstructure shown here, however, the executed work was built in a fully rustic manner, probably in reference to Italian prototypes that Kent admired on his travels. The cascade has recently been restored. The drawing appears to have been made by an office hand, probably by Kent's assistant, Henry Flitcroft. The freehand grey wash has been added by Kent and the superstructure altered to include a smaller arch, as indicated by the faint pencil lines on the sheet. Gallery label for installation of YCBA collection, 2014
John Wilmerding, Essays in honor of Paul Mellon, collector and benefactor, Essays , National Gallery of Art, Washington, DC & Hanover, NH, 1986, p. 146, fig. 10, N7442.2 M455 1986 (YCBA) [YCBA]
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