Un Petit Souper, a La Parisienne; - or - A Family of Sans-Culotts Refreshing, After the Fatigues of the Day
1792
202
James Gillray, 1756–1815
The Soldier's Return; - or - Rare News for Old England - See the Conquering Hero Comes
1791
203
James Gillray, 1756–1815
Alecto and Her Train, at the Gate of Pandeomonium; - or - The Recruiting Sargeant Enlisting John Bull, Into the Revolution Service
1791
204
James Gillray, 1756–1815
The Royal Joke, - or - Black Jades Delight, A Hint For a New Reform
1788
205
James Gillray, 1756–1815
The Introduction
1791
206
James Gillray, 1756–1815
Dido Forsaken, Sic Transit Gloria Regimae
1787
207
James Gillray, 1756–1815
Monstrous Craws, At a New Coalition Feast
1787
208
James Gillray, 1756–1815
Anti-Sacharrites, - or - John Bull and His Family Leaving off the Use of Sugar
1792
209
James Gillray, 1756–1815
The National Assembly Petrified _________/The National Assembly Revivified
1792
210
James Gillray, 1756–1815
A Sphere, Projecting against a Plane ---
1792
211
James Gillray, 1756–1815
The Bridal-Night
1797
212
James Gillray, 1756–1815
The Sleep-Walker
1795
213
Print made by James Gillray, 1756–1815
Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will
1791
214
Thomas Rowlandson, 1756–1827
Filial Piety
1788
215
James Gillray, 1756–1815
The Caneing in Conduit Street - Dedicated to the Flag Officers of the British Navy
1796
216
James Gillray, 1756–1815
The Hustings-Vox Populi, - "We'll Have a Mug! - A Mug! - A Mug! / Mayor of Garret--" (Fox) (from: Caricature, vol. 1)
1796
217
James Gillray, 1756–1815
United Irishmen Upon Duty
1798
218
James Gillray, 1756–1815
Parliamentary-Reform, - or - Opposition-Rats, Leaving the House They Had Undermined
1797
219
James Gillray, 1756–1815
Shrine at St. Ann's Hill
1798
220
James Gillray, 1756–1815
The Table's Turn'd. Billy, in the Devil's Claws. - Billy, Sending the Devil Packing
1797
221
James Gillray, 1756–1815
Nightly Visitors, at St. Ann's Hill; In Glided Edward's Pale-Eye'd Ghost, and Stood at Carlo's Feet
1798
222
James Gillray, 1756–1815
John Bull Ground Down
1795
223
James Gillray, 1756–1815
French - Telegraph Making Signals in the Dark
1795
224
James Gillray, 1756–1815
Light Expelling Darkness, - Evaporation of Stygian Exhalations, - or - The Sun of the Constitution, Rising Superior to the Clouds of Opposition
1795
225
James Gillray, 1756–1815
Leaving off Powder, - or - a Frugal Family Saving the Guinea
1795
226
James Gillray, 1756–1815
Presages of the Millenium
1795
227
James Gillray, 1756–1815
Copenhagen House
1795
228
James Gillray, 1756–1815
A Slice of Glo'ster Cheese
1795
229
James Gillray, 1756–1815
Portrait of an Irish Chief; Drawn from Life at Wexford
1798
230
James Gillray, 1756–1815
Loyal Souls; - or - A Peep into the Mess-Room, at St. James's
1797
231
James Gillray, 1756–1815
Councellor Ego. - i.e.: - Little I, Myself, I
1798
232
James Gillray, 1756–1815
The Prophet of the Hebrews, - The Prince of Peace, Conducting the Jews to the Promis'd-Land
1795
233
James Gillray, 1756–1815
Stealing Off; - or - Prudent Seces(s)ion. "Courageous Chief The First in Flight"
1798
234
James Gillray, 1756–1815
-Gentle Manners, with Affections Mild, in Wit a Man, Simplicity a Child
1798
235
James Gillray, 1756–1815
The Hopes of the Party, Prior to July 14th, ---"From Such Wicked Crown and Anchor-Dreams, Good Lord, Deliver Us."
1791
236
James Gillray, 1756–1815
A Kick at the Broad-Bottoms! - i.e.- Emancipation of "All the Talents"
1807
237
James Gillray, 1756–1815
Cockney-Sportsmen marking game
1800
238
Print made by James Gillray, 1756–1815
Shakespeare Sacrificed; or, The Offering to Avarice
1789
239
James Gillray, 1756–1815
Hounds in Full-Cry
1800
240
James Gillray, 1756–1815
Sophia, Honour, and the Chambermaid
1780
241
James Gillray, 1756–1815
Fatal Effect of the French Defeat - Hanging (and) Drowning
1795
242
Print made by James Gillray, 1756–1815
A Coalition of Parties, Give Justice Her Claims
1783
243
Print made by James Gillray, 1756–1815
Evacuation Before Resignation
1782
244
James Gillray, 1756–1815
The Prince at Grass --- The Prince in Clover
1787
245
James Gillray, 1756–1815
John Bull Triumphant
1780
246
James Gillray, 1756–1815
The Triumphant Britons
1780
247
Print made by James Gillray, 1756–1815
Scene Le Vrog House
1782
248
Print made by James Gillray, 1756–1815
The Coming-On, of the Monsoons; or - The Retreat from Seringapatam
1791
249
James Gillray, 1756–1815
Jack A Both Sides!
1783
250
James Gillray, 1756–1815
The R't Hon'ble Catch Singers
1783
251
Print made by James Gillray, 1756–1815
The Minister In - The Minister Out
1782
252
Print made by James Gillray, 1756–1815
Ornaments of Chelsea Hospital; or - A Peep Into the Last Century ---
1789
253
James Gillray, 1756–1815
The Seige of Blenheim, - or - The New System of Gunning, Discovered -- Vide - A Bold Stroke for a Husband-Dedicated to the Duke of A.-
1791
254
James Gillray, 1756–1815
Ah, Grant A Me Von Letel Bite
1780
255
James Gillray, 1756–1815
A Copper Countenance, Selling by Private Contract, The Property of a Noble Lord Out of Office Having No Further Use for It..
1780
256
James Gillray, 1756–1815
The Cole - Heavers. Two Virtuous Elves, Taking care of Themselves
1783
257
James Gillray, 1756–1815
Balaam, - or - The Majesty of the People,- The Lord Open'd the Mouth of the Ass, . . . etc
1783
258
James Gillray, 1756–1815
Bonus - Melior - Optimus, or the Devil's The Best of the Bunch
1783
259
James Gillray, 1756–1815
A Block for the Wigs - or, The New State Whirligig
1783
260
unknown artist
We Explain the Rights of Man to de Noblesse -- Scene from the House of Lords
261
James Gillray, 1756–1815
The Republican - Attack
1795
262
James Gillray, 1756–1815
Doublûres of Characters; - or - Striking Resemblance in Phisiognomy
1798
263
James Gillray, 1756–1815
The Apotheosis of Hoche
1798
264
James Gillray, 1756–1815
Buonaparte Leaving Egypt
1800
265
James Gillray, 1756–1815
Exhibition of a Democratic Transparency,-with its Effect upon Patriotic Feelings: Representing, the Secret-Committee throwing a Light upon the Dark Sketches of a Revolution found among the Papers of the Jacobin Societies lately apprehended..
1799
266
James Gillray, 1756–1815
French Generals Retiring, on Account of their Health; - with Lepaux Presiding in the Directorial Dispensary
1799
267
James Gillray, 1756–1815
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself
1798
268
James Gillray, 1756–1815
New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite
1798
269
James Gillray, 1756–1815
The Leadenhall Volunteer, Drest in his Shawl
1797
270
James Gillray, 1756–1815
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
1797
271
James Gillray, 1756–1815
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
1791
272
James Gillray, 1756–1815
Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____
1798
273
James Gillray, 1756–1815
Homer Singing His Verses to the Greeks
1797
274
James Gillray, 1756–1815
Field Marshall Count Suwarrow-Rominskoy ---
1799
275
James Gillray, 1756–1815
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
1797
276
James Gillray, 1756–1815
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery
1791
277
James Gillray, 1756–1815
A Man of Importance
1799
278
James Gillray, 1756–1815
Elegance - Democratique, - A Sketch Found Near High-Wycombe; - Whenever I Wish to Form a Proper,- Estimate - of a Mans Mind, I Observe his Manners and his Dress. --- Lord Chesterfield,
1799
279
James Gillray, 1756–1815
Independence
1799
280
James Gillray, 1756–1815
And The' - Tisick, - The Colic, Punch Cures The Gout
1799
281
James Gillray, 1756–1815
The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat
1796
282
James Gillray, 1756–1815
A Portrait ------------
1799
283
James Gillray, 1756–1815
The Grand-Signior Retiring
1796
284
James Gillray, 1756–1815
Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon
1796
285
James Gillray, 1756–1815
The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe
1792
286
James Gillray, 1756–1815
Hint to Modern Sculptors, as an Ornament to a Future Square ---
1796
287
Print made by James Gillray, 1756–1815
The Prince of Wales
1802
288
James Gillray, 1756–1815
A Natural Crop; - Alias - A Norfolk Dumpling
1791
289
James Gillray, 1756–1815
Which is the Better Man or The Pot Calls the Kettle Blacka-e
1786
290
James Gillray, 1756–1815
The April Fool or The Follies of a Night ---
1786
291
James Gillray, 1756–1815
The Friendly Agent
1787
292
James Gillray, 1756–1815
Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square
1796
293
James Gillray, 1756–1815
A Hackney Meeting
1796
294
James Gillray, 1756–1815
Fashionable - Jockeyship
1796
295
James Gillray, 1756–1815
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris
1796
296
James Gillray, 1756–1815
John Bull & His Dog Faithful; - "Among The Faithless, Faithful Only Found"
1796
297
James Gillray, 1756–1815
Patience on a Monument
1791
298
James Gillray, 1756–1815
A Sun Setting in a Fog, With The Old Hanover Hack Descending