<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

 
IIIF Actions
Creator:
William Marlow, 1740–1813, British
Title:

Nîmes from the Tour Magne

Additional Title(s):

Nimes

Date:
ca. 1765
Medium:
Watercolor and pen and brown ink over graphite on medium, moderately textured, cream laid paper mounted on medium, moderately textured, cream laid paper (original mount)
Dimensions:
17 1/4 × 23 7/8 inches (43.8 × 60.6 cm), 14 3/8 x 21 inches (36.5 x 53.4 cm), 16 1/2 x 23 1/8 inches (41.9 x 58.8 cm), and 14 3/8 x 21 inches (36.5 x 53.4 cm)
Inscription(s)/Marks/Lettering:

Inscribed in pen and brown ink, lower center on mount within borders: "Nimes.-"; inscribed in graphite, lower right on back of mount: "Wm. MARLOW"

Watermarked, center (written vertically downwards) : "JWHATMAN" [letters; similar to Heawood 3475]

Signed in pen and brown ink, lower left within image: "W. marlow"; not dated

Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copyright Status:
Public Domain
Accession Number:
B1977.14.366
Classification:
Drawings & Watercolors
Collection:
Prints and Drawings
Subject Terms:
amphitheater | animal | arches | architectural subject | baskets | bricks | buildings | city | cityscape | clouds | distance | donkeys | figures | genre subject | Grand Tour | grass | hills | landscape | mountains | people | Roman | Roman (style or period) | ruins | shrubs | sky | stone | temples | tower (building division) | town | trees | wall
Associated Places:
Arena of Nîmes | Europe | France | Maison Carrée | Nîmes
Access:
View by request in the Study Room [Request]
Note: The Study Room is open by appointment. Please visit the Study Room page on our website for more details.
Link:
https://collections.britishart.yale.edu/catalog/tms:11209
Export:
XML
IIIF Manifest:
JSON

With its cluster of famous Roman ruins, Nîmes in the south of France was a popular stop for classical minded Grand Tourists. William Marlow visited the city during his travels in France and Italy between 1765 and 1768. Like Richard Wilson in the previous decade, or the generation of British Landscape watercolorists who worked in Italy in the 1770s, Marlow was profoundly affected by his Continental sojourns, which provided him with a major source of subject matter after his return to England.
For this general view of Nîmes, Marlow takes a vantage point on Mont Cavalier near the Tour Magne, a Roman monument probably dating from the second century B.C. Within the city the well-preserved amphitheater and the temple known as the Maison Carrée, both from the first century A.D., are clearly visible. Another watercolor by Marlow showing a closer view of the amphitheater is also in the collection of the Yale Center for British Art.

Scott Wilcox

Wilcox, Forrester, O'Neil, Sloan. The Line of Beauty: British Drawings and Watercolors of the Eighteenth Century. Yale Center for British Art, New Haven, 2001. pg. 116 cat. no. 95

The English Prize - The Capture of the Westmorland - An Episode of the Grand Tour (Yale Center for British Art, 2012-10-04 - 2013-01-13) [YCBA Objects in the Exhibition]

The English Prize - The Capture of the Westmorland - An Episode of the Grand Tour (Ashmolean Museum, 2012-05-17 - 2012-08-27) [YCBA Objects in the Exhibition]

Papermaking and The Art of Watercolor in Eighteenth-Century Britain: Paul Sandby's "View of…Mr. Whatman's Turkey Mill" (Yale Center for British Art, 2006-02-22 - 2006-06-04) [YCBA Objects in the Exhibition]

The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05) [YCBA Objects in the Exhibition]

Thomas Jefferson and the Design of Monticello (The Octagon Museum, 1994-07-28 - 1994-10-02) [YCBA Objects in the Exhibition]

English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17) [YCBA Objects in the Exhibition]


If you have information about this object that may be of assistance please contact us.