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Creator:
Thomas Gainsborough, 1727–1788
Title:
Landscape with cottage and church
Former Title(s):
Landscape with a Church, Cottage, Villagers and Animals
Date:
between 1771 and 1772
Materials & Techniques:
Oil on canvas with some black chalk
Dimensions:
16 1/4 x 19 7/16 inches (41.3 x 49.4 cm), Frame: 24 1/4 × 27 1/4 × 2 3/4 inches (61.6 × 69.2 × 7 cm)
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copyright Status:
Public Domain
Accession Number:
B1981.25.301
Classification:
Paintings
Collection:
Paintings and Sculpture
Subject Terms:
animals | church | cottage | figures | landscape | peasants | spire | trees | wind
Access:
Not on view
Link:
https://collections.britishart.yale.edu/catalog/tms:796
Export:
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IIIF Manifest:
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Connections (Yale Center for British Art, 2011-05-26 - 2011-09-11) [YCBA Objects in the Exhibition]

Sensation and Sensibility: Viewing Gainsborough's " Cottage Door " (The Huntington Library, Art Collections, and Botanical Gardens, 2006-02-11 - 2006-05-14) [YCBA Objects in the Exhibition] [Exhibition Description]

Sensation and Sensibility: Viewing Gainsborough's " Cottage Door " (Yale Center for British Art, 2005-10-06 - 2005-12-31) [YCBA Objects in the Exhibition] [Exhibition Description]

Canaletto to Constable: Paintings of Town and Country from the Yale Center for British Art (Wadsworth Atheneum Museum of Art, 1998-02-08 - 1998-04-26) [YCBA Objects in the Exhibition]

Oil on Water - Oil Sketches by British Watercolorists (Yale Center for British Art, 1986-08-26 - 1986-11-09) [YCBA Objects in the Exhibition]

Malcolm Cormack, Concise Catalogue of Paintings in the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1985, pp. 98-99, N590.2 A83 (YCBA) [YCBA]

Malcolm Cormack, Oil on water, oil sketches by British watercolorists , Yale Center for British Art, New Haven, 1986, p. 32, fig. 27, ND467 C67 (YCBA) [YCBA]

Penelope McElwee, The non-representation of the agricultural labourers in 18th and 19th century English paintings : an exploration into the artistic conventions followed by the aristocracy and landowning classes in representations of the agricultural labourers ..., Newcastle upon Tyne, 2016, pp. 42-43, fig. 3-1, NX650.L32 M34 2016 (YCBA) [YCBA]

Painting in England 1700-1850 from the Collection of Mr. and Mrs. Paul Mellon, The Royal Academy of Arts Winter Exhibition 1964-65., , Royal Academy of Arts, London, UK, 1964, p. 15 (v.1), no. 50, N5220.M45 R69 1964 (YCBA) [YCBA]


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