The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing
1805
2
James Gillray, 1756–1815
Sophia, Honour, and the Chambermaid
1780
3
James Gillray, 1756–1815
A Morning Ride
1804
4
James Gillray, 1756–1815
Evacuation Before Resignation
1782
5
James Gillray, 1756–1815
A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)
1783
6
James Gillray, 1756–1815
Britania's Assassination..or - The Republican Amuseument
1782
7
James Gillray, 1756–1815
Scene le Vrog House
1782
8
James Gillray, 1756–1815
Evidence to Character; - being a Portrait of a Traitor, by his Friends & by Himself
1798
9
James Gillray, 1756–1815
National Discourse
1780
10
James Gillray, 1756–1815
The Kettle Hooting the Porridge-Pot
1782
11
James Gillray, 1756–1815
Apothecaries, Taylors & c. Conquering France and Spain
1779
12
James Gillray, 1756–1815
The Nabob Rumbled or A Lord Advocates Amusement
1783
13
James Gillray, 1756–1815
Le Diable-Boiteaux, or the Devil upon Two Sticks, conveying John Bull to the Land of Promise
1806
14
James Gillray, 1756–1815
INTEGRITY retiring from Office
1801
15
Charles Williams, active 1796–1830
The Patriot turned Plagarist, or the Petty Tax Gatherers Hunting John Bull
1806
16
James Gillray, 1756–1815
Les Trois Magots
1791
17
James Gillray, 1756–1815
Anticipation, or the approaching fate of the French commercial treaty
1787
18
James Gillray, 1756–1815
French Democrats surprizing the Royal Runaways
1791
19
James Gillray, 1756–1815
A Scotch Poney - commonly call'd a Galloway
1803
20
James Gillray, 1756–1815
Gentle Emetic
1804
21
James Gillray, 1756–1815
A Standing-dish at Boodles
1800
22
James Gillray, 1756–1815
Breathing a vein
1804
23
James Gillray, 1756–1815
Taking Physick
1800
24
James Gillray, 1756–1815
Wha Wants Me?
1792
25
James Gillray, 1756–1815
Charming-well again
1804
26
James Gillray, 1756–1815
The Minister In / The Minister Out
1782
27
James Gillray, 1756–1815
A New Administration, or the State Quacks Administering
1783
28
James Gillray, 1756–1815
Light Expelling Darkness
1795
29
James Gillray, 1756–1815
New Morality
1798
30
James Gillray, 1756–1815
Tom Paine's Nightly Pest
1792
31
Print made by James Gillray, 1756–1815
The Pillar of the Constitution
1807, published 1835
32
James Gillray, 1756–1815
Le Diable Boiteaux
1806
33
James Gillray, 1756–1815
The Cabinetical Balance
1806
34
James Gillray, 1756–1815
Lieu't Gover'r Gall-Stone, inspired by Alecto; or The Birth of Minerva
1790
35
James Gillray, 1756–1815
Councellor Ego. -i.e: little i, myself i
1798
36
James Gillray, 1756–1815
"Two Pairs of Portraits;" presented to all the unbiased Electors of Great Britain
1798
37
James Gillray, 1756–1815
Taking Physic
1800
38
James Gillray, 1756–1815
Brisk Cathartic
1804
39
James Gillray, 1756–1815
A Standing dish at Boodles
1800
40
James Gillray, 1756–1815
Charming Well Again
1804
41
James Gillray, 1756–1815
Breathing a Vein
1804
42
James Gillray, 1756–1815
Brisk Cathartic
1804
43
James Gillray, 1756–1815
A Masonic Anecdote
1786
44
James Gillray, 1756–1815
A Block for the Whigs - or, The new State Whirligig (Poor John Bull's House Plundered at Noon Day)
1783
45
James Gillray, 1756–1815
A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)
1783
46
James Gillray, 1756–1815
The Nabob Rumbled or a Lord Advocates Amusement
1783
47
James Gillray, 1756–1815
Pigs Meat; - or - The Swine Flogg'd Out of the Farm-Yard
1798
48
James Gillray, 1756–1815
Egyptian Sketches
1799
49
James Gillray, 1756–1815
Consequences of a Successful French Invasion, No. I, Plate 2nd, We explain de Rights of Man to de Noblesse
1798
50
James Gillray, 1756–1815
The Pigs Possessed
1807
51
James Gillray, 1756–1815
Doublûres of Characters
1798
52
James Gillray, 1756–1815
Election Troops bringing in their accounts to the Paytable
1788
53
James Gillray, 1756–1815
John Bull and the Sinking Fund
1807
54
James Gillray, 1756–1815
Consequences of a Successful French Invasion, No. III, Plate 2nd, We teach de English Republicans to work
1798
55
James Gillray, 1756–1815
Making Decent / Broad bottomites getting into the Grand Costume
1806
56
James Gillray, 1756–1815
Tiddy-Doll, the great Gingerbread Baker, drawing out a new Batch of Kings
1806
57
James Gillray, 1756–1815
Maniac Ravings or Little Boney in a Strong Fit
1803
58
James Gillray, 1756–1815
The Generae of Patriotism
1796
59
James Gillray, 1756–1815
Tales of wonder
1802
60
James Gillray, 1756–1815
Playing in Parts
1801
61
James Gillray, 1756–1815
Patriotic Petitions on the Convention
ca. 1808
62
James Gillray, 1756–1815
A Great Stream from a Petty Fountain
1806
63
James Gillray, 1756–1815
Visiting the Sick
1806
64
James Gillray, 1756–1815
A kick at the Broad Bottoms
1807
65
James Gillray, 1756–1815
The Friend of the People
1806
66
James Gillray, 1756–1815
L'Enfant Trouve: a sample of Roman Charity
1808
67
Print made by James Gillray, 1756–1815
Every Man has his Hobby Horse
1784
68
James Gillray, 1756–1815
Effusions of a Pot of Porter
1799
69
James Gillray, 1756–1815
Progress of the Toilet - The Stays Plate I
1810
70
James Gillray, 1756–1815
Président d'Administration Municipale. French Habits no 5
1798
71
James Gillray, 1756–1815
Les Membres du Conseil des Cinq Cents. French Habits No. 3
1798
72
James Gillray, 1756–1815
Maecenas, in pursuit of the Fine Arts
1808
73
James Gillray, 1756–1815
[ untitled ]
1800
74
James Gillray, 1756–1815
Fine Bracing Weather
1808
75
James Gillray, 1756–1815
A Peep into the Cave of Jacobinism
1798
76
James Gillray, 1756–1815
Britania's Assassination or The Republican's Amusement
1782
77
James Gillray, 1756–1815
Bonus / Mellior / Optimus
1783
78
James Gillray, 1756–1815
"all Bond Street trembled as he strode"
1802
79
James Gillray, 1756–1815
Evidence to Character - being, a portrait of a Traitor, by his Friends & by Himself
1798
80
James Gillray, 1756–1815
Visiting the Sick
1806
81
James Gillray, 1756–1815
Hounds in Full-Cry
1800
82
James Gillray, 1756–1815
Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2)
1782
83
James Gillray, 1756–1815
Committee of Grievances and Apprehensions
1792
84
James Gillray, 1756–1815
A New Administration, or - The State Quacks Administring
1783
85
James Gillray, 1756–1815
Buonaparte Leaving Egypt
1800
86
James Gillray, 1756–1815
John Bull & His Dog Faithful; - "Among The Faithless, Faithful Only Found"
1796
87
James Gillray, 1756–1815
Patience on a Monument
1791
88
James Gillray, 1756–1815
A Sun Setting in a Fog, With The Old Hanover Hack Descending
1783
89
James Gillray, 1756–1815
Exhibition of a Democratic Transparency,-with its Effect upon Patriotic Feelings: Representing, the Secret-Committee throwing a Light upon the Dark Sketches of a Revolution found among the Papers of the Jacobin Societies lately apprehended..
1799
90
James Gillray, 1756–1815
New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite
1798
91
James Gillray, 1756–1815
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself
1798
92
James Gillray, 1756–1815
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
1797
93
James Gillray, 1756–1815
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
1791
94
James Gillray, 1756–1815
Homer Singing His Verses to the Greeks
1797
95
James Gillray, 1756–1815
Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____
1798
96
James Gillray, 1756–1815
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
1797
97
James Gillray, 1756–1815
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery