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11001. Saint Beat, Upper Garonne

Saint Beat, Upper Garonne
Creator:
Print made by Arthur Willmore, 1814–1888
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11002. Clermont-Ferrand, France

Clermont-Ferrand, France
Creator:
after James Duffield Harding, 1798–1863
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11003. Angers on the Main

Angers on the Main
Creator:
Print made by Thomas Abiel Prior, 1809–1886
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11004. Entrance to the Port of Marseilles

Entrance to the Port of Marseilles
Creator:
Print made by Arthur Willmore, 1814–1888
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11005. Silas Deane, Esqr.

Silas Deane, Esqr.
Date:
1783
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11006. Tours

Tours
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1833
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11007. J. Dickinson, Esqr.

J. Dickinson, Esqr.
Date:
1783
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11008. W.H. Drayton, Esqr.

W.H. Drayton, Esqr.
Date:
1783
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11009. Court Yard of Heidelberg

Court Yard of Heidelberg
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11010. Perridge House:The Seat of Henry Limbrey Toll, Esq.

Perridge House:The Seat of Henry Limbrey Toll, Esq.
Creator:
Print made by unknown artist
Date:
1827
Materials & Techniques:
Aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11011. Hawley House: The Residence of T. Champion Esq.

Hawley House: The Residence of T. Champion Esq.
Creator:
Print made by unknown artist
Date:
1828
Materials & Techniques:
Aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11012. Burghley House: Seat of the Marquis of Exeter

Burghley House: Seat of the Marquis of Exeter
Creator:
Print made by unknown artist
Date:
1825
Materials & Techniques:
Aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11013. The Market Cart

The Market Cart
Creator:
Print made by Henry Robinson, active 1827–1872
Date:
ca. 1875
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 × 6 1/8 inches (25.1 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11014. White Lady

White Lady
Creator:
Print made by Edward Scriven, 1775–1841
Date:
1833
Materials & Techniques:
Line engraving with hand coloring in watercolor and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11015. Room in Fulwood's Rents, Gray's Inn

Room in Fulwood's Rents, Gray's Inn
Creator:
Printed by John Wykeham Archer, 1808–1864
Date:
1850
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11016. London Wall, St. Martin's Court, Ludgate Hill

London Wall, St. Martin's Court, Ludgate Hill
Creator:
Print made by John Wykeham Archer, 1808–1864
Date:
1851
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11017. London Wall, Cripplegate Postern

London Wall, Cripplegate Postern
Creator:
Print made by John Wykeham Archer, 1808–1864
Date:
1851
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11018. West Gate of St. Bartholomew's Priory, Smithfield

West Gate of St. Bartholomew's Priory, Smithfield
Creator:
Print made by John Wykeham Archer, 1808–1864
Date:
1851
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11019. The Draper's Alms Houses, Crutched Friars

The Draper's Alms Houses, Crutched Friars
Creator:
Print made by John Wykeham Archer, 1808–1864
Date:
1851
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11020. Caldron Snout, Teesdale, Durham

Caldron Snout, Teesdale, Durham
Creator:
Print made by William Le Petit, early 1800s
Date:
1834
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11021. Verona

Verona
Creator:
Print made by John Woods, active 1836–1860
Date:
1841
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11022. The Repository of Arts, Royal Waterloo Bath

The Repository of Arts, Royal Waterloo Bath
Creator:
Published by Rudolf Ackermann, 1764–1834
Date:
1819
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

11023. Interior of the Fleet Ditch

Interior of the Fleet Ditch
Creator:
Print made by John Wykeham Archer, 1808–1864
Date:
1851
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11024. The Transept of the Great Exhibition

The Transept of the Great Exhibition
Creator:
Print made by W. Lacey, active 1827–1838
Date:
1851
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11025. British Museum, Elgin Room

British Museum, Elgin Room
Creator:
Print made by Edward Radclyffe, 1809–1863
Date:
1844
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11026. British Museum, The Reading Room

British Museum, The Reading Room
Date:
1844
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11027. A Perspective View of the Inside of Westminster Hall

A Perspective View of the Inside of Westminster Hall
Creator:
Print made by unknown artist
Date:
1761
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11028. Royat, France

Royat, France
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1836
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11029. Temple Bar

Temple Bar
Creator:
Print made by Charles William Sherborn, 1831–1912
Date:
undated
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11030. The Empress Maud's Bridge at Rouen

The Empress Maud's Bridge at Rouen
Creator:
Print made by unknown artist
Date:
1783
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11031. The Gothic Bridge of Eudes, Tours

The Gothic Bridge of Eudes, Tours
Creator:
Print made by Henry Adlard, active 19th century
Date:
between 1824 and 1848
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

11032. A Calm

A Calm
Creator:
Print made by Nathaniel Parr, active 1742–1751
Date:
undated
Materials & Techniques:
Line engraving with hand coloring in gouache on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11033. Part of the Old and New London Bridges

Part of the Old and New London Bridges
Creator:
Print made by George Cooke, 1781–1834
Date:
1833
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11034. Fresh Gale

Fresh Gale
Creator:
Print made by Nathaniel Parr, active 1742–1751
Date:
undated
Materials & Techniques:
Line engraving with hand coloring in gouache on medium, slightly textured, beige laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11035. View of Brest Harbour

View of Brest Harbour
Creator:
Print made by Robert Pollard, 1755–1838
Date:
1799
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11036. View of the Town and Harbour of Ostend

View of the Town and Harbour of Ostend
Creator:
Print made by J. Wells, active 1780–1791
Date:
1804
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11037. Brighton and Beachy Head, on the Coast of Sussex

Brighton and Beachy Head, on the Coast of Sussex
Creator:
Print made by James Baily, active 1815–1834
Date:
1818
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11038. The Stable

The Stable
Creator:
Print made by Newton Limbird Smith Fielding, 1799–1856
Date:
1836
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11039. American Non-pareil

American Non-pareil
Creator:
Print made by unknown artist
Date:
ca. 1762
Materials & Techniques:
Line engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11040. Sydney, New South Wales, S. View

Sydney, New South Wales, S. View
Creator:
Print made by unknown artist
Date:
1824
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11041. Partridge Netting

Partridge Netting
Creator:
Print made by Samuel Howitt, 1756–1822
Date:
1812
Materials & Techniques:
Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11042. Africa

Africa
Creator:
Print made by John Browne, 1741–1801
Date:
1775
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11043. Stag at the Edge of a Pond

Stag at the Edge of a Pond
Creator:
Print made by Edward Radclyffe, 1809–1863
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11044. Red Deer Fighting

Red Deer Fighting
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
undated
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11045. Mountain Solitude

Mountain Solitude
Date:
1844
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11046. Fallow Deer

Fallow Deer
Creator:
Print made by Samuel Howitt, 1756–1822
Date:
1822
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11047. The Greyhound

The Greyhound
Creator:
Print made by Samuel Howitt, 1756–1822
Date:
1812
Materials & Techniques:
Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11048. The Water Spaniel

The Water Spaniel
Creator:
Print made by Samuel Howitt, 1756–1822
Date:
1812
Materials & Techniques:
Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11049. Stag Hunting

Stag Hunting
Creator:
Print made by Samuel Howitt, 1756–1822
Date:
1812
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11050. Sheerness

Sheerness
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1828
Materials & Techniques:
Etching and mezzotint; proof on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 12 × 16 1/2 inches (30.5 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11051. Prince Edward in Scotland

Prince Edward in Scotland
Creator:
after Paul Delaroche, 1797–1856
Date:
1833
Materials & Techniques:
Etching and mezzotint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11052. Otter Hunting, Plate 1

Otter Hunting, Plate 1
Creator:
Print made by Samuel Howitt, 1756–1822
Date:
1812
Materials & Techniques:
Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11053. Arrival at Brandenburgh House of the Watermen

Arrival at Brandenburgh House of the Watermen
Creator:
Print made by Matthew Dubourg, active 1786–1838
Date:
1821
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11054. John Milton

John Milton
Creator:
Print made by Jacobus Houbraken, 1698–1780
Date:
1741
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11055. Mourning the Death of Germanicus

Mourning the Death of Germanicus
Creator:
Print made by Alexander Runciman, 1736–1785
Date:
1773
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11056. Gerard Douw

Gerard Douw
Creator:
Print made by James Mitan, 1776–1822
Date:
1811
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11057. The Daughter of Herodias

The Daughter of Herodias
Creator:
Print made by Thomas Holloway, 1748–1827
Date:
1798
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11058. His Grace Arthur Wellesley, The First Duke of Wellington, K.G. &c. &c. &c.

His Grace Arthur Wellesley, The First Duke of Wellington, K.G. &c. &c. &c.
Date:
1841
Materials & Techniques:
Stipple engraving and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11059. Henry William Paget, first Marquess of Anglesey

Henry William Paget, first Marquess of Anglesey
Creator:
Print made by John R. Jackson, 1819–1877
Date:
1845
Materials & Techniques:
Mezzotint and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11060. George Morley Bishop of Winchester

George Morley Bishop of Winchester
Creator:
Print made by George Vertue, 1684–1756
Date:
1740
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11061. XVI

XVI
Creator:
Sir Christopher Le Brun, born 1951
Date:
1990
Materials & Techniques:
Openbite etching on white 300gsm Somerset TP Textured wove paper
Dimensions:
Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

