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Credit Line Yale Center for British Art, Paul Mellon Collection

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Collection

Creator Rowlandson, Thomas, 1756–1827

Remove constraint Creator: Rowlandson, Thomas, 1756–1827

Classification Prints

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1. Bucks of the First Head

Bucks of the First Head
Creator:
Print made by unknown artist
Materials & Techniques:
Photomechanical reproduction
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Dr. Syntax Painting a Portrait

Dr. Syntax Painting a Portrait
Creator:
Thomas Rowlandson, 1756–1827
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 4 9/16 x 7 9/16in. (11.6 x 19.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Soldiers on a March: "To pack up her tatters and follow the Drum"

Soldiers on a March: "To pack up her tatters and follow the Drum"
Creator:
Thomas Rowlandson, 1756–1827
Date:
1811
Materials & Techniques:
Hand-colored etching
Dimensions:
Sheet: 8 3/4 x 9 1/4in. (22.2 x 23.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Dr. Syntax Visits a Boarding School for Young Ladies

Dr. Syntax Visits a Boarding School for Young Ladies
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Set of eight (4): Cries of London

Set of eight (4): Cries of London
Creator:
Thomas Rowlandson, 1756–1827
Date:
1799
Materials & Techniques:
Etching with aquatint, colored by hand
Dimensions:
Sheet: 14 1/2 x 11 3/4in. (36.8 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Set of eight (2): Cries of London

Set of eight (2): Cries of London
Creator:
Thomas Rowlandson, 1756–1827
Date:
1799
Materials & Techniques:
Etching with aquatint, colored by hand
Dimensions:
Sheet: 14 1/2 x 11 3/4in. (36.8 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Set of eight (3): Cries of London

Set of eight (3): Cries of London
Creator:
Thomas Rowlandson, 1756–1827
Date:
1799
Materials & Techniques:
Etching with aquatint, colored by hand
Dimensions:
Sheet: 14 1/2 x 11 3/4in. (36.8 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Set of eight (5): Cries of London

Set of eight (5): Cries of London
Creator:
Thomas Rowlandson, 1756–1827
Date:
1799
Materials & Techniques:
Etching with aquatint, colored by hand
Dimensions:
Sheet: 14 1/2 x 11 3/4in. (36.8 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Set of sixteen: Outlines of Figures and Landscapes

Set of sixteen: Outlines of Figures and Landscapes
Creator:
Thomas Rowlandson, 1756–1827
Date:
1790-1792
Materials & Techniques:
Etching, colored by hand
Dimensions:
Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Set of eight (6): Cries of London

Set of eight (6): Cries of London
Creator:
Thomas Rowlandson, 1756–1827
Date:
1799
Materials & Techniques:
Etching with aquatint, colored by hand
Dimensions:
Sheet: 14 1/2 x 11 3/4in. (36.8 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Set of Sixteen: Outlines of Figure and Landscapes

Set of Sixteen: Outlines of Figure and Landscapes
Creator:
Thomas Rowlandson, 1756–1827
Date:
1790-1792
Materials & Techniques:
Etching, colored by hand
Dimensions:
Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Set of eight (7): Cries of London

Set of eight (7): Cries of London
Creator:
Thomas Rowlandson, 1756–1827
Date:
1799
Materials & Techniques:
Etching with aquatint, colored by hand
Dimensions:
Sheet: 14 1/2 x 11 3/4in. (36.8 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Set of eight (5): Cries of London

Set of eight (5): Cries of London
Creator:
Thomas Rowlandson, 1756–1827
Date:
1799
Materials & Techniques:
Etching with aquatint, colored by hand
Dimensions:
Sheet: 14 1/2 x 11 3/4in. (36.8 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Set of sixteen: Outlines of Figures and Landscapes

Set of sixteen: Outlines of Figures and Landscapes
Creator:
Thomas Rowlandson, 1756–1827
Date:
1790-1792
Materials & Techniques:
Etching, colored by hand
Dimensions:
Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Set of sixteen: Outlines of Figures and Landscapes

Set of sixteen: Outlines of Figures and Landscapes
Creator:
Thomas Rowlandson, 1756–1827
Date:
1790-1792
Materials & Techniques:
Etching, colored by hand
Dimensions:
Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Set of sixteen: Outlines of Figures and Landscapes

Set of sixteen: Outlines of Figures and Landscapes
Creator:
Thomas Rowlandson, 1756–1827
Date:
1790-1792
Materials & Techniques:
Etching, colored by hand
Dimensions:
Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Set of sixteen: Outlines of Figures and Landscapes

Set of sixteen: Outlines of Figures and Landscapes
Creator:
Thomas Rowlandson, 1756–1827
Date:
1790-1792
Materials & Techniques:
Etching, colored by hand
Dimensions:
Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Set of sixteen: Outlines of Figures and Landscapes

Set of sixteen: Outlines of Figures and Landscapes
Creator:
Thomas Rowlandson, 1756–1827
Date:
1790-1792
Materials & Techniques:
Etching, colored by hand
Dimensions:
Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Set of sixteen: Outlines of Figures and Landscapes

Set of sixteen: Outlines of Figures and Landscapes
Creator:
Thomas Rowlandson, 1756–1827
Date:
1790-1792
Materials & Techniques:
Etching, colored by hand
Dimensions:
Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Debating Society, Piccadilly

Debating Society, Piccadilly
Creator:
Thomas Rowlandson, 1756–1827
Date:
1808
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. St. Luke's Hospital

St. Luke's Hospital
Creator:
Joseph Constantine Stadler, active 1780–1812
Date:
1809
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Bartholomew Fair

Bartholomew Fair
Creator:
John Bluck, active 1791–1831
Date:
1808
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Somerset House, Strand

Somerset House, Strand
Creator:
John Bluck, active 1791–1831
Date:
1809
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Society for the Encouragement of Arts

Society for the Encouragement of Arts
Creator:
John Bluck, active 1791–1831
Date:
1809
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Surrey Institution

Surrey Institution
Creator:
Joseph Constantine Stadler, active 1780–1812
Date:
1809
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. New Covent Garden Theatre

New Covent Garden Theatre
Creator:
John Bluck, active 1791–1831
Date:
1810
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. A Bird Eye View of Smithfield Market

A Bird Eye View of Smithfield Market
Creator:
John Bluck, active 1791–1831
Date:
1811
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Westminster Hall

Westminster Hall
Creator:
John Bluck, active 1791–1831
Date:
1809
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Entrance from Mile End or White Chapel Turnpike

Entrance from Mile End or White Chapel Turnpike
Creator:
Heinrich Joseph Schutz, active 1798
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Entrance of Tottenham Court Road Turnpike, with a View of St. Jame's Chapel

Entrance of Tottenham Court Road Turnpike, with a View of St. Jame's Chapel
Creator:
Heinrich Joseph Schutz, active 1798
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Vauxhall Garden

Vauxhall Garden
Creator:
John Bluck, active 1791–1831
Date:
1809
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Billingsgate Market

Billingsgate Market
Creator:
after Thomas Rowlandson, 1756–1827
Date:
1808
Materials & Techniques:
Hand colored aquatint on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 9 1/8 × 11 1/8 inches (23.2 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Bishopsgate Volunteer

Bishopsgate Volunteer
Creator:
unknown artist
Date:
1798
Materials & Techniques:
Hand colored engraving
Dimensions:
Sheet: 11 1/2 x 9 5/8in. (29.2 x 24.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. The Hall of the Auction Mart

The Hall of the Auction Mart
Creator:
Thomas Rowlandson, 1756–1827
Date:
1811
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Philanthropic Society, The Chapel

Philanthropic Society, The Chapel
Creator:
John Bluck, active 1791–1831
Date:
1809
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. The Bank

The Bank
Creator:
unknown artist
Date:
1792
Materials & Techniques:
Hand colored engraving on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 6 × 8 7/8 inches (15.2 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Military College, Chelsea

Military College, Chelsea
Creator:
Augustus Charles Pugin, 1762–1832
Date:
1810
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 9 1/4 × 10 7/8 inches (23.5 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Military College, Chelsea

Military College, Chelsea
Creator:
Thomas Sunderland, 1744–1828
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 11 x 12 3/4in. (27.9 x 32.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Pass-Room Bridewell

Pass-Room Bridewell
Creator:
Thomas Rowlandson, 1756–1827
Date:
1808
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Resurrection or the Frightened Nurse

Resurrection or the Frightened Nurse
Creator:
Thomas Rowlandson, 1756–1827
Date:
1784
Materials & Techniques:
Etching
Dimensions:
Sheet: 11 3/4 x 14 1/2in. (29.8 x 36.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. The Detection

The Detection
Creator:
Thomas Rowlandson, 1756–1827
Materials & Techniques:
Etching and aquatint
Dimensions:
Sheet: 10 x 14in. (25.4 x 35.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Newgate Chapel

Newgate Chapel
Creator:
Joseph Constantine Stadler, active 1780–1812
Date:
1809
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Fleet Prison

Fleet Prison
Creator:
Thomas Rowlandson, 1756–1827
Date:
1808
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley
Creator:
Print made by William Angus, 1752–1821
Date:
1793
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 8 11/16 x 11 3/16 inches (22 x 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. The Word Eater

The Word Eater
Creator:
Thomas Rowlandson, 1756–1827
Date:
1786
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 x 12 7/8in. (20.3 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Suitable Restrictions

Suitable Restrictions
Creator:
Thomas Rowlandson, 1756–1827
Date:
1789
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/4 x 12 3/4in. (21 x 32.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. The Modern Egbert, or the King of Kings

The Modern Egbert, or the King of Kings
Creator:
Thomas Rowlandson, 1756–1827
Date:
1789
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/4 x 13 1/8in. (21 x 33.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Britannia's Support or the Conspirators Defeated - The Hospital for Lunatics

Britannia's Support or the Conspirators Defeated - The Hospital for Lunatics
Creator:
Thomas Rowlandson, 1756–1827
Date:
1789
Materials & Techniques:
Etching
Dimensions:
Sheet: 13 x 9in. (33 x 22.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Britannia's Support or the Conspirators Defeated - The Hospital for Lunatics

Britannia's Support or the Conspirators Defeated - The Hospital for Lunatics
Creator:
Thomas Rowlandson, 1756–1827
Date:
1789
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 13 x 9in. (33 x 22.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Box-Lobby Hero, The Branded Bully, or the Ass Stripp'd of the Lion's Skin

Box-Lobby Hero, The Branded Bully, or the Ass Stripp'd of the Lion's Skin
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1786
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 1/2 x 13in. (24.1 x 33cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. The Minister Casting Up His Accounts

The Minister Casting Up His Accounts
Creator:
Thomas Rowlandson, 1756–1827
Date:
1789
Materials & Techniques:
Etching
Dimensions:
Sheet: 13 x 9in. (33 x 22.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. The Times

The Times
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1783
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 10 7/8 x 16 3/8in. (27.6 x 41.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Sketch of Politics in Europe, January 24, 1786 - Birthday of the King of Prussia

Sketch of Politics in Europe, January 24, 1786 - Birthday of the King of Prussia
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1786
Materials & Techniques:
Etching
Dimensions:
Sheet: 9 5/8 x 14 1/2in. (24.4 x 36.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Sketch of Politics in Europe, January 24, 1786 - Birthday of the King of Prussia---

Sketch of Politics in Europe, January 24, 1786 - Birthday of the King of Prussia---
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1786
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 5/8 x 14 1/2in. (24.4 x 36.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. An Essay on the Sublime and Beautiful, The Maiden Speech

An Essay on the Sublime and Beautiful, The Maiden Speech
Creator:
Thomas Rowlandson, 1756–1827
Date:
1792
Materials & Techniques:
Etching, hand colored
Dimensions:
Sheet: 8 1/16 x 12 3/4in. (20.5 x 32.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. The Reconciliation, or the Return from Scotland

The Reconciliation, or the Return from Scotland
Creator:
Thomas Rowlandson, 1756–1827
Date:
1793
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 x 12 7/8in. (22.9 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. A Lying-In Visit, or a Short-Sighted Mistake

A Lying-In Visit, or a Short-Sighted Mistake
Creator:
Thomas Rowlandson, 1756–1827
Date:
1792
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 3/4 x 13in. (22.2 x 33cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. King's Place, or a View of (Monsieur Reynard's) Best Friends

King's Place, or a View of (Monsieur Reynard's) Best Friends
Creator:
Thomas Rowlandson, 1756–1827
Date:
1784
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 3/4 x 13 1/16in. (22.2 x 33.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Nap in the Country - Nap in Town

Nap in the Country - Nap in Town
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1785
Materials & Techniques:
Etching
Dimensions:
Sheet: 13 x 8 7/8in. (33 x 22.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. The Minister's Ass - Vide Gazetteer - November 11

The Minister's Ass - Vide Gazetteer - November 11
Creator:
Thomas Rowlandson, 1756–1827
Date:
1784
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 5/8 x 13 3/16in. (21.9 x 33.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. The Ghosts of Mirabeau and Dr. Price appearing to Old Loyola

The Ghosts of Mirabeau and Dr. Price appearing to Old Loyola
Creator:
Thomas Rowlandson, 1756–1827
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 3/4 x 16 1/8in. (24.8 x 41cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. A Peep into the Retreat at Tinnehinch

A Peep into the Retreat at Tinnehinch
Creator:
Thomas Rowlandson, 1756–1827
Date:
1799
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 7 1/4 x 9 15/16in. (18.4 x 25.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Blue and Buf Loyalty

Blue and Buf Loyalty
Creator:
Thomas Rowlandson, 1756–1827
Date:
1788
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 7 1/4 x 12 7/8in. (18.4 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. A Touch of the Times

A Touch of the Times
Creator:
Thomas Rowlandson, 1756–1827
Date:
1788
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 1/2 x 13 7/8in. (24.1 x 35.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. (The) This Irish Ambassadors Extraordinary a Gallante(e) Show

(The) This Irish Ambassadors Extraordinary a Gallante(e) Show
Creator:
Thomas Rowlandson, 1756–1827
Date:
1789
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 1/4 x 14 1/8in. (23.5 x 35.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Forget and Forgive or Honest Jack Shaking Hands with an Old Acquaintance

Forget and Forgive or Honest Jack Shaking Hands with an Old Acquaintance
Creator:
Thomas Rowlandson, 1756–1827
Date:
1799
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/8 x 11 3/4in. (20.6 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Procession to the Hustings after a Successful Canvass

Procession to the Hustings after a Successful Canvass
Creator:
Thomas Rowlandson, 1756–1827
Date:
1784
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 3/4 x 13 1/4in. (22.2 x 33.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. Sir Cecil's Budget for Paying the National Debt

Sir Cecil's Budget for Paying the National Debt
Creator:
Thomas Rowlandson, 1756–1827
Date:
1784
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/2 x 12 7/8in. (21.6 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. Uncle George and Black Dick at Their New Game of Naval Shuttlecock

Uncle George and Black Dick at Their New Game of Naval Shuttlecock
Creator:
Thomas Rowlandson, 1756–1827
Date:
1787
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 13/16 x 13 1/8in. (22.4 x 33.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. French Barracks

French Barracks
Creator:
Etched by Thomas Rowlandson, 1756–1827
Date:
1791
Materials & Techniques:
Hand colored etching and aquatint on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 16 1/2 × 21 5/16 inches (41.9 × 54.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. Quae Genus on his Journey to London

Quae Genus on his Journey to London
Creator:
Print made by unknown artist
Date:
1822
Materials & Techniques:
Colored aquatint
Dimensions:
Sheet: 9 1/2 x 6in. (24.1 x 15.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Lambeth Palace

Lambeth Palace
Creator:
Joseph Constantine Stadler, active 1780–1812
Date:
1808
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. Flying Breakfast, or the Contents of a Night Coach

Flying Breakfast, or the Contents of a Night Coach
Creator:
Thomas Rowlandson, 1756–1827
Date:
1792
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 7 11/16 x 12 9/16in. (19.5 x 31.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. Brothers of the Whip

Brothers of the Whip
Creator:
Thomas Rowlandson, 1756–1827
Date:
1781
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 7 x 9 1/4in. (17.8 x 23.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. English Barracks

English Barracks
Creator:
Etched by Thomas Rowlandson, 1756–1827
Date:
1791
Materials & Techniques:
Hand colored etching and aquatint on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 17 × 22 1/8 inches (43.2 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. The Parody, - or Mother Cole and Leader

The Parody, - or Mother Cole and Leader
Creator:
Thomas Rowlandson, 1756–1827
Date:
1784
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 7/8 x 12 7/8in. (22.5 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. Col. Topham Endeavouring with his Squirt to Extinguish the Genius of Holman

Col. Topham Endeavouring with his Squirt to Extinguish the Genius of Holman
Creator:
Thomas Rowlandson, 1756–1827
Date:
1785
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/2 x 12 7/8in. (21.6 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. A New Speaker - The Wedding Night

A New Speaker - The Wedding Night
Creator:
Thomas Rowlandson, 1756–1827
Date:
1789
Materials & Techniques:
Etching
Dimensions:
Sheet: 13 1/8 x 9 1/4in. (33.3 x 23.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. The Departure

The Departure
Creator:
Thomas Rowlandson, 1756–1827
Date:
1784
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 x 13 1/4in. (22.9 x 33.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. Bardolph Badger'd Or the Portland Hunt

Bardolph Badger'd Or the Portland Hunt
Creator:
Thomas Rowlandson, 1756–1827
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 10 x 16 1/4in. (25.4 x 41.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. Reformation - or - The Wonderful Effects of a Proclamation!!!

