Taking Physick; - or - The News of Shooting the King of Sweden!
1792
103
James Gillray, 1756–1815
The Dagger Scene: - or - The Plot Discover'd
1792
104
James Gillray, 1756–1815
The Slough of Despond----; Vide - The Patriots Progress
1793
105
James Gillray, 1756–1815
Love's Last Shift
1787
106
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
1806
107
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
1806
108
James Gillray, 1756–1815
Coming-In at the Death
1800
109
James Gillray, 1756–1815
Cockney-Sportsmen Shooting-Flying
1800
110
James Gillray, 1756–1815
Hounds in Finding
1800
111
James Gillray, 1756–1815
Hounds Throwing-Off
1800
112
James Gillray, 1756–1815
Cockney-Sportsmen finding a Hare
1800
113
Print made by James Gillray, 1756–1815
The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing
1805
114
James Gillray, 1756–1815
The Republican - Attack
1795
115
James Gillray, 1756–1815
Fatal Effect of the French Defeat - Hanging (and) Drowning
1795
116
James Gillray, 1756–1815
Doublûres of Characters; - or - Striking Resemblance in Phisiognomy
1798
117
James Gillray, 1756–1815
Extirpation of the Plagues of Egypt
1798
118
James Gillray, 1756–1815
Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____
1798
119
James Gillray, 1756–1815
New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite
1798
120
James Gillray, 1756–1815
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
1797
121
James Gillray, 1756–1815
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
1791
122
James Gillray, 1756–1815
Homer Singing His Verses to the Greeks
1797
123
James Gillray, 1756–1815
The Leadenhall Volunteer, Drest in his Shawl
1797
124
James Gillray, 1756–1815
Field Marshall Count Suwarrow-Rominskoy ---
1799
125
James Gillray, 1756–1815
A Man of Importance
1799
126
James Gillray, 1756–1815
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery
1791
127
James Gillray, 1756–1815
Independence
1799
128
James Gillray, 1756–1815
Elegance - Democratique, - A Sketch Found Near High-Wycombe; - Whenever I Wish to Form a Proper,- Estimate - of a Mans Mind, I Observe his Manners and his Dress. --- Lord Chesterfield,
1799
129
James Gillray, 1756–1815
A Portrait ------------
1799
130
James Gillray, 1756–1815
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
1797
131
James Gillray, 1756–1815
A Hackney Meeting
1796
132
James Gillray, 1756–1815
And The' - Tisick, - The Colic, Punch Cures The Gout
1799
133
James Gillray, 1756–1815
Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square
1796
134
James Gillray, 1756–1815
The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat
1796
135
James Gillray, 1756–1815
The Grand-Signior Retiring
1796
136
James Gillray, 1756–1815
Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe
1796
137
James Gillray, 1756–1815
Fashionable - Jockeyship
1796
138
James Gillray, 1756–1815
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris
1796
139
James Gillray, 1756–1815
Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon
1796
140
James Gillray, 1756–1815
Hint to Modern Sculptors, as an Ornament to a Future Square ---
1796
141
James Gillray, 1756–1815
John Bull & His Dog Faithful; - "Among The Faithless, Faithful Only Found"
1796
142
James Gillray, 1756–1815
The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe
1792
143
Print made by James Gillray, 1756–1815
The Prince of Wales
1802
144
James Gillray, 1756–1815
A Natural Crop; - Alias - A Norfolk Dumpling
1791
145
James Gillray, 1756–1815
The April Fool or The Follies of a Night ---
1786
146
James Gillray, 1756–1815
A Witch, Upon a Mount's Edge - Vide: Fuzelli
1791
147
James Gillray, 1756–1815
A Sun Setting in a Fog, With The Old Hanover Hack Descending
1783
148
James Gillray, 1756–1815
Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2)
1782
149
James Gillray, 1756–1815
A New Administration, or - The State Quacks Administring
1783
150
James Gillray, 1756–1815
The Triumphant Britons
1780
151
James Gillray, 1756–1815
A Copper Countenance, Selling by Private Contract, The Property of a Noble Lord Out of Office Having No Further Use for It..
1780
152
James Gillray, 1756–1815
Bonus - Melior - Optimus, or the Devil's The Best of the Bunch
1783
153
James Gillray, 1756–1815
A Block for the Wigs - or, The New State Whirligig
1783
154
James Gillray, 1756–1815
The R't Hon'ble Catch Singers
1783
155
James Gillray, 1756–1815
Jack A Both Sides!
1783
156
Print made by James Gillray, 1756–1815
Scene Le Vrog House
1782
157
Print made by James Gillray, 1756–1815
The Minister In - The Minister Out
1782
158
James Gillray, 1756–1815
The Prince at Grass --- The Prince in Clover
1787
159
James Gillray, 1756–1815
The Apotheosis of Hoche
1798
160
James Gillray, 1756–1815
Gloria Mundi, or - The Devil Addressing the Sun
1782
161
James Gillray, 1756–1815
The Royal Academy
1786
162
James Gillray, 1756–1815
Gloria Mundi, or The Devil Addressing the Sun
ca. 1782
163
James Gillray, 1756–1815
Crumbs of Comfort, - or - Old-Orthodox Restoring Consolation to His Fallen Children
1782
164
James Gillray, 1756–1815
Committee of Grievances and Apprehensions
1792
165
James Gillray, 1756–1815
The Fall of the Wolsey of the Woolsack
1792
166
James Gillray, 1756–1815
The Bubbles of Opposition
1788
167
James Gillray, 1756–1815
The Friendly Agent
1787
168
James Gillray, 1756–1815
A Warm Birth for the Old Administration -----
1783
169
James Gillray, 1756–1815
Margarets Ghost. What's the Matter Auntee-Peg, What Makes You Put on Such a Long Face?
1791
170
James Gillray, 1756–1815
John Bull Triumphant
1780
171
James Gillray, 1756–1815
The Seige of Blenheim, - or - The New System of Gunning, Discovered -- Vide - A Bold Stroke for a Husband-Dedicated to the Duke of A.-
1791
172
James Gillray, 1756–1815
Balaam, - or - The Majesty of the People,- The Lord Open'd the Mouth of the Ass, . . . etc
1783
173
James Gillray, 1756–1815
Ah, Grant A Me Von Letel Bite
1780
174
James Gillray, 1756–1815
The Cole - Heavers. Two Virtuous Elves, Taking care of Themselves
1783
175
Print made by James Gillray, 1756–1815
A Coalition of Parties, Give Justice Her Claims
1783
176
Print made by James Gillray, 1756–1815
Evacuation Before Resignation
1782
177
Print made by James Gillray, 1756–1815
Ornaments of Chelsea Hospital; or - A Peep Into the Last Century ---
1789
178
Print made by James Gillray, 1756–1815
The Coming-On, of the Monsoons; or - The Retreat from Seringapatam
1791
179
James Gillray, 1756–1815
Two New Sliders for the State Magic Lanthern
1783
180
James Gillray, 1756–1815
The Castle in the Moon. A New Adventure, Not Mentioned By Cerventes
1782
181
James Gillray, 1756–1815
The Thunderer. Vide; Every Man in His Humour, Alter'd From Ben John
1782
182
James Gillray, 1756–1815
Destruction of the French Collossus
1798
183
James Gillray, 1756–1815
The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton)
1797
184
James Gillray, 1756–1815
Buonaparte Leaving Egypt
1800
185
James Gillray, 1756–1815
Nelson's Victory: - or - Good - News Operating Upon Loyal - Feelings
1798
186
James Gillray, 1756–1815
The High German Method of Destroying Vermin at Rat-Stadt
1799
187
James Gillray, 1756–1815
Exhibition of a Democratic Transparency,-with its Effect upon Patriotic Feelings: Representing, the Secret-Committee throwing a Light upon the Dark Sketches of a Revolution found among the Papers of the Jacobin Societies lately apprehended..
1799
188
James Gillray, 1756–1815
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself
1798
189
James Gillray, 1756–1815
Patience on a Monument
1791
190
James Gillray, 1756–1815
The - Battle Royal, or Who Wears the Breeches
1784
191
James Gillray, 1756–1815
A Uniform Whig ---
1791
192
James Gillray, 1756–1815
Which is the Better Man or The Pot Calls the Kettle Blacka-e
1786
193
James Gillray, 1756–1815
Exit Liberte a la Francois! - or - Buounaparte Closing the Farce of Egalite, at St. Cloud near Paris, Nov. 10th 1799
1799
194
James Gillray, 1756–1815
French Generals Retiring, on Account of their Health; - with Lepaux Presiding in the Directorial Dispensary
1799
195
Print made by James Gillray, 1756–1815
The Dutch Divisions
1787
196
Print made by James Gillray, 1756–1815
The Sick Prince
1787
197
James Gillray, 1756–1815
The Fall of Dagon - or Rare News for Leaden-Hall Street
1784
198
unknown artist
We Explain the Rights of Man to de Noblesse -- Scene from the House of Lords
199
unknown artist
Sketch of the Interior of St. Stephens as it now Stands (Pitt speaking)