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Creator:
Print made by William Blake, 1757–1827, British
Title:

Jerusalem, Plate 97, "Awake! Awake Jerusalem...."

Additional Title(s):

Los with the Sun

Part Of:

Collective Title: Jerusalem: The Emanation of The Giant Albion, Bentley Copy E

Date:
1804 to 1820
Medium:
Relief etching printed in orange with pen and black ink, watercolor, and gold on moderately thick, smooth, cream wove paper
Dimensions:
13 1/2 x 10 3/8 inches (34.3 x 26.4 cm) and 8 1/4 x 5 7/8 inches (21 x 15 cm)
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copyright Status:
Public Domain
Accession Number:
B1992.8.1(97)
Classification:
Prints
Collection:
Prints and Drawings
Subject Terms:
lantern | light | literary theme | men | moon | night | nudes | religious and mythological subject | sky | sphere | star | stones | sun | text
Access:
View by request in the Study Room [Request]
Note: The Study Room is open by appointment. Please visit the Study Room page on our website for more details.
Link:
https://collections.britishart.yale.edu/catalog/tms:3532
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The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26) [YCBA Objects in the Exhibition]

William Blake (Tate Britain, 2000-11-02 - 2001-02-04) [YCBA Objects in the Exhibition]

William Blake (The Metropolitan Museum of Art, 2000-03-26 - 2000-07-05) [YCBA Objects in the Exhibition]

The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06) [YCBA Objects in the Exhibition]

William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06) [YCBA Objects in the Exhibition]

William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14) [YCBA Objects in the Exhibition]

Denise Gigante, Life, organic form and Romanticism , Yale University Press, New Haven, 2009, between p. 114 and p. 115, pp. 150-51, Pl. III. 13, PR575.L54 G54 2009 (YCBA) [YCBA]

Peter Otto, Multiplying worlds, romanticism, modernity, and the emergence of virtual reality , Oxford University Press, Oxford, 2011, pp. 208-14, fig. 8.9, PN769 R7 O77 2011 (YCBA) [YCBA]

Holly Shaffer, Grafted arts : art making and taking in the struggle for western India : 1760-1910, The Paul Mellon Centre for Studies in British Art, New Haven, CT, p. 209, fig. 131, N72.P6 S53 2022+ (YCBA) [YCBA]

Colin Trodd, The Energy Man: Blake, Nietzscheanism and Cultural Criticism in Britain, 1890-1920, Visual Culture in Britain, 19, Ashgate Publishing, Aldershot, England, p. 296, N6761 V57 (LC) (YCBA) [YCBA]

William Blake : Visionary, The J. Paul Getty Museum, Los Angeles, p. 154, pl. 111, NJ18.B57 A12 2020 OVERSIZE (YCBA) [YCBA]


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