11062. XVIII

XVIII
Creator:
Sir Christopher Le Brun, born 1951
Date:
1990
Materials & Techniques:
Hardground etching, aquatint, openbite, and burnishing on white 300gsm Somerset TP Textured wove paper
Dimensions:
Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

11063. XXI

XXI
Creator:
Sir Christopher Le Brun, born 1951
Date:
1990
Materials & Techniques:
Aquatint bitten evenly to black over whole plate then burnished back, hardground etching and openbite on white 300gsm Somerset TP Textured wove paper
Dimensions:
Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

11064. XX

XX
Creator:
Sir Christopher Le Brun, born 1951
Date:
1990
Materials & Techniques:
Aquatint, openbite, sugarlift, and hardground etching on white 300gsm Somerset TP Textured wove paper
Dimensions:
Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

11065. XVII

XVII
Creator:
Sir Christopher Le Brun, born 1951
Date:
1990
Materials & Techniques:
Openbite etching on white 300gsm Somerset TP Textured wove paper
Dimensions:
Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

11066. XXV

XXV
Creator:
Sir Christopher Le Brun, born 1951
Date:
1990
Materials & Techniques:
Openbite etching through varnish on white 300gsm Somerset TP Textured wove paper
Dimensions:
Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

11067. XXIV

XXIV
Creator:
Sir Christopher Le Brun, born 1951
Date:
1990
Materials & Techniques:
Aquatint bitten evenly to black over white plate then burnished back and open bitten through stop-out varnish on white 300gsm Somerset TP Textured wove paper
Dimensions:
Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

11068. XXIII

XXIII
Creator:
Sir Christopher Le Brun, born 1951
Date:
1990
Materials & Techniques:
Aquatint, openbite etching and sugarlift on white 300gsm Somerset TP Textured wove paper
Dimensions:
Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

11069. XXVIII

XXVIII
Creator:
Sir Christopher Le Brun, born 1951
Date:
1990
Materials & Techniques:
Openbite etching and aquatint: the plate was cut in half after 6 states on white 300gsm Somerset TP Textured wove paper
Dimensions:
Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

11070. XXVI

XXVI
Creator:
Sir Christopher Le Brun, born 1951
Date:
1990
Materials & Techniques:
Coarse aquatint bitten in 3 states, then 5 stages of openbite etching: the plate was then cut down from a square format on white 300gsm Somerset TP Textured wove paper
Dimensions:
Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

11071. XXVII

XXVII
Creator:
Sir Christopher Le Brun, born 1951
Date:
1990
Materials & Techniques:
Softground etching, aquatint, openbite through varnish and brasso, and burnishing: the plate was then cut in half at state 7 on white 300gsm Somerset TP Textured wove paper
Dimensions:
Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

11072. XXIX

XXIX
Creator:
Sir Christopher Le Brun, born 1951
Date:
1990
Materials & Techniques:
Hardground etching, sugarlift, openbite and aquatint on white 300gsm Somerset TP Textured wove paper
Dimensions:
Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

11073. XXXI

XXXI
Creator:
Sir Christopher Le Brun, born 1951
Date:
1990
Materials & Techniques:
Spitbite etching, then openbite achieved by scraping through stopout varnish on white 300gsm Somerset TP Textured wove paper
Dimensions:
Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

11074. Childers, the Fleetest Horse that Ever Run at Newmarket

Childers, the Fleetest Horse that Ever Run at Newmarket
Creator:
Print made by Richard Houston, ca. 1721–1775
Date:
1755
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/8 x 13 5/8in. (29.5 x 34.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11075. The Portraiture of Babraham

The Portraiture of Babraham
Creator:
Print made by Richard Houston, ca. 1721–1775
Date:
1756
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/8 x 13 5/8in. (29.5 x 34.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11076. XXXIII

XXXIII
Creator:
Sir Christopher Le Brun, born 1951
Date:
1990
Materials & Techniques:
Sugarlift etching in 3 stages, the first bitten in 2 stages on coarse grain aquatint, second bitten in 3 states on fine aquatint, third bitten once only, then two openbites through varnish on white 300gsm Somerset TP Textured wove paper
Dimensions:
Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

11077. The Portraiture of the Fine Chesnut Arabian

The Portraiture of the Fine Chesnut Arabian
Creator:
Print made by Richard Houston, ca. 1721–1775
Date:
1756
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/8 x 13 5/8in. (29.5 x 34.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11078. The Portrature of Sedbury

The Portrature of Sedbury
Creator:
Print made by Richard Houston, ca. 1721–1775
Date:
1755
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/8 x 13 5/8in. (29.5 x 34.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11079. The Portraiture of White-Nose

The Portraiture of White-Nose
Creator:
Print made by Richard Houston, ca. 1721–1775
Date:
1756
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/8 x 13 5/8in. (29.5 x 34.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11080. The Portraiture of Lamprey

The Portraiture of Lamprey
Creator:
Print made by Richard Houston, ca. 1721–1775
Date:
1755
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/8 x 13 5/8in. (29.5 x 34.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11081. The Portraiture of the Cullen Arabian

The Portraiture of the Cullen Arabian
Creator:
Print made by Richard Houston, ca. 1721–1775
Date:
1756
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/8 x 13 5/8in. (29.5 x 34.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11082. The Portraiture of Bald Charlotte

The Portraiture of Bald Charlotte
Creator:
Print made by Richard Houston, ca. 1721–1775
Date:
1756
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/8 x 13 5/8in. (29.5 x 34.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11083. The Portraiture of Dormouse

The Portraiture of Dormouse
Creator:
Print made by Richard Houston, ca. 1721–1775
Date:
1755
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/8 x 13 5/8in. (29.5 x 34.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11084. The Portraiture of Bay Bolton

The Portraiture of Bay Bolton
Creator:
Print made by Richard Houston, ca. 1721–1775
Date:
1756
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/8 x 13 5/8in. (29.5 x 34.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11085. XXXIV

XXXIV
Creator:
Sir Christopher Le Brun, born 1951
Date:
1990
Materials & Techniques:
Lavender oil on hardground and spitbite etching on white 300gsm Somerset TP Textured wove paper
Dimensions:
Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

11086. XXXVII

XXXVII
Creator:
Sir Christopher Le Brun, born 1951
Date:
1990
Materials & Techniques:
Openbite etching and drypoint on white 300gsm Somerset TP Textured wove paper
Dimensions:
Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

11087. XXXVIII

XXXVIII
Creator:
Sir Christopher Le Brun, born 1951
Date:
1990
Materials & Techniques:
Softground etching, sugarlift, spitbite, and openbite on white 300gsm Somerset TP Textured wove paper
Dimensions:
Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

11088. XXXIX

XXXIX
Creator:
Sir Christopher Le Brun, born 1951
Date:
1990
Materials & Techniques:
Hardground etching, aquatint, openbite, drypoint scraping, burnishing, and polishing on white 300gsm Somerset TP Textured wove paper
Dimensions:
Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

11089. XLVII

XLVII
Creator:
Sir Christopher Le Brun, born 1951
Date:
1990
Materials & Techniques:
Aquatint and stop-out varnish on white 300gsm Somerset TP Textured wove paper
Dimensions:
Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

11090. The Bathers

The Bathers
Creator:
Print made by Robert Walker Macbeth, 1848–1910
Date:
1888
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 19 × 41 inches (48.3 × 104.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Dr. Lee MacCormick Edwards Collection, Gift of Alison Edwards Curwen

11091. Rainy Day at Cookham

Rainy Day at Cookham
Creator:
Print made by Ernest Stamp, 1869–1942
Date:
1894
Materials & Techniques:
Etching on thin, slightly textured, cream wove paper
Dimensions:
Image: 4 3/4 × 10 inches (12.1 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Dr. Lee MacCormick Edwards Collection, Gift of Alison Edwards Curwen

11092. XLVIII

XLVIII
Creator:
Sir Christopher Le Brun, born 1951
Date:
1990
Materials & Techniques:
Softground etching, openbite, sugarlift, scraping and burnishing on white 300gsm Somerset TP Textured wove paper
Dimensions:
Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

11093. The Lady in White

The Lady in White
Creator:
Print made by Sir Hubert von Herkomer, 1849–1914
Date:
ca. 1885
Materials & Techniques:
Etching on medium, smooth, cream wove paper
Dimensions:
Sheet: 28 3/8 × 21 7/8 inches (72.1 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Dr. Lee MacCormick Edwards Collection, Gift of Alison Edwards Curwen

11094. Mausoleum under Construction

Mausoleum under Construction
Creator:
Dame Rachel Whiteread, born 1963
Date:
1992
Materials & Techniques:
Screen print with mezzotint on 300gsm Somerset Satin white wove paper
Dimensions:
Sheet: 28 × 34 3/4 inches (71.1 × 88.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

11095. Anemone 7

Anemone 7
Creator:
Bill Jacklin, born 1943
Date:
1977
Materials & Techniques:
Etching, aquatint and drypoint on Rives BFK white wove paper
Dimensions:
Sheet: 25 5/8 × 19 5/8 inches (65.1 × 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mark Magowan in honor of Isabel Magowan, Yale MFA 2015

11096. Anemone 4

Anemone 4
Creator:
Bill Jacklin, born 1943
Date:
1977
Materials & Techniques:
Etching, aquatint and drypoint on Rives BFK white wove paper
Dimensions:
Sheet: 25 5/8 × 19 5/8 inches (65.1 × 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mark Magowan in honor of Isabel Magowan, Yale MFA 2015

11097. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11098. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11099. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11100. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection