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Collection Prints and Drawings

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Creator Hogarth, William, 1697–1764

Remove constraint Creator: Hogarth, William, 1697–1764

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201. Sir James Thornhill

Sir James Thornhill
Creator:
Samuel Ireland, active 1760–died 1800
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

202. Wm. Hogarth died Octr. 26th 1764 Aged 67

Wm. Hogarth died Octr. 26th 1764 Aged 67
Creator:
Samuel Ireland, active 1760–died 1800
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

203. William Hogarth

William Hogarth
Creator:
Print made by Thomas Chambars, ca. 1724–1789
Date:
undated
Materials & Techniques:
Etching on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 10 7/16 x 7 7/8 inches (26.5 x 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

204. Design for a New Order of Architecture

Design for a New Order of Architecture
Creator:
Samuel Ireland, active 1760–died 1800
Date:
1799
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

205. Design for a New Order of Architecture

Design for a New Order of Architecture
Creator:
Samuel Ireland, active 1760–died 1800
Date:
1799
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

206. Burning the Rumps, Temple Bar

Burning the Rumps, Temple Bar
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

207. Rosamond's Pond

Rosamond's Pond
Creator:
Merigot, active 1772–1791
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

208. View in St. James's Park showing Rosamond's Pond

View in St. James's Park showing Rosamond's Pond
Creator:
F. Ross, active 1840
Date:
1840
Materials & Techniques:
Hand colored lithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

209. Hogarth

Hogarth
Creator:
Charles Townley, 1746–c.1800
Date:
1781
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

210. Members of a Society of Artists that Existed About 1730

Members of a Society of Artists that Existed About 1730
Creator:
Richard Sawyer, active 1820–1830
Date:
ca. 1829
Materials & Techniques:
Etching
Dimensions:
Sheet: 11 3/8 x 13 1/2in. (28.9 x 34.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

211. Daniel Lock, Esqr.

Daniel Lock, Esqr.
Creator:
James McArdell, ca. 1729–1765
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 13 3/4 x 10in. (34.9 x 25.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

212. Mary Stuart, Queen Of Scotland

Mary Stuart, Queen Of Scotland
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1803
Materials & Techniques:
Stipple engraving and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

213. Shrimps!

Shrimps!
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1782
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

214. Vauxhall

Vauxhall
Creator:
James Stow, ca. 1770–after 1820
Date:
1825
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

215. The Four Times of Day, Plate III: Evening

The Four Times of Day, Plate III: Evening
Creator:
Bernard Baron, 1696–1762
Date:
1738
Materials & Techniques:
Engraving
Dimensions:
Sheet: 17 7/8 x 14 3/4in. (45.4 x 37.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

216. David Garrick in the Character of Richard III

David Garrick in the Character of Richard III
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1798
Materials & Techniques:
Line engraving
Dimensions:
Sheet: 18 3/8 x 22 3/4in. (46.7 x 57.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Jules David Prown, Yale MA (HON.) 1971

217. Marriage a la Mode. Scene with the Quack.

Marriage a la Mode. Scene with the Quack.
Creator:
Charles Mottram, 1807–1876
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

218. Blackwell's Military Figures, Plate I, Pikemen

Blackwell's Military Figures, Plate I, Pikemen
Creator:
Thomas Cook, 1744–1818
Date:
1809
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

219. Polling at the Hustings

Polling at the Hustings
Creator:
Thomas Cook, 1744–1818
Date:
1808
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

220. Frontispiece to the Artist's Catalogue, 1761

Frontispiece to the Artist's Catalogue, 1761
Creator:
Thomas Cook, 1744–1818
Date:
1807
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

221. Blackwell's Military Figures, Plate II, Halberd Men

Blackwell's Military Figures, Plate II, Halberd Men
Creator:
Thomas Cook, 1744–1818
Date:
1809
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

222. The Enraged Musician

The Enraged Musician
Creator:
Thomas Cook, 1744–1818
Date:
1806
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

223. Humours of Oxford, 1729

Humours of Oxford, 1729
Creator:
Thomas Cook, 1744–1818
Date:
1807
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

224. Marriage a La Mode

Marriage a La Mode
Creator:
Thomas Cook, 1744–1818
Date:
1806
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

225. Analysis of Beauty

Analysis of Beauty
Creator:
Thomas Cook, 1744–1818
Date:
1808
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

226. Humours of an Election Entertainment

Humours of an Election Entertainment
Creator:
Thomas Cook, 1744–1818
Date:
1809
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

227. Canvassing for Votes, Plate II

Canvassing for Votes, Plate II
Creator:
Thomas Cook, 1744–1818
Date:
1807
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

228. Industry and Idleness

Industry and Idleness
Creator:
Thomas Cook, 1744–1818
Date:
1807
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

229. John Wilkes Esq.

John Wilkes Esq.
Creator:
Thomas Cook, 1744–1818
Date:
1800
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Chauncey B. Tinker, B.A. 1899

230. Hudibras Vanquish'd by Trussa

Hudibras Vanquish'd by Trussa
Creator:
Thomas Cook, 1744–1818
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

231. Garrick in the Green Room

Garrick in the Green Room
Creator:
William Ward, 1766–1826
Date:
1829
Materials & Techniques:
Mezzotint on moderately thick, smooth, cream wove paper mounted on canvas
Dimensions:
Sheet: 22 7/8 × 27 inches (58.1 × 68.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

232. A Woman Swearing her Child to a Grave Citizen

A Woman Swearing her Child to a Grave Citizen
Creator:
Print made by John Young, 1755–1825
Date:
1816
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 18 3/4 × 23 1/4 inches (47.6 × 59.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

233. Design for a New Order of Architecture

Design for a New Order of Architecture
Creator:
Samuel Ireland, active 1760–died 1800
Date:
1799
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

234. Design for a New Order of Architecture

Design for a New Order of Architecture
Creator:
Samuel Ireland, active 1760–died 1800
Date:
1799
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

235. Design for a New Order of Architecture

Design for a New Order of Architecture
Creator:
Samuel Ireland, active 1760–died 1800
Date:
1799
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

236. Design for a New Order of Architecture

Design for a New Order of Architecture
Creator:
Samuel Ireland, active 1760–died 1800
Date:
1799
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

237. Design for a New Order of Architecture

Design for a New Order of Architecture
Creator:
Samuel Ireland, active 1760–died 1800
Date:
1799
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

238. Design for a New Order of Architecture

Design for a New Order of Architecture
Creator:
Samuel Ireland, active 1760–died 1800
Date:
1799
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

239. Design for a New Order of Architecture

Design for a New Order of Architecture
Creator:
Samuel Ireland, active 1760–died 1800
Date:
1799
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

240. The Battle of the Pictures

The Battle of the Pictures
Creator:
Print made by unknown artist
Date:
1870
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

241. The Altar Piece of St. Clements Danes, Strand: A Fac Similie of Hogarths own Engraving

The Altar Piece of St. Clements Danes, Strand: A Fac Similie of Hogarths own Engraving
Creator:
Print made by unknown artist
Date:
ca. 1860
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

242. Frontispiece to the Artist's Catalogue, 1761

Frontispiece to the Artist's Catalogue, 1761
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1807
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

243. Frontispiece to the Artist's Catalogue

Frontispiece to the Artist's Catalogue
Creator:
Print made by unknown artist
Date:
1850
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

244. A Third Modern Military Punishment

A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, active 1760–died 1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

245. A Third Modern Military Punishment

A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, active 1760–died 1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

246. A Third Modern Military Punishment

A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, active 1760–died 1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

247. A Third Modern Military Punishment

A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, active 1760–died 1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

248. A Third Modern Military Punishment

A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, active 1760–died 1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

249. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

250. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

251. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

252. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

253. A Third Modern Military Punishment

A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, active 1760–died 1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

254. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

255. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

256. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

257. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

258. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

259. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

260. Plate I, Pikemen

Plate I, Pikemen
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1809
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

261. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

262. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

263. Plate II, Halberd Men

Plate II, Halberd Men
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1809
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

264. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

265. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

266. Specimens of Beaver's Military Punishments, 1725

Specimens of Beaver's Military Punishments, 1725
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1809
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

267. Plate II, Halberd Men

Plate II, Halberd Men
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1809
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

268. Specimens of Beaver's Military Punishments, 1725

Specimens of Beaver's Military Punishments, 1725
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1809
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

269. The Right Hon. Gustavus Lord Viscount Boyne &c

The Right Hon. Gustavus Lord Viscount Boyne &c
Creator:
Print made by A. M. Ireland, active before 1801
Date:
before 1800
Materials & Techniques:
Etching and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

270. A Country Inn Yard

A Country Inn Yard
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1808
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

271. The Invasion, Plate II, England

The Invasion, Plate II, England
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1807
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

272. Ticket of the London Hospital

Ticket of the London Hospital
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1809
Materials & Techniques:
Etching, line engraving, and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

273. The Invasion, Plate I, France

The Invasion, Plate I, France
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1807
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

274. Humours of an Election Entertainment

Humours of an Election Entertainment
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1809
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

275. Canvassing for Votes

Canvassing for Votes
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1807
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

276. Humours of an Election Entertainment

Humours of an Election Entertainment
Creator:
Print made by T. E. Nicholson, active early 19th century
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

277. Head of Diana

Head of Diana
Creator:
Print made by Samuel Ireland, active 1760–died 1800
Date:
1785
Materials & Techniques:
Etching and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

278. Head of Diana

Head of Diana
Creator:
Print made by Samuel Ireland, active 1760–died 1800
Date:
1785
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

279. Garrick and His Wife

Garrick and His Wife
Creator:
Print made by Herbert Bourne, ca. 1820–after 1885
Date:
between 1840 and 1870
Materials & Techniques:
Etching and stipple engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 12 1/16 × 9 1/8 inches (30.6 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

280. Credulity, Superstition & Fanaticism

Credulity, Superstition & Fanaticism
Creator:
Print made by Charles Mottram, 1807–1876
Date:
1833
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

281. Tail Piece to the Artist's Catalogue, 1761

Tail Piece to the Artist's Catalogue, 1761
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1807
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

282. Ex Libris of George Lambert

Ex Libris of George Lambert
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1791
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

283. Arms of the Dutchess of Kendal

Arms of the Dutchess of Kendal
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

284. Frontispiece to the Artist's Catalogue

Frontispiece to the Artist's Catalogue
Creator:
Print made by unknown artist
Date:
1850
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

285. Frontispiece to the Artist's Catalogue, 1761

Frontispiece to the Artist's Catalogue, 1761
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1807
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

286. A Third Modern Military Punishment

A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, active 1760–died 1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

287. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

288. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

289. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

290. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

291. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

292. Specimens of Beaver's Military Punishments, 1725

Specimens of Beaver's Military Punishments, 1725
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1809
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

293. None

None
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1808
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

294. Humours of an Election Entertainment

Humours of an Election Entertainment
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1809
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

295. Head of Diana

Head of Diana
Creator:
Print made by Samuel Ireland, active 1760–died 1800
Date:
1785
Materials & Techniques:
Etching and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

296. Analysis of Beauty, Plate I

Analysis of Beauty, Plate I
Creator:
Print made by J. Barlow, active 1791
Date:
1791
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

297. Boys Peeping at Nature

Boys Peeping at Nature
Creator:
Print made by unknown artist
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

298. Boys Peeping at Nature

Boys Peeping at Nature
Creator:
Print made by unknown artist
Date:
1799
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

299. Boys Peeping at Nature

Boys Peeping at Nature
Creator:
Print made by unknown artist
Date:
1799
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

300. Boys Peeping at Nature

Boys Peeping at Nature
Creator:
Print made by unknown artist
Date:
1799
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection