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Creator:
Print made by Joseph Wood, 1720–1763 or 1764, British
after Salvator Rosa, Italian, 1615–1673, Italian
Published by Arthur Pond, ca. 1705–1758, British
Title:

The Hermit

Date:
1744
Medium:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/4 × 15 7/8 inches (31.1 × 40.3 cm) and Image: 11 3/8 × 15 3/8 inches (28.9 × 39.1 cm)
Inscription(s)/Marks/Lettering:

Collector's mark: "Yale Uni | versity | Gallery | of Fine | Arts"

Lettered below image, lower left: "Salvator Rosa pinx."; lower center: "Publish'd by Ar: Pond Feby. 1744. | In the Collection of Wm. Kent Esqr. | 2 feet 2 inch: wide. | 1 foot 4 inch: high."; lower right: "J:Wood Sculp."

Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. Chauncey B. TInker, B.A. 1899
Copyright Status:
Public Domain
Accession Number:
B1994.4.581
Classification:
Prints
Collection:
Prints and Drawings
Subject Terms:
foliage | genre subject | hermit | landscape | landscape | trees
Access:
View by request in the Study Room [Request]
Note: The Study Room is open by appointment. Please visit the Study Room page on our website for more details.
Link:
https://collections.britishart.yale.edu/catalog/tms:40482
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Picturesque and Sublime - Thomas Cole's Trans-Atlantic Inheritance (Thomas Cole National Historic Site, 2018-04-29 - 2018-11-04) [YCBA Objects in the Exhibition]

Nobleness and Grandeur - Forging Historical Landscape in Britain, 1760 - 1850 (Yale Center for British Art, 2005-01-27 - 2005-04-24) [YCBA Objects in the Exhibition]

Timothy J. Barringer, Picturesque and sublime : Thomas Cole's trans-Atlantic inheritance, Yale University Press, New Haven and London, 2018, pp. 88-9, no. 2, NJ18 .C67 B37 2018 (LC) YCBA [OCLC]


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