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Creator:
Print made by Richard Parkes Bonington, 1802–1828, British
after Francois Alexandre Pernot, 1793–1865, French
Printed by François le Villain, active 1824–1835, French
Title:
Glenfinlas
Date:
1826
Medium:
Lithograph on medium, smooth, cream wove paper
Dimensions:
Sheet: 9 9/16 x 11 5/8 inches (24.3 x 29.6 cm) and Image: 6 5/16 x 8 7/8 inches (16 x 22.6 cm)
Inscription(s)/Marks/Lettering:

Inscribed in graphite, on front, upper left: "Du[...] R. A."; lower left: "B - [...]o - N-o 4"

Marked in orange ink, on front, lower left: collector's stamp of Albert Maroni (AM in a circle); impressed into paper, lower right: collector's mark "ALP (P laid over AL)"

Lettered, in black ink, lower left under image: "Lith. par Bonington d'apres les dessins de F.A. Pernot."; lower center: "GLENFINLAS."; lower right under image: "Imp. Lith. de Villain."

Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copyright Status:
Public Domain
Accession Number:
B1977.14.10777
Classification:
Prints
Collection:
Prints and Drawings
Subject Terms:
birds | clouds | dogs (animals) | hills | horses (animals) | landscape | riders, horseback | rocks (landforms) | soldiers | spear | sporting art | trunk | valley
Associated Places:
Glen Finglas | Perth | Perth and Kinross | Scotland | United Kingdom
Access:
Accessible by request in the Study Room [Request]
Note: As a COVID-19 precaution, the Study Room is closed until further notice.
Exhibition History:
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The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)

Link:
https://collections.britishart.yale.edu/catalog/tms:29070
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