The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing
1805
107
James Gillray, 1756–1815
The Republican - Attack
1795
108
James Gillray, 1756–1815
Fatal Effect of the French Defeat - Hanging (and) Drowning
1795
109
James Gillray, 1756–1815
Doublûres of Characters; - or - Striking Resemblance in Phisiognomy
1798
110
James Gillray, 1756–1815
Extirpation of the Plagues of Egypt
1798
111
James Gillray, 1756–1815
Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____
1798
112
James Gillray, 1756–1815
New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite
1798
113
James Gillray, 1756–1815
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
1797
114
James Gillray, 1756–1815
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
1791
115
James Gillray, 1756–1815
Homer Singing His Verses to the Greeks
1797
116
James Gillray, 1756–1815
The Leadenhall Volunteer, Drest in his Shawl
1797
117
James Gillray, 1756–1815
Field Marshall Count Suwarrow-Rominskoy ---
1799
118
James Gillray, 1756–1815
A Man of Importance
1799
119
James Gillray, 1756–1815
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery
1791
120
James Gillray, 1756–1815
Independence
1799
121
James Gillray, 1756–1815
Elegance - Democratique, - A Sketch Found Near High-Wycombe; - Whenever I Wish to Form a Proper,- Estimate - of a Mans Mind, I Observe his Manners and his Dress. --- Lord Chesterfield,
1799
122
James Gillray, 1756–1815
A Portrait ------------
1799
123
James Gillray, 1756–1815
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
1797
124
James Gillray, 1756–1815
A Hackney Meeting
1796
125
James Gillray, 1756–1815
And The' - Tisick, - The Colic, Punch Cures The Gout
1799
126
James Gillray, 1756–1815
Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square
1796
127
James Gillray, 1756–1815
The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat
1796
128
James Gillray, 1756–1815
The Grand-Signior Retiring
1796
129
James Gillray, 1756–1815
Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe
1796
130
James Gillray, 1756–1815
Fashionable - Jockeyship
1796
131
James Gillray, 1756–1815
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris
1796
132
James Gillray, 1756–1815
Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon
1796
133
James Gillray, 1756–1815
Hint to Modern Sculptors, as an Ornament to a Future Square ---
1796
134
James Gillray, 1756–1815
John Bull & His Dog Faithful; - "Among The Faithless, Faithful Only Found"
1796
135
James Gillray, 1756–1815
The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe
1792
136
Print made by James Gillray, 1756–1815
The Prince of Wales
1802
137
James Gillray, 1756–1815
A Natural Crop; - Alias - A Norfolk Dumpling
1791
138
James Gillray, 1756–1815
The April Fool or The Follies of a Night ---
1786
139
James Gillray, 1756–1815
A Witch, Upon a Mount's Edge - Vide: Fuzelli
1791
140
James Gillray, 1756–1815
A Sun Setting in a Fog, With The Old Hanover Hack Descending
1783
141
James Gillray, 1756–1815
Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2)
1782
142
James Gillray, 1756–1815
A New Administration, or - The State Quacks Administring
1783
143
James Gillray, 1756–1815
The Triumphant Britons
1780
144
James Gillray, 1756–1815
A Copper Countenance, Selling by Private Contract, The Property of a Noble Lord Out of Office Having No Further Use for It..
1780
145
James Gillray, 1756–1815
Bonus - Melior - Optimus, or the Devil's The Best of the Bunch
1783
146
James Gillray, 1756–1815
A Block for the Wigs - or, The New State Whirligig
1783
147
James Gillray, 1756–1815
The R't Hon'ble Catch Singers
1783
148
James Gillray, 1756–1815
Jack A Both Sides!
1783
149
Print made by James Gillray, 1756–1815
Scene Le Vrog House
1782
150
Print made by James Gillray, 1756–1815
The Minister In - The Minister Out
1782
151
James Gillray, 1756–1815
The Prince at Grass --- The Prince in Clover
1787
152
James Gillray, 1756–1815
The Apotheosis of Hoche
1798
153
James Gillray, 1756–1815
Gloria Mundi, or - The Devil Addressing the Sun
1782
154
James Gillray, 1756–1815
The Royal Academy
1786
155
James Gillray, 1756–1815
Gloria Mundi, or The Devil Addressing the Sun
ca. 1782
156
James Gillray, 1756–1815
Crumbs of Comfort, - or - Old-Orthodox Restoring Consolation to His Fallen Children
1782
157
James Gillray, 1756–1815
Committee of Grievances and Apprehensions
1792
158
James Gillray, 1756–1815
The Fall of the Wolsey of the Woolsack
1792
159
James Gillray, 1756–1815
The Bubbles of Opposition
1788
160
James Gillray, 1756–1815
The Friendly Agent
1787
161
James Gillray, 1756–1815
A Warm Birth for the Old Administration -----
1783
162
James Gillray, 1756–1815
Margarets Ghost. What's the Matter Auntee-Peg, What Makes You Put on Such a Long Face?
1791
163
James Gillray, 1756–1815
John Bull Triumphant
1780
164
James Gillray, 1756–1815
The Seige of Blenheim, - or - The New System of Gunning, Discovered -- Vide - A Bold Stroke for a Husband-Dedicated to the Duke of A.-
1791
165
James Gillray, 1756–1815
Balaam, - or - The Majesty of the People,- The Lord Open'd the Mouth of the Ass, . . . etc
1783
166
James Gillray, 1756–1815
Ah, Grant A Me Von Letel Bite
1780
167
James Gillray, 1756–1815
The Cole - Heavers. Two Virtuous Elves, Taking care of Themselves
1783
168
Print made by James Gillray, 1756–1815
A Coalition of Parties, Give Justice Her Claims
1783
169
Print made by James Gillray, 1756–1815
Evacuation Before Resignation
1782
170
Print made by James Gillray, 1756–1815
Ornaments of Chelsea Hospital; or - A Peep Into the Last Century ---
1789
171
Print made by James Gillray, 1756–1815
The Coming-On, of the Monsoons; or - The Retreat from Seringapatam
1791
172
James Gillray, 1756–1815
Two New Sliders for the State Magic Lanthern
1783
173
James Gillray, 1756–1815
The Castle in the Moon. A New Adventure, Not Mentioned By Cerventes
1782
174
James Gillray, 1756–1815
The Thunderer. Vide; Every Man in His Humour, Alter'd From Ben John
1782
175
James Gillray, 1756–1815
Destruction of the French Collossus
1798
176
James Gillray, 1756–1815
The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton)
1797
177
James Gillray, 1756–1815
Buonaparte Leaving Egypt
1800
178
James Gillray, 1756–1815
Nelson's Victory: - or - Good - News Operating Upon Loyal - Feelings
1798
179
James Gillray, 1756–1815
The High German Method of Destroying Vermin at Rat-Stadt
1799
180
James Gillray, 1756–1815
Exhibition of a Democratic Transparency,-with its Effect upon Patriotic Feelings: Representing, the Secret-Committee throwing a Light upon the Dark Sketches of a Revolution found among the Papers of the Jacobin Societies lately apprehended..
1799
181
James Gillray, 1756–1815
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself
1798
182
James Gillray, 1756–1815
Patience on a Monument
1791
183
James Gillray, 1756–1815
The - Battle Royal, or Who Wears the Breeches
1784
184
James Gillray, 1756–1815
A Uniform Whig ---
1791
185
James Gillray, 1756–1815
Which is the Better Man or The Pot Calls the Kettle Blacka-e
1786
186
James Gillray, 1756–1815
Exit Liberte a la Francois! - or - Buounaparte Closing the Farce of Egalite, at St. Cloud near Paris, Nov. 10th 1799
1799
187
James Gillray, 1756–1815
French Generals Retiring, on Account of their Health; - with Lepaux Presiding in the Directorial Dispensary
1799
188
Print made by James Gillray, 1756–1815
The Dutch Divisions
1787
189
Print made by James Gillray, 1756–1815
The Sick Prince
1787
190
James Gillray, 1756–1815
The Fall of Dagon - or Rare News for Leaden-Hall Street
1784
191
James Gillray, 1756–1815
Evacuation Before Resignation
1782
192
James Gillray, 1756–1815
Sophia, Honour, and the Chambermaid
1780
193
James Gillray, 1756–1815
Miss, I Have a Monstrous Crow to Pluck with You!
1794
194
James Gillray, 1756–1815
Vices overlook'd in the New Proclamation
1792
195
James Gillray, 1756–1815
Sans-Culottes, Feeding Europe with the Bread of Liberty
1793
196
James Gillray, 1756–1815
A Democrat, - or - Reason and Philosophy
1793
197
James Gillray, 1756–1815
Dumourier Dining in State at St. James on the 15th of May 1793
1793
198
James Gillray, 1756–1815
Sin, Death, and the Devil
1792
199
James Gillray, 1756–1815
John Bull Bother'd; - or - The Geese Alarming the Capitol
1792
200
James Gillray, 1756–1815
The Hopes of the Party, Prior to July 14th, ---"From Such Wicked Crown and Anchor-Dreams, Good Lord, Deliver Us."