The High German Method of Destroying Vermin at Rat-Stadt
1799
103
James Gillray, 1756–1815
Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____
1798
104
James Gillray, 1756–1815
Exhibition of a Democratic Transparency,-with its Effect upon Patriotic Feelings: Representing, the Secret-Committee throwing a Light upon the Dark Sketches of a Revolution found among the Papers of the Jacobin Societies lately apprehended..
1799
105
James Gillray, 1756–1815
New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite
1798
106
James Gillray, 1756–1815
Homer Singing His Verses to the Greeks
1797
107
James Gillray, 1756–1815
The Leadenhall Volunteer, Drest in his Shawl
1797
108
James Gillray, 1756–1815
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
1791
109
James Gillray, 1756–1815
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery
1791
110
James Gillray, 1756–1815
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
1797
111
James Gillray, 1756–1815
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
1797
112
James Gillray, 1756–1815
Elegance - Democratique, - A Sketch Found Near High-Wycombe; - Whenever I Wish to Form a Proper,- Estimate - of a Mans Mind, I Observe his Manners and his Dress. --- Lord Chesterfield,
1799
113
James Gillray, 1756–1815
And The' - Tisick, - The Colic, Punch Cures The Gout
1799
114
James Gillray, 1756–1815
Fashionable - Jockeyship
1796
115
Print made by James Gillray, 1756–1815
The Prince of Wales
1802
116
James Gillray, 1756–1815
The - Battle Royal, or Who Wears the Breeches
1784
117
James Gillray, 1756–1815
Gloria Mundi, or The Devil Addressing the Sun
ca. 1782
118
James Gillray, 1756–1815
Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2)
1782
119
James Gillray, 1756–1815
Wha Wants Me?
1792
120
James Gillray, 1756–1815
La Derniere Resource; - or - Van-Buchells
1791
121
James Gillray, 1756–1815
A Sphere, Projecting against a Plane ---
1792
122
James Gillray, 1756–1815
The Republican Rattle-Snake Fascinating the Bedford-Squirrel ---
1795
123
James Gillray, 1756–1815
Retribution; - Tarring and Feathering; - or - The Patriots Revenge, - Nay You'll Stop Our Mouths, Beware Your Own
1795
124
James Gillray, 1756–1815
The Royal-Bull-Fight
1795
125
James Gillray, 1756–1815
Anti-Sacharrites, - or - John Bull and His Family Leaving off the Use of Sugar
1792
126
James Gillray, 1756–1815
The National Assembly Petrified _________/The National Assembly Revivified
1792
127
James Gillray, 1756–1815
The Bridal-Night
1797
128
James Gillray, 1756–1815
The Finishing Touch
1791
129
James Gillray, 1756–1815
An Excrescence; - Afungus; - Alias - A Toadstool Upon a Dung-Hill
1791
130
James Gillray, 1756–1815
The Power of Beauty; - St. Cecillia Charming the Brute; - or - The Seduction of the Welch-Ambassador (from: Caricature, vol. 2)
1792
131
James Gillray, 1756–1815
The Sleep-Walker
1795
132
James Gillray, 1756–1815
Hounds in Full-Cry
1800
133
James Gillray, 1756–1815
John Bull at His Studies. Attended by His Guardian Angell
1799
134
James Gillray, 1756–1815
A New Administration, or - The State Quacks Administring
1783
135
James Gillray, 1756–1815
John Bull Triumphant
1780
136
James Gillray, 1756–1815
The Triumphant Britons
1780
137
James Gillray, 1756–1815
Balaam, - or - The Majesty of the People,- The Lord Open'd the Mouth of the Ass, . . . etc
1783
138
James Gillray, 1756–1815
Bonus - Melior - Optimus, or the Devil's The Best of the Bunch
1783
139
James Gillray, 1756–1815
The R't Hon'ble Catch Singers
1783
140
Print made by James Gillray, 1756–1815
A Coalition of Parties, Give Justice Her Claims
1783
141
Print made by James Gillray, 1756–1815
The Minister In - The Minister Out
1782
142
Print made by James Gillray, 1756–1815
Ornaments of Chelsea Hospital; or - A Peep Into the Last Century ---
1789
143
James Gillray, 1756–1815
The Prince at Grass --- The Prince in Clover
1787
144
James Gillray, 1756–1815
The English Regency
1789
145
James Gillray, 1756–1815
A Modern Cherub, - Vide Peters
1791
146
Print made by James Gillray, 1756–1815
Mason, The Duke's Confectioner Disposing of the Trinkets
1788
147
Print made by James Gillray, 1756–1815
Hyde-Park; - Sunday, - or - Both Hemispheres of the World in a Sweat ---
1789
148
Print made by James Gillray, 1756–1815
John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?
1789
149
Print made by James Gillray, 1756–1815
Scene Le Vrog House
1782
150
Print made by James Gillray, 1756–1815
Evacuation Before Resignation
1782
151
Print made by James Gillray, 1756–1815
The Coming-On, of the Monsoons; or - The Retreat from Seringapatam
1791
152
James Gillray, 1756–1815
Two New Sliders for the State Magic Lanthern
1783
153
James Gillray, 1756–1815
The Thunderer. Vide; Every Man in His Humour, Alter'd From Ben John
1782
154
James Gillray, 1756–1815
The Castle in the Moon. A New Adventure, Not Mentioned By Cerventes
1782
155
Print made by James Gillray, 1756–1815
The Dutch Divisions
1787
156
James Gillray, 1756–1815
Swearing to the Cutting Monster or - A Scene in Bow Street
1790
157
James Gillray, 1756–1815
The Tottering Pyramid
1784
158
Print made by James Gillray, 1756–1815
The Butchers of Freedom
1788
159
Print made by James Gillray, 1756–1815
The (Coward), Comforted; - or - A Scene Immediately After the Duel ---
1789
160
James Gillray, 1756–1815
The Valley of the Shadow of Death
1808
161
James Gillray, 1756–1815
Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
1802
162
James Gillray, 1756–1815
Betty Canning (Gunning) Revived, or a Peep at the Conjuration of Mary Squires and the Gipsy Family
1791
163
Print made by James Gillray, 1756–1815
Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will
1791
164
James Gillray, 1756–1815
United Irishmen Upon Duty
1798
165
James Gillray, 1756–1815
United Irishmen in Training
1798
166
James Gillray, 1756–1815
Le Coup de Maitre
1797
167
James Gillray, 1756–1815
John Bull Taking a Luncheon; - or - British Cooks, Cramming Old Grumble-Gizzard with Bonne-Chere (from: Caricature, vol. 1)
1798
168
James Gillray, 1756–1815
The Noble Sans - Culotte
1794
169
James Gillray, 1756–1815
Taking Physick; - or - The News of Shooting the King of Sweden!
1792
170
James Gillray, 1756–1815
The Slough of Despond----; Vide - The Patriots Progress
1793
171
James Gillray, 1756–1815
Les Trois Magots
1791
172
James Gillray, 1756–1815
The Dagger Scene: - or - The Plot Discover'd
1792
173
James Gillray, 1756–1815
The Eruption of the Mountain - or - The Horrors of the Bocca Del Inforno----With the Head of the Protector Saint Januarius Carried in Processions by the Cardinal Archeveque of the Lazaroni
1794
174
James Gillray, 1756–1815
The Bishop of a Tun's Breeches; - or - The Flaming Eveque, Purifying the House of Office
1792
175
James Gillray, 1756–1815
Presentation of the Mahometan Credentials - or - The Final Resource of French Atheists (from: Caricature, vol. 2)
1793
176
James Gillray, 1756–1815
Miss, I Have a Monstrous Crow to Pluck with You!
1794
177
James Gillray, 1756–1815
Vices overlook'd in the New Proclamation
1792
178
James Gillray, 1756–1815
Sans-Culottes, Feeding Europe with the Bread of Liberty
1793
179
James Gillray, 1756–1815
Dumourier Dining in State at St. James on the 15th of May 1793
1793
180
James Gillray, 1756–1815
The Chancellor of the Inquisition Marking the Incorrigibles
1793
181
James Gillray, 1756–1815
Un Petit Souper, a La Parisienne; - or - A Family of Sans-Culotts Refreshing, After the Fatigues of the Day
1792
182
James Gillray, 1756–1815
French Liberty - British Slavery
1792
183
James Gillray, 1756–1815
Alecto and Her Train, at the Gate of Pandeomonium; - or - The Recruiting Sargeant Enlisting John Bull, Into the Revolution Service
1791
184
James Gillray, 1756–1815
Louis XVI Taking Leave of His Wife and Family
1793
185
James Gillray, 1756–1815
Sin, Death, and the Devil
1792
186
James Gillray, 1756–1815
John Bull Bother'd; - or - The Geese Alarming the Capitol
1792
187
James Gillray, 1756–1815
Monstrous Craws, At a New Coalition Feast
1787
188
James Gillray, 1756–1815
Ancient Music
1787
189
James Gillray, 1756–1815
Dido Forsaken, Sic Transit Gloria Regimae
1787
190
James Gillray, 1756–1815
Design for the New Gallery of Busts and Pictures
1792
191
James Gillray, 1756–1815
French Democrats Surprizing the Royal-Runaways
1791
192
James Gillray, 1756–1815
Malagrida, Driving Post
193
James Gillray, 1756–1815
A Duet. - Turn Fair Clora, Turn Ah Cruel, Turn Again
1792
194
James Gillray, 1756–1815
Doublûres of Characters; - or - Striking Resemblance in Phisiognomy
1798
195
James Gillray, 1756–1815
The Apotheosis of Hoche
1798
196
James Gillray, 1756–1815
A New Administration, or the State Quacks Administering