Consequences of a Successful French Invasion, No. I, Plate 2nd, We explain de Rights of Man to de Noblesse
1798
15
James Gillray, 1756–1815
John Bull and the Sinking Fund
1807
16
James Gillray, 1756–1815
Election Troops bringing in their accounts to the Paytable
1788
17
James Gillray, 1756–1815
Consequences of a Successful French Invasion, No. III, Plate 2nd, We teach de English Republicans to work
1798
18
James Gillray, 1756–1815
Tiddy-Doll, the great Gingerbread Baker, drawing out a new Batch of Kings
1806
19
James Gillray, 1756–1815
Making Decent / Broad bottomites getting into the Grand Costume
1806
20
James Gillray, 1756–1815
The Generae of Patriotism
1796
21
James Gillray, 1756–1815
Playing in Parts
1801
22
James Gillray, 1756–1815
Visiting the Sick
1806
23
James Gillray, 1756–1815
The Friend of the People
1806
24
Print made by James Gillray, 1756–1815
Every Man has his Hobby Horse
1784
25
James Gillray, 1756–1815
Effusions of a Pot of Porter
1799
26
Print made by James Gillray, 1756–1815
The Pillar of the Constitution
1807, published 1835
27
James Gillray, 1756–1815
Progress of the Toilet - The Stays Plate I
1810
28
James Gillray, 1756–1815
Le Diable Boiteaux
1806
29
James Gillray, 1756–1815
The Cabinetical Balance
1806
30
James Gillray, 1756–1815
Lieu't Gover'r Gall-Stone, inspired by Alecto; or The Birth of Minerva
1790
31
James Gillray, 1756–1815
Councellor Ego. -i.e: little i, myself i
1798
32
James Gillray, 1756–1815
"all Bond Street trembled as he strode"
1802
33
James Gillray, 1756–1815
A kick at the Broad Bottoms
1807
34
James Gillray, 1756–1815
Les Membres du Conseil des Cinq Cents. French Habits No. 3
1798
35
James Gillray, 1756–1815
Président d'Administration Municipale. French Habits no 5
1798
36
James Gillray, 1756–1815
Fine Bracing Weather
1808
37
James Gillray, 1756–1815
"Two Pairs of Portraits;" presented to all the unbiased Electors of Great Britain
1798
38
James Gillray, 1756–1815
A Peep into the Cave of Jacobinism
1798
39
James Gillray, 1756–1815
Evidence to Character - being, a portrait of a Traitor, by his Friends & by Himself
1798
40
James Gillray, 1756–1815
Brisk Cathartic
1804
41
James Gillray, 1756–1815
Bonus / Mellior / Optimus
1783
42
James Gillray, 1756–1815
The Funeral Procession of Miss Regency
1789
43
James Gillray, 1756–1815
The Kettle Hooting the Porridge-Pot
1782
44
James Gillray, 1756–1815
Apothecaries, Taylors & c. Conquering France and Spain
1779
45
James Gillray, 1756–1815
Le Diable-Boiteaux, or the Devil upon Two Sticks, conveying John Bull to the Land of Promise
1806
46
James Gillray, 1756–1815
Les Trois Magots
1791
47
Charles Williams, active 1796–1830
The Patriot turned Plagarist, or the Petty Tax Gatherers Hunting John Bull
1806
48
James Gillray, 1756–1815
Anticipation, or the approaching fate of the French commercial treaty
1787
49
James Gillray, 1756–1815
French Democrats surprizing the Royal Runaways
1791
50
James Gillray, 1756–1815
A Standing-dish at Boodles
1800
51
James Gillray, 1756–1815
Gentle Emetic
1804
52
James Gillray, 1756–1815
A Scotch Poney - commonly call'd a Galloway
1803
53
James Gillray, 1756–1815
Charming-well again
1804
54
James Gillray, 1756–1815
Breathing a vein
1804
55
James Gillray, 1756–1815
Taking Physick
1800
56
James Gillray, 1756–1815
Britania's Assassination..or - The Republican Amuseument
1782
57
James Gillray, 1756–1815
A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)
1783
58
James Gillray, 1756–1815
Scene le Vrog House
1782
59
James Gillray, 1756–1815
Evidence to Character; - being a Portrait of a Traitor, by his Friends & by Himself
1798
60
James Gillray, 1756–1815
National Discourse
1780
61
James Gillray, 1756–1815
Wha Wants Me?
1792
62
James Gillray, 1756–1815
The Nabob Rumbled or A Lord Advocates Amusement
1783
63
James Gillray, 1756–1815
INTEGRITY retiring from Office
1801
64
James Gillray, 1756–1815
A Great Stream from a Petty Fountain
1806
65
James Gillray, 1756–1815
Patriotic Petitions on the Convention
ca. 1808
66
James Gillray, 1756–1815
A Standing dish at Boodles
1800
67
James Gillray, 1756–1815
Visiting the Sick
1806
68
James Gillray, 1756–1815
Britania's Assassination or The Republican's Amusement
1782
69
James Gillray, 1756–1815
Maniac Ravings or Little Boney in a Strong Fit
1803
70
James Gillray, 1756–1815
A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)
1783
71
James Gillray, 1756–1815
A Block for the Whigs - or, The new State Whirligig (Poor John Bull's House Plundered at Noon Day)
1783
72
James Gillray, 1756–1815
The Nabob Rumbled or a Lord Advocates Amusement
1783
73
James Gillray, 1756–1815
A New Administration, or the State Quacks Administering
1783
74
James Gillray, 1756–1815
Gillray Caricatures
75
James Gillray, 1756–1815
Exhibition of a Democratic Transparency,-with its Effect upon Patriotic Feelings: Representing, the Secret-Committee throwing a Light upon the Dark Sketches of a Revolution found among the Papers of the Jacobin Societies lately apprehended..
1799
76
James Gillray, 1756–1815
The Royal Academy
1786
77
unknown artist
We Explain the Rights of Man to de Noblesse -- Scene from the House of Lords
78
unknown artist
Sketch of the Interior of St. Stephens as it now Stands (Pitt speaking)
1802
79
Possibly James Gillray, 1756–1815
James Gillray
80
James Gillray, 1756–1815
Caricatures. London, 1782-1800
1782-1800
81
James Gillray, 1756–1815
A Collection of Caricatures, Volume II
1799
82
Gillray, James, 1756–1815
A new edition considerably enlarged, of Attitudes faithfully copied from nature
[1807]
83
Gillray, James, 1756–1815
The caricatures of Gillray
[between 1824 and 1827]
84
Gillray, James, 1756–1815
The works of James Gillray, from the original plates, with the addition of many subjects not before collected