The Times - or a View of the Old House in Little Brittain - with Nobody Giving to Hannover
1784
205
James Gillray, 1756–1815
The English Regency
1789
206
James Gillray, 1756–1815
The Battle of Bow-Street
1788
207
James Gillray, 1756–1815
A Modern Cherub, - Vide Peters
1791
208
Print made by James Gillray, 1756–1815
The Butchers of Freedom
1788
209
Print made by James Gillray, 1756–1815
Mason, The Duke's Confectioner Disposing of the Trinkets
1788
210
James Gillray, 1756–1815
Nightly Visitors, at St. Ann's Hill; In Glided Edward's Pale-Eye'd Ghost, and Stood at Carlo's Feet
1798
211
James Gillray, 1756–1815
The Death of the Great Wolf
1795
212
James Gillray, 1756–1815
The Genius of France Triumphant - or - Britannia Petitioning for Peace - Vide. The Proposals of Opposition
1795
213
James Gillray, 1756–1815
Leaving off Powder, - or - a Frugal Family Saving the Guinea
1795
214
James Gillray, 1756–1815
Patriotic Regeneration, - Viz - Parliament Refoun'd a la Francoise, - that is, - Honest Men (i.e. Opposition) in the Seat of Justice. Vide, Carmaguol Expectations
1795
215
James Gillray, 1756–1815
Light Expelling Darkness, - Evaporation of Stygian Exhalations, - or - The Sun of the Constitution, Rising Superior to the Clouds of Opposition
1795
216
James Gillray, 1756–1815
The Real Cause of the Present High-Price of Provisions or A View on the Sea Coast of England, with French Agents Smuggling Away Supplies for France
1795
217
James Gillray, 1756–1815
The Prophet of the Hebrews, - The Prince of Peace, Conducting the Jews to the Promis'd-Land
1795
218
James Gillray, 1756–1815
A Slice of Glo'ster Cheese
1795
219
James Gillray, 1756–1815
Loyal Souls; - or - A Peep into the Mess-Room, at St. James's
1797
220
James Gillray, 1756–1815
Councellor Ego. - i.e.: - Little I, Myself, I
1798
221
James Gillray, 1756–1815
Portrait of an Irish Chief; Drawn from Life at Wexford
1798
222
James Gillray, 1756–1815
-Gentle Manners, with Affections Mild, in Wit a Man, Simplicity a Child
1798
223
James Gillray, 1756–1815
Copenhagen House
1795
224
James Gillray, 1756–1815
Stealing Off; - or - Prudent Seces(s)ion. "Courageous Chief The First in Flight"
1798
225
James Gillray, 1756–1815
Buonaparte, Hearing of Nelson's Victory, Swears by His Sword, to Extirpate the English off the Earth (from: Caricature, vol. 1)
1798
226
James Gillray, 1756–1815
The Crown & Anchor - Libel, Burnt by the Public Hangman (from: Caricature, vol. 1)
1795
227
James Gillray, 1756–1815
Sin, Death, and the Devil
1792
228
James Gillray, 1756–1815
Un Petit Souper, a La Parisienne; - or - A Family of Sans-Culotts Refreshing, After the Fatigues of the Day
1792
229
James Gillray, 1756–1815
French Liberty - British Slavery
1792
230
James Gillray, 1756–1815
Louis XVI Taking Leave of His Wife and Family
1793
231
James Gillray, 1756–1815
The Chancellor of the Inquisition Marking the Incorrigibles
1793
232
James Gillray, 1756–1815
The Soldier's Return; - or - Rare News for Old England - See the Conquering Hero Comes
1791
233
James Gillray, 1756–1815
The Table's Turn'd. Billy, in the Devil's Claws. - Billy, Sending the Devil Packing
1797
234
James Gillray, 1756–1815
Corpor(e)al (!) Stamina
1801
235
James Gillray, 1756–1815
French - Telegraph Making Signals in the Dark
1795
236
James Gillray, 1756–1815
What a Cur ' tis
1795
237
James Gillray, 1756–1815
The Royal Society
1786
238
James Gillray, 1756–1815
Blindmans-Buff - or - Too Many for John Bull
1795
239
James Gillray, 1756–1815
The Noble Sans - Culotte
1794
240
James Gillray, 1756–1815
Taking Physick; - or - The News of Shooting the King of Sweden!
1792
241
James Gillray, 1756–1815
The Dagger Scene: - or - The Plot Discover'd
1792
242
James Gillray, 1756–1815
Pantagruel's Victorious Return to the Court of Gargantua, (After Extirpating the Soup-Meagres of Bouille Land.) (from: Caricature, vol. 2)
1794
243
Print made by James Gillray, 1756–1815
Flannel-Armour; Female-Patriotism, -or- Modern Heroes Accoutred for the Wars
1793
244
James Gillray, 1756–1815
Presentation of the Mahometan Credentials - or - The Final Resource of French Atheists (from: Caricature, vol. 2)
1793
245
James Gillray, 1756–1815
The Bishop of a Tun's Breeches; - or - The Flaming Eveque, Purifying the House of Office
1792
246
James Gillray, 1756–1815
Miss, I Have a Monstrous Crow to Pluck with You!
1794
247
James Gillray, 1756–1815
Sans-Culottes, Feeding Europe with the Bread of Liberty
1793
248
James Gillray, 1756–1815
Vices overlook'd in the New Proclamation
1792
249
James Gillray, 1756–1815
A Democrat, - or - Reason and Philosophy
1793
250
James Gillray, 1756–1815
Dumourier Dining in State at St. James on the 15th of May 1793
1793
251
James Gillray, 1756–1815
John Bull Bother'd; - or - The Geese Alarming the Capitol
1792
252
James Gillray, 1756–1815
Alecto and Her Train, at the Gate of Pandeomonium; - or - The Recruiting Sargeant Enlisting John Bull, Into the Revolution Service
1791
253
James Gillray, 1756–1815
The Hopes of the Party, Prior to July 14th, ---"From Such Wicked Crown and Anchor-Dreams, Good Lord, Deliver Us."
1791
254
James Gillray, 1756–1815
The Introduction
1791
255
James Gillray, 1756–1815
John Bull Ground Down
1795
256
James Gillray, 1756–1815
God Save the King. - In a Bumper. Or - An Evening Scene Three Times a Week at Wimbleton
1795
257
James Gillray, 1756–1815
Nelson's Victory: - or - Good - News Operating Upon Loyal - Feelings
1798
258
James Gillray, 1756–1815
The Republican - Attack
1795
259
James Gillray, 1756–1815
Destruction of the French Collossus
1798
260
James Gillray, 1756–1815
Gloria Mundi, or - The Devil Addressing the Sun
1782
261
James Gillray, 1756–1815
Committee of Grievances and Apprehensions
1792
262
James Gillray, 1756–1815
Doublûres of Characters; - or - Striking Resemblance in Phisiognomy
1798
263
James Gillray, 1756–1815
The Apotheosis of Hoche
1798
264
James Gillray, 1756–1815
The High German Method of Destroying Vermin at Rat-Stadt
1799
265
James Gillray, 1756–1815
Extirpation of the Plagues of Egypt
1798
266
James Gillray, 1756–1815
Buonaparte Leaving Egypt
1800
267
James Gillray, 1756–1815
Exit Liberte a la Francois! - or - Buounaparte Closing the Farce of Egalite, at St. Cloud near Paris, Nov. 10th 1799
1799
268
James Gillray, 1756–1815
Exhibition of a Democratic Transparency,-with its Effect upon Patriotic Feelings: Representing, the Secret-Committee throwing a Light upon the Dark Sketches of a Revolution found among the Papers of the Jacobin Societies lately apprehended..
1799
269
James Gillray, 1756–1815
The Leadenhall Volunteer, Drest in his Shawl
1797
270
James Gillray, 1756–1815
Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____
1798
271
James Gillray, 1756–1815
New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite
1798
272
James Gillray, 1756–1815
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself
1798
273
James Gillray, 1756–1815
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
1791
274
James Gillray, 1756–1815
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
1797
275
James Gillray, 1756–1815
Homer Singing His Verses to the Greeks
1797
276
James Gillray, 1756–1815
Elegance - Democratique, - A Sketch Found Near High-Wycombe; - Whenever I Wish to Form a Proper,- Estimate - of a Mans Mind, I Observe his Manners and his Dress. --- Lord Chesterfield,
1799
277
James Gillray, 1756–1815
And The' - Tisick, - The Colic, Punch Cures The Gout
1799
278
James Gillray, 1756–1815
Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe
1796
279
James Gillray, 1756–1815
Fashionable - Jockeyship
1796
280
James Gillray, 1756–1815
The Grand-Signior Retiring
1796
281
James Gillray, 1756–1815
Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square
1796
282
James Gillray, 1756–1815
A Hackney Meeting
1796
283
James Gillray, 1756–1815
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris
1796
284
James Gillray, 1756–1815
Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon
1796
285
James Gillray, 1756–1815
John Bull & His Dog Faithful; - "Among The Faithless, Faithful Only Found"
1796
286
James Gillray, 1756–1815
The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe
1792
287
James Gillray, 1756–1815
The - Battle Royal, or Who Wears the Breeches
1784
288
James Gillray, 1756–1815
A Witch, Upon a Mount's Edge - Vide: Fuzelli
1791
289
James Gillray, 1756–1815
A Uniform Whig ---
1791
290
unknown artist
Sketch of the Interior of St. Stephens as it now Stands (Pitt speaking)
1802
291
James Gillray, 1756–1815
Fatal Effect of the French Defeat - Hanging (and) Drowning
1795
292
James Gillray, 1756–1815
The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton)
1797
293
James Gillray, 1756–1815
French Generals Retiring, on Account of their Health; - with Lepaux Presiding in the Directorial Dispensary
1799
294
James Gillray, 1756–1815
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery
1791
295
James Gillray, 1756–1815
Independence
1799
296
James Gillray, 1756–1815
A Man of Importance
1799
297
James Gillray, 1756–1815
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
1797
298
James Gillray, 1756–1815
Field Marshall Count Suwarrow-Rominskoy ---
1799
299
James Gillray, 1756–1815
A Portrait ------------
1799
300
James Gillray, 1756–1815
The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat