On-site Access: Accessible by appointment in the Study Room / Creator: Hogarth, William, 1697–1764

201. A Woman Swearing her Child to a Grave Citizen

Creator:: Print made by John Young, 1755–1825
Date:: 1816
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 3/4 × 23 1/4 inches (47.6 × 59.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

202. Design for a New Order of Architecture

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1799
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

203. Design for a New Order of Architecture

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1799
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

204. Design for a New Order of Architecture

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1799
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

205. Design for a New Order of Architecture

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1799
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

206. Design for a New Order of Architecture

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1799
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

207. Design for a New Order of Architecture

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1799
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

208. Vauxhall

Creator:: James Stow, ca. 1770–after 1820
Date:: 1825
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

209. View in St. James's Park showing Rosamond's Pond

Creator:: F. Ross, active 1840
Date:: 1840
Materials & Techniques:: Hand colored lithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

210. Burning the Rumps, Temple Bar

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

211. Rosamond's Pond

Creator:: Merigot, active 1772–1791
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

212. Mary Stuart, Queen Of Scotland

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1803
Materials & Techniques:: Stipple engraving and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

213. Shrimps!

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1782
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

214. The March to Finchley

Creator:: Luke Sullivan, 1705–1771
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

215. A Representation of the March of the Guards towards Scotland in the Year 1745 (from: Caricature, vol. 5)

Creator:: Luke Sullivan, 1705–1771
Date:: 1745
Materials & Techniques:: Engraving
Dimensions:: Sheet: 16 1/4 x 21 3/8in. (41.3 x 54.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

216. The Pool of Bethesda

Creator:: Simon François Ravenet, 1706–1774
Date:: 1772
Materials & Techniques:: Line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 3/8 x 22 5/8 inches (49.2 x 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

217. The Good Samaritan

Creator:: Simon François Ravenet, 1706–1774
Date:: 1772
Materials & Techniques:: Line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 1/4 × 22 1/2 inches (48.9 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

218. Canvassing for Votes, Plate II

Creator:: Print made by Charles Grignion, 1717–1810
Date:: 1755-1758
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 7/8 x 21 1/8in. (40.3 x 53.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

219. Mr. Garrick in the Charakter (sic) of Richard the 3D

Creator:: Charles Grignion, 1717–1810
Date:: 1746
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 1/8 x 19 3/4in. (38.4 x 50.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

220. And as he Reasoned of Righteousness, Temperance, and Judgment to Come, Felix Trembled

Creator:: Luke Sullivan, 1705–1771
Date:: 1752
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 x 19 3/4in. (38.1 x 50.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

221. The Four Times of Day, Plate III: Evening

Creator:: Bernard Baron, 1696–1762
Date:: 1738
Materials & Techniques:: Engraving
Dimensions:: Sheet: 17 7/8 x 14 3/4in. (45.4 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

222. Design for a New Order of Architecture

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1799
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

223. Design for a New Order of Architecture

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1799
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

224. Design for a New Order of Architecture

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1799
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

225. Sir James Thornhill

Creator:: Samuel Ireland, active 1760–died 1800
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

226. Wm. Hogarth died Octr. 26th 1764 Aged 67

Creator:: Samuel Ireland, active 1760–died 1800
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

227. William Hogarth

Creator:: Print made by Thomas Chambars, ca. 1724–1789
Date:: undated
Materials & Techniques:: Etching on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 10 7/16 x 7 7/8 inches (26.5 x 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

228. Hogarth

Creator:: Charles Townley, 1746–c.1800
Date:: 1781
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

229. Marriage A-La-Mode, Plate IV: The Toilet Scene

Creator:: Simon François Ravenet, 1706–1774
Date:: 1745
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 7/8 x 17 5/8in. (35.2 x 44.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

230. Marriage A-La-Mode, Plate III: The Scene with the Quack

Creator:: Bernard Baron, 1696–1762
Date:: 1745
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 x 17 5/8in. (35.6 x 44.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

231. Marriage A-La-Mode, Plate VI: The Death of the Countess

Creator:: Gerard Jean Baptiste Scotin, 1671–1716
Date:: 1745
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 1/2 x 18 1/4in. (39.4 x 46.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

232. Marriage A-La-Mode, Plate V: The Death of the Earl

Creator:: Simon François Ravenet, 1706–1774
Date:: 1745
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 7/8 x 17 5/8in. (35.2 x 44.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

233. Marriage A-La-Mode, Plate II: The Breakfast Scene

Creator:: Bernard Baron, 1696–1762
Date:: 1745
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 x 17 5/8in. (35.6 x 44.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

234. Marriage A-La-Mode, Plate I: The Contract

Creator:: Gerard Jean Baptiste Scotin, 1671–1716
Date:: 1745
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 3/16 x 18 7/16in. (38.6 x 46.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

235. John Wilkes Esq.

Creator:: Thomas Cook, 1744–1818
Date:: 1800
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Chauncey B. Tinker, B.A. 1899

236. Marriage a la Mode. Scene with the Quack.

Creator:: Charles Mottram, 1807–1876
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

237. Credulity, Superstition & Fanaticism

Creator:: Print made by Charles Mottram, 1807–1876
Date:: 1833
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

238. Frontispiece to the Artist's Catalogue, 1761

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1807
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

239. Tail Piece to the Artist's Catalogue, 1761

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1807
Materials & Techniques:: Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

240. Frontispiece to the Artist's Catalogue, 1761

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1807
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

241. A Third Modern Military Punishment

Creator:: Print made by Samuel Ireland, active 1760–died 1800
Date:: 1794
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

242. A Third Modern Military Punishment

Creator:: Print made by Samuel Ireland, active 1760–died 1800
Date:: 1794
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

243. A Third Modern Military Punishment

Creator:: Print made by Samuel Ireland, active 1760–died 1800
Date:: 1794
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

244. A Third Modern Military Punishment

Creator:: Print made by Samuel Ireland, active 1760–died 1800
Date:: 1794
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

245. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

246. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

247. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

248. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

249. Specimens of Beaver's Military Punishments, 1725

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1809
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

250. The Invasion, Plate II, England

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1807
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

251. Humours of an Election Entertainment

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1809
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

252. Chairing the Member

Creator:: Print made by T. E. Nicholson, active early 19th century
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

253. Falstaff Examining His Recruits

Creator:: Print made by Thomas Ryder, 1746–1810
Date:: 1799
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

254. First Design for the Enraged Musician

Creator:: Print made by Thomas Ryder, 1746–1810
Date:: 1799
Materials & Techniques:: Etching and roulette on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

255. First Design for the Enraged Musician

Creator:: Print made by Thomas Ryder, 1746–1810
Date:: 1799
Materials & Techniques:: Etching and roulette on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

256. First Design for the Enraged Musician

Creator:: Print made by Thomas Ryder, 1746–1810
Date:: 1799
Materials & Techniques:: Etching and roulette on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

257. The Enraged Musician

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1806
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

258. 3 Characters, 4 Caricaturas

Creator:: Print made by unknown artist
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

259. 3 Characters, 4 Caricaturas

Creator:: Print made by unknown artist
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

260. 3 Characters, 4 Caricaturas

Creator:: Print made by unknown artist
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

261. 3 Characters, 4 Caricaturas

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1807
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

262. 3 Characters, 4 Caricaturas

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1807
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

263. 3 Characters, 4 Caricaturas

Creator:: Print made by unknown artist
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

264. 3 Characters, 4 Caricaturas

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1807
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

265. A Chorus of Singers, Rehearsal of the Oratorio of Judith

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1808
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

266. A Chorus of Singers, Rehearsal of the Oratorio of Judith

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1808
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

267. The Chorus

Creator:: Print made by unknown artist
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

268. The Chorus

Creator:: Print made by unknown artist
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

269. A Chorus of Singers, Rehearsal of the Oratorio of Judith

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1808
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

270. The Chorus

Creator:: Print made by unknown artist
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

271. The Lecture

Creator:: Print made by unknown artist
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

272. The Laughing Audience

Creator:: Print made by unknown artist
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

273. The Laughing Audience

Creator:: Print made by unknown artist
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

274. Analysis of Beauty, Plate I

Creator:: Print made by J. Barlow, active 1791
Date:: 1791
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

275. Analysis of Beauty, Plate I

Creator:: Print made by J. Barlow, active 1791
Date:: 1791
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

276. Analysis of Beauty, Plate I

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1807
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

277. Columbus Breaking the Egg

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1807
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

278. False Perspective Exemplified

Creator:: Print made by Samuel Ireland, active 1760–died 1800
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

279. Columbus Breaking the Egg

Creator:: Print made by unknown artist
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

280. Industry and Idleness, Plate VI, The Industrious 'Prentice out of His Time and Married to His Master's Daughter

Creator:: Print made by William Henry Worthington, ca. 1790–active 1839
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

281. Conversation in the Manner of Van Dyck

Creator:: Print made by J. Barlow, active 1791
Date:: 1799
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

282. Daniel Lock, Esqr.

Creator:: James McArdell, ca. 1729–1765
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 13 3/4 x 10in. (34.9 x 25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

283. Members of a Society of Artists that Existed About 1730

Creator:: Richard Sawyer, active 1820–1830
Date:: ca. 1829
Materials & Techniques:: Etching
Dimensions:: Sheet: 11 3/8 x 13 1/2in. (28.9 x 34.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

284. David Garrick in the Character of Richard III

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1798
Materials & Techniques:: Line engraving
Dimensions:: Sheet: 18 3/8 x 22 3/4in. (46.7 x 57.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Jules David Prown, Yale MA (HON.) 1971

285. Scene at a Banking House in 1745

Creator:: Print made by J. Barlow, active 1791
Date:: 1799
Materials & Techniques:: Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

286. The Battle of the Pictures

Creator:: Print made by unknown artist
Date:: 1870
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

287. Ex Libris of George Lambert

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1791
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

288. A Third Modern Military Punishment

Creator:: Print made by Samuel Ireland, active 1760–died 1800
Date:: 1794
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

289. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

290. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

291. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

292. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

293. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

294. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

295. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

296. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

297. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

298. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

299. Plate II, Halberd Men

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1809
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

300. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

YCBA Collections Search

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On-site Access Accessible by appointment in the Study Room

Creator Hogarth, William, 1697–1764

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201. A Woman Swearing her Child to a Grave Citizen

202. Design for a New Order of Architecture

203. Design for a New Order of Architecture

204. Design for a New Order of Architecture

205. Design for a New Order of Architecture

206. Design for a New Order of Architecture

207. Design for a New Order of Architecture

208. Vauxhall

209. View in St. James's Park showing Rosamond's Pond

210. Burning the Rumps, Temple Bar

211. Rosamond's Pond

212. Mary Stuart, Queen Of Scotland

213. Shrimps!

214. The March to Finchley

215. A Representation of the March of the Guards towards Scotland in the Year 1745 (from: Caricature, vol. 5)

216. The Pool of Bethesda

217. The Good Samaritan

218. Canvassing for Votes, Plate II

219. Mr. Garrick in the Charakter (sic) of Richard the 3D

220. And as he Reasoned of Righteousness, Temperance, and Judgment to Come, Felix Trembled

221. The Four Times of Day, Plate III: Evening

222. Design for a New Order of Architecture

223. Design for a New Order of Architecture

224. Design for a New Order of Architecture

225. Sir James Thornhill

226. Wm. Hogarth died Octr. 26th 1764 Aged 67

227. William Hogarth

228. Hogarth

229. Marriage A-La-Mode, Plate IV: The Toilet Scene

230. Marriage A-La-Mode, Plate III: The Scene with the Quack

231. Marriage A-La-Mode, Plate VI: The Death of the Countess

232. Marriage A-La-Mode, Plate V: The Death of the Earl

233. Marriage A-La-Mode, Plate II: The Breakfast Scene

234. Marriage A-La-Mode, Plate I: The Contract

235. John Wilkes Esq.

236. Marriage a la Mode. Scene with the Quack.

237. Credulity, Superstition & Fanaticism

238. Frontispiece to the Artist's Catalogue, 1761

239. Tail Piece to the Artist's Catalogue, 1761

240. Frontispiece to the Artist's Catalogue, 1761

241. A Third Modern Military Punishment

242. A Third Modern Military Punishment

243. A Third Modern Military Punishment

244. A Third Modern Military Punishment

245. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

246. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

247. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

248. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

249. Specimens of Beaver's Military Punishments, 1725

250. The Invasion, Plate II, England

251. Humours of an Election Entertainment

252. Chairing the Member

253. Falstaff Examining His Recruits

254. First Design for the Enraged Musician

255. First Design for the Enraged Musician

256. First Design for the Enraged Musician

257. The Enraged Musician

258. 3 Characters, 4 Caricaturas

259. 3 Characters, 4 Caricaturas

260. 3 Characters, 4 Caricaturas

261. 3 Characters, 4 Caricaturas

262. 3 Characters, 4 Caricaturas

263. 3 Characters, 4 Caricaturas

264. 3 Characters, 4 Caricaturas

265. A Chorus of Singers, Rehearsal of the Oratorio of Judith

266. A Chorus of Singers, Rehearsal of the Oratorio of Judith

267. The Chorus

268. The Chorus

269. A Chorus of Singers, Rehearsal of the Oratorio of Judith

270. The Chorus

271. The Lecture

272. The Laughing Audience

273. The Laughing Audience

274. Analysis of Beauty, Plate I