Reformation - or - The Wonderful Effects of a Proclamation!!!
Creator:
Thomas Rowlandson, 1756–1827
Date:
1787
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 1/2 x 14 5/8in. (24.1 x 37.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. False Courage

False Courage
Creator:
Print made by Thomas Rowlandson, 1756–1827
Date:
1788
Materials & Techniques:
Etching, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. Medical Intelligence - Extraordinary - A Coronation in Pall Mall

Medical Intelligence - Extraordinary - A Coronation in Pall Mall
Creator:
Print made by Thomas Rowlandson, 1756–1827
Date:
1789
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/4 x 14in. (21 x 35.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. Britania's Protection, or, Loyalty Triumphant

Britania's Protection, or, Loyalty Triumphant
Creator:
Thomas Rowlandson, 1756–1827
Date:
1800
Materials & Techniques:
Etching, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. An Irish Howl

An Irish Howl
Creator:
Thomas Rowlandson, 1756–1827
Date:
1799
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 7/8 x 11 3/4in. (22.5 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. A Charm for a Democracy, Reviewed, Analysed and Destroyed January 11th, 1799 to the Confusion of its Affiliated Friends

A Charm for a Democracy, Reviewed, Analysed and Destroyed January 11th, 1799 to the Confusion of its Affiliated Friends
Creator:
Thomas Rowlandson, 1756–1827
Date:
1799
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 10 3/8 x 16 3/4in. (26.4 x 42.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

87. Single Combat, in Moorfields, or Magnanimous Paul O! - Challenging all O! (from: Caricature, vol. 4)

Single Combat, in Moorfields, or Magnanimous Paul O! - Challenging all O! (from: Caricature, vol. 4)
Creator:
Thomas Rowlandson, 1756–1827
Date:
1801
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 5/8 x 12 3/4in. (24.4 x 32.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

88. Reform Advised - Reform Begun - Reform Compleat (Complete)

Reform Advised - Reform Begun - Reform Compleat (Complete)
Creator:
Thomas Rowlandson, 1756–1827
Date:
1793
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 16 x 9 3/4in. (40.6 x 24.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

89. High Fun for John Bull or the Republicans put to their Last Shift

High Fun for John Bull or the Republicans put to their Last Shift
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Etching
Dimensions:
Sheet: 10 5/16 x 13 3/4in. (26.2 x 34.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

90. The Toper's Mistake

The Toper's Mistake
Creator:
Thomas Rowlandson, 1756–1827
Date:
1801
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 7/8 x 8 1/4in. (25.1 x 21cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

91. Fraternization in Grand Cairo or the Mad General and his Bonny-Party likely to become Tame Musselmen

Fraternization in Grand Cairo or the Mad General and his Bonny-Party likely to become Tame Musselmen
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Etching
Dimensions:
Sheet: 9 3/4 x 12 5/8in. (24.8 x 32.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. Gig-Hauling, or Gentlemanly Amusement for the Nineteenth Century

Gig-Hauling, or Gentlemanly Amusement for the Nineteenth Century
Creator:
Thomas Rowlandson, 1756–1827
Date:
1801
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/2 x 13 3/16in. (21.6 x 33.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. (The) A Grand Battle between the Famous English Cock and Russian Hen!

(The) A Grand Battle between the Famous English Cock and Russian Hen!
Creator:
Attributed to Thomas Rowlandson, 1756–1827
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 10 7/8 x 15in. (27.6 x 38.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. A New Insect

A New Insect
Creator:
Print made by Thomas Rowlandson, 1756–1827
Date:
1784
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 11 1/4 x 7 1/4in. (28.6 x 18.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. Set of Six Views in London, (Turn Pike series)

Set of Six Views in London, (Turn Pike series)
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

96. St. Paul's Cathedral

St. Paul's Cathedral
Creator:
Thomas Rowlandson, 1756–1827
Date:
1809
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

97. The Post Office

The Post Office
Creator:
Thomas Rowlandson, 1756–1827
Date:
1809
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

98. Greenwich Hospital, the Painted Hall

Greenwich Hospital, the Painted Hall
Creator:
Thomas Rowlandson, 1756–1827
Date:
1810
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. Foundling Hospital, The Chapel

Foundling Hospital, The Chapel
Creator:
unknown artist
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. St. Luke's Hospital

St. Luke's Hospital
Creator:
Print made by Joseph Constantine Stadler, active 1780–1812
Date:
1809
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection