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Period 17th century-18th century

Remove constraint Period: 17th century-18th century

Exhibition History Darkness Into Light - The Early Mezzotint (Yale University Art Gallery, 1976-02-03 - 1976-04-11)

Remove constraint Exhibition History: Darkness Into Light - The Early Mezzotint (Yale University Art Gallery, 1976-02-03 - 1976-04-11)

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William Lodge
Creator:
Print made by Francis Place, 1647–1728
Date:
between 1675 and 1700
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 13/16 × 5 9/16 inches (17.3 × 14.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Still Life with Fish and Poultry
Creator:
Print made by Jacob Gole, 1660–1737
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/8 x 7 13/16 inches (28.9 x 19.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
George Monck, Duke of Albemarle
Creator:
Print made by William Sherwin, 1645–1711
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/2 × 12 3/8 inches (39.4 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
What's Humane Life, Where Nothing Long Can Stand? Time Flyes, Our Glory Fades, and Death's at Hand.
Creator:
Print made by William Faithorne the Younger, ca. 1669–1703
Date:
undated
Materials & Techniques:
Mezzotint and etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 7 5/16 x 9 3/16 inches (18.5 x 23.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Richard Thompson
Creator:
Print made by Francis Place, 1647–1728
Date:
between 1675 and 1700
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 11 × 8 3/4 inches (27.9 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund