- Title:
- Belshazzar's Feast
- Date:
- 1820
- Materials & Techniques:
- Oil on canvas
- Dimensions:
- 31 1/2 x 47 1/2 inches (80 x 120.7 cm), Frame: 35 1/2 × 51 1/4 × 2 1/2 inches (90.2 × 130.2 × 6.4 cm)
- Inscription(s)/Marks/Lettering:
Signed and dated, lower left: "J. Martin 1820"
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Copyright Status:
- Public Domain
- Accession Number:
- B1981.25.440
- Classification:
- Paintings
- Collection:
- Paintings and Sculpture
- Link to Frame:
- B1981.25.440FR
- Subject Terms:
- architectural | banquet | Bible | chaos | columns (architectural elements) | concubines | courtiers | death | drinking | feast | food | king (person) | lightning | meteorology | night | Old Testament | palace | prophet | religious and mythological subject | storm | wives
- Associated Places:
- Babylon | Iraq
- Access:
- Not on view
- Link:
- https://collections.britishart.yale.edu/catalog/tms:924
- Export:
- XML
- IIIF Manifest:
- JSON
Thomas Cole's Journey - Atlantic Crossings (The National Gallery, London, 2018-06-13 - 2018-10-07) [YCBA Objects in the Exhibition]
Thomas Cole's Journey - Atlantic Crossings (The Metropolitan Museum of Art, 2018-01-29 - 2018-05-13) [YCBA Objects in the Exhibition]
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26) [YCBA Objects in the Exhibition]
John Martin (Tate Britain, 2011-09-21 - 2012-01-15) [YCBA Objects in the Exhibition]
John Martin (Museums Sheffield, 2011-06-22 - 2011-09-04) [YCBA Objects in the Exhibition]
John Martin (Laing Art Gallery, 2011-03-05 - 2011-06-05) [YCBA Objects in the Exhibition]
Babylon (Staatliche Museen zu Berlin, 2008-06-26 - 2008-10-05) [YCBA Objects in the Exhibition]
Babylon (Musée du Louvre, 2008-03-10 - 2008-06-02) [YCBA Objects in the Exhibition]
Panoramania (Barbican Art Gallery, 1988-11-03 - 1989-01-15) [YCBA Objects in the Exhibition]
Darkness Visible - The Prints of John Martin (Clark Art Institute, 1986-09 - 1987-07-21) [YCBA Objects in the Exhibition]
A Description of the Pictures : The Fall of Babylon, Belshazzar's Feast, and The Destruction of Pompeii & Herculaneum Painted by John Martin : Now Exhibiting at Tate Britain, London, Tate Britain, London, 2011, pp. 3-4, V 2374 (YCBA) [YCBA]
Christine Alexander, "The Burning Clime" : Charlotte Bronte and John Martin, Nineteenth-Century Literature, vol. 50, Berkeley, Calif., December 1995, pp. 288-289, 291-292, 298, fig. 1, la105 N622 (YCBA) [YCBA]
Christine Alexander, "The Burning Clime" : Charlotte Bronte and John Martin, Nineteenth-Century Literature, vol. 50, Berkeley, Calif., December 1995, pp. 288-289, 291-292, 298, fig. 1, available online via JSTOR [YCBA]
Timothy J. Barringer, Picturesque and sublime : Thomas Cole's trans-Atlantic inheritance, Yale University Press, New Haven and London, 2018, p. 44, fig. 35, NJ18 .C67 B37 2018 (YCBA) [YCBA]
Edmund Burke, A Philosophical Enquiry into the Origins of Our Ideas of the Sublime and Beautiful, University of Notre Dame Press, Notre Dame, Ind., 1968, pp. cxiii, cxvi, BH181 B87 1968 (YCBA) [YCBA]
Malcolm Cormack, Concise Catalogue of Paintings in the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1985, pp. 156-157, N590.2 A83 (YCBA) [YCBA]
William Feaver, The Art of John Martin, Clarendon Press, Oxford, 1975, pp. 43-44, 49-55, NJ18 M39 F43 (YCBA) [YCBA]
William Feaver, The Revelations of John Martin, Sunday Times, London, November 26, 1972, pp. 53, 61, available online via ProQuest [ORBIS]
Richard Green Gallery (Client), 'John Martin : Apocalypse,' Tate Britain, London, 21 September 2011-15 January 2012, British Art Journal, vol. 12, London, Winter 2011-2012, p. 98, N6761 +B74 Oversize (YCBA) [YCBA]
Richard Green Gallery (Client), 'John Martin : Apocalypse,' Tate Britain, London, 21 September 2011-15 January 2012, British Art Journal, vol. 12, London, Winter 2011-2012, p. 98, available online via JSTOR [YCBA]
Andrew Hemingway, Landscape Between Ideology and the Aesthetic : Marxist Essays on British Art and Art Theory, 1750-1850, Leiden, 2017, p. 161, fig. 2, HX521 H46 2017 (YCBA) [YCBA]
Andrew Hemingway, Transatlantic Romanticism : British and American art and literature, 1790/1860, University of Massachusetts Press, Amherst and Boston, 2015, pp. 122-43 and color plate section, color pl. 10, NX452.5.R64 T73 2015 (YCBA) [YCBA]
Anne Hollander, Moving pictures, Alfred A. Knopf, New York, 1989, pp. 283-284, 286-287, figs. 10, 12, PN1995 H614 1989 [ORBIS]
Ralph Hyde, Panoramania!, Trefoil Publications, London, 1988, pp. 105, 123, no. 109, N7436.5 H93 (YCBA) [YCBA]
John Martin : Apocalypse, Tate Britain, London, 2011, p. 11, V 2373 (YCBA) [YCBA]
John Martin, The Illustrated Magazine of Art, vol. 3, New York, 1854, p. 344, WD 9149 (LSF) [ORBIS]
John Martin, The Illustrated Magazine of Art, vol. 3, New York, 1854, p. 344, available online via JSTOR [ORBIS]
Christopher Johnstone, John Martin, Academy Editions, London, 1974, pp. 10, 14-17, 37, NJ18 M39 +J65 Oversize (YCBA) [YCBA]
Christopher Johnstone, John Martin, Master of the Mezzotint, 1789-1854, an exhibition of mezzotints, 28 January-15th February 1974 at Alexander Postan Fine Art. , Alexander Postan Fine Art, London, 1974, p. 3, NJ18 M39 J64 (YCBA) [YCBA]
Laing Art Gallery, John Martin, 1789-1854 : Artist, Reformer, Engineer, 3rd October-1st November 1970 Laing Art Gallery, Newcastle upon Tyne , Newcastle-upon-Tyne, 1970, pp. 5-7, NJ18 M39 +L35 Oversize (YCBA) [YCBA]
Lionel Lambourne, Victorian Painting, Phaidon, London, 1999, pp. 150, 159-161, pls. 179, 188, ND192 V5 L25 1999 (YCBA) [YCBA]
Charles Robert Leslie, Autiobiographical Recollections, EP Publishing, Ltd., Yorkshire, Eng., 1978, p. 110, NJ18 L5772 A3 1978 (YCBA) [YCBA]
John Martin, Belshazzar's Feast 1820 : The Tate Gallery, February and March 1989, Tate Publishing, London, 1989, pp. 1-8, NJ18 M39 A15 B4 1989 (YCBA) [YCBA]
John Martin, John Martin, 1789-1854 : Loan Exhibition of Oil Paintings, Watercolours, Prints Held 30th Oct.-21st Nov. 1975 at Hazlitt, Gooden & Fox, Hazlitt, Gooden & Fox, Ltd., London, 1975, p. 30, NJ18 M39 H39 (YCBA) [YCBA]
John Martin, John Martin, Lampoon House, Tokyo, 1996, pp. 4-5, 24-25, NJ18 M39 +C2613 1996 Oversize (YCBA) [YCBA]
Barbara C. Morden, John Martin : Apocalypse Now!, , Northumbria University Press, Newcastle Upon Tyne, 2010, pp. 9, 12-14, 21-26, 39-40, 64-65, 91, NJ18 M39 +M67 2010 Oversize (YCBA) [YCBA]
Martin Myrone, John Martin, apocalypse , Tate Publishing, London, 2011, pp. 17, 19, 99-108, cat. no. 29, ig. 29, NJ18.M39 A12 2011 Oversize (YCBA) [YCBA]
Morton D. Paley, The Apocalyptic Sublime, Yale University Press, New Haven, Conn., 1986, pp. 128-138, 144-145, pl. VI, ND1432 G73 P34 1986 [ORBIS]
Mary L. Pendered, John Martin, Painter : His Life and Times, , Hurst & Blackett, London, 1923, pp. 102-108, NJ18 M39 P4 1923 (YCBA) [YCBA]
Jean Seznec, John Martin en France, Faber & Faber, London, 1964, pp. 11-12, NJ18 M39 S49 (YCBA) [YCBA]
Eric Wargo, Infinite Recess : Perspective and Play in Magritte's La Condition Humaine, Art History, vol. 25, February 2002, p. 63, N1 A75 (YCBA) [YCBA]
J. Dustin Wees, Darkness Visible : The Prints of John Martin, , Clark Art Institute, Williamstown, Mass., 1986, pp. 2-4, 8, 13, 30, 37, NJ18 M39 W44 (YCBA) [YCBA]
Gillen D'Arcy Wood, The Shock of the Real : Romanticism and Visual Culture, 1760-1860, , Palgrave Macmillan, New York, N.Y., 2001, pp. 92-93, fig 2.3, NX452.5 R64 W66 2001 (YCBA) [YCBA]