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Sir John Vanbrugh, 1664–1726, British, Kings Weston, Bristol: Side Elevation, ca. 1710
- Title:
- Kings Weston, Bristol: Side Elevation
- Former Title(s):
- Kings Weston - Side Elevation
- Date:
- ca. 1710
- Materials & Techniques:
- Pen and brown ink on medium, slightly textured, cream wove paper
- Dimensions:
- Sheet: 14 9/16 x 18 9/16 inches (37 x 47.1 cm)
- Inscription(s)/Marks/Lettering:
Watermark: IV and fleur-de-lis within crowned cartouche and W below
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Copyright Status:
- Public Domain
- Accession Number:
- B1977.14.1239
- Classification:
- Drawing & Watercolors-Architectural
- Collection:
- Prints and Drawings
- Subject Terms:
- architectural subject | Baroque | country house | Palladian
- Associated Places:
- Bristol
- Associated People:
- Vanbrugh, Sir John (1664–1726), playwright and architect
- Access:
- Accessible by appointment in the Study Room [Request]
Note: The Study Room is open by appointment. Please visit the Study Room page on our website for more details. - Link:
- https://collections.britishart.yale.edu/catalog/tms:13709
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This is part of a set of John Vanbrugh drawings for Kings Weston drawings at the Yale Center for British Art (B1977.14.1235–39). Kings Weston was one of Vanbrugh’s smaller commissions but also one of his finest. The house was built at the peak of the architect’s career, as he was completing Blenheim Palace and Castle Howard. Edward Southwell, a moderate Tory and chief secretary to the lord lieutenant of Ireland, commissioned the design in 1710 to replace the existing sixteenth-century house. Built on a hillside overlooking the Bristol Channel, Kings Weston has a compact plan and a roofline characteristic of Vanbrugh’s style. The exterior has a monumental simplicity, with a restrained decorative scheme that is punctuated by a bold portico of Corinthian pilasters and a whimsical arcaded chimney stack. Inside, the house circulates around the central stairwell. Plans and an elevation of the building were published in Colen Campbell’s first volume of Vitruvius Britannicus (1715). The house was altered by Robert Mylne from 1763. The rear elevation has two arms projecting to the north, flanking a small court. The principal stairwell occupies the three bays at the center on two floors, and bedroom suites are at both ends. The facade is minimally decorated, with a string course separating the attic story and a simple entablature crowning the whole building. Gallery label for installation of YCBA collection, 2014